“Now playing: the ominous names you are yet to know, yet to resent” – Nayana Nair

I board the train that I could
thinking,
only thinking about the one I couldn’t.
There are only tunnels, only darkness,
no network,
only cold metal that I rest my head
hoping for my fever to come down,
only windows that turn into mirror.

In those momentary mirrors
I always look like someone on life support.
In the crowd that no longer suffocates me
I cling to the wires that fill my ears
with the sound of past, with love that will never come back,
with the love that I will never be,
with everything I can’t bear to talk about nor forget.

Though it pains me to look at myself for more than 2 seconds,
I force myself to withstand my stare.
For if I take my eyes away from me
I end up looking into eyes of strangers
who twist and distort their faces
asking for a reason they can understand
or they end up looking away,
their heart as fragile as mine.

We all act as if we can know each other by a glance,
as if we would prefer to be the backdrop, the wallpaper
than to find eyes that can actually see us,
than to know one more human who is hell bent on proving
the brittleness of our species.
I understand their heart, their fear all too well.
My skin remembers what their heart has forgotten.
Though I don’t think anyone really forgets things like these.

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