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Monthly Archives: February 2020

“mornings break us apart again” – Nayana Nair

she traced the light on my chest
pulled out everything that stung-
the swings, my feet,
the shadow i decided no longer to play with.

the comparision table of veins and arteries
copied into my notebook.
the eraser and pencil that helped me document
in those tables my lackings compared to everyone else.

a page torn, and then another, and then another.
pages that learnt immortality by choosing my heart as home.

she stayed up nights trying to free me
as i stuggled and begged not to empty me.
she smiled and said the words she didn’t mean,
words that i wanted to hear from someone, anyone.

so i slept because she couldn’t be stopped.
“leave me alone” now hurt me more than her.
i opened my eyes and cried
for her work was done,
now i was no one, now nothing was mine,
not even my pain, not even her.

she dusted her cobweb skirt,
placed a kiss on my forehead
and told me to breathe,
breathe in everything
that i didn’t think i had the right to.

she told me to breathe
and to never forget what suffocation felt like.
it helps in becoming kind, she said.

as she wiped clean her traces from my life,
i felt better, again i was full.
i was full of her, of this love that won’t work out.
being full of her, i refused to breathe,
because i wanted to keep it that way.

“maintain my world” – Nayana Nair

and this sad premise is not a commentary
on how rotten the world is
but an observation
that we have a pattern that is hard to break.

that people often misinterpret the habit of one thing
as a proof of its superiority over everything else in world.

that words can move your heart,
sometimes for worse.
it can move you towards hatred, towards fear
towards anger that is not your own.

that the wish to be right
makes us forget how to wear someone else’s shoes
or their color or their nationality or their body.
a body that is no longer their own – now that
they are just a sack of blood, a sacrifice
to please our personal gods – our thirst of power
and the “better world” that no one else wants.

this sad premise is not a commentary
on how rotten the world is
for i do not have the courage to write the worst
or to imagine how i am right now walking
over faceless nameless beings to maintain my world
just like you.

“On Erasing Roads” – Nayana Nair

The dead world lives through her.
Her escape is a door left open
for the violence to spread,
or so she always believed.
When she saw someone who reminded her of love,
saw that the fragile bird of happiness
would choose sit by her window and wait for her to sing back,
when all that could make her feel safe and somehow better
smiled at her and asked her name.
She would remember how from her skin and her mind
grew trees of fear every night.
The flood that has left her land
loomed above this forest.
Anytime the cloud would burst,
the past would burst through her smile,
and all would be lost.
Today, tomorrow, day after,
on an afternoon when she would forget about it all,
on a beautiful day like that
she knows she will find sorrow again.
So she stays quiet and writes a softer tragedy
of a girl who could never tell her name
to anyone who chose her hoping for happiness.

“What I Remember (24)” – Nayana Nair

It is time to go out into the world.

It is time that I try hard to get my heart broken
and pretend that it is happening for the first time,

to claim that I trusted blindly
knowing it is not something I am capable of,

to fit my body awkwardly
in the kind of life that people call ‘life’

to find words, to practice the new lingo
that can make something about me relatable,
so that my skin soaked in a tiring tale of sadness
doesn’t make me an alien,

to fill me up again with pictures
of parks, cafes, malls, and roads filled with people
who supposedly like each other,
if not a lot,
then at least enough to not let their ailing self
ruin the perfect moment, the perfect teamwork, the perfect promise.
(Perfection that relies on someone else
doesn’t sit well with me.)

It is time I find something new
that I cannot be or cannot have
before I lock myself up again
for next hundred heart years.

So while I am out to find something to write about and hurt about
miss me my cell,
pray for me.
I am afraid that once I am surrounded by all
that I have learned not to want,
I might start to hope again.
I might slip again.
I might forget to see the distance that I carry in me
and get disappointed by the doors that I can’t reach.

“Creature of Claw” – Nayana Nair

How long should I bleed
for the one who holds the knife.

I pluck another flower of kindness
to appease the one who won’t even smile for me.
He looks at it and tells me the tested foolproof ways
to kill this useless plant that grows in me
and cracks his shield.

He tells me he will love me more
if I will cut his skin
instead of making him look as bad as he is,
if I struggle a bit to get back at him
rather than struggle to know him like this.

He says
“i would like us to be peas of the same pod,
i would like us to be the insects with same appetite,
i would like you so so much more,
if you would help me rule this world
that doesn’t listen to me. if you could speak
the same words as i do, words dipped in careless anger
rather than the ones served with pity.
don’t tell me the danger of my dagger
by slicing away your skin. you feel more like an enemy now.
the more you bleed to make me suffer,
to make me give up, the farther you get
from the person i could love.”

How long should I bleed
for the one who holds the knife
to stop him from cutting his own heart.
This will hurt him, he knows,
eventually if not now.
Yet he is becoming a creature of claw with a paper skin,
he is growing a dream
from the horrors he has only read.
The unnatural pauses on his lips,
the look of helplessness in his eyes
makes me wonder if he even knows how to stop.

“Luminous” – Nayana Nair

The night doesn’t quite reach my land.
There are columns and mountains of light
that my people have given themselves to.

I never roll down my windows.
There is a scent of death in the air.
I don’t want to remember
how burning is painful.

In my mind I run towards the memories
of my perspective correction classes.
I pick out a card, a line that works the most
“burning is luminous”.

Yes, burning is lumious.
Burning is magic, burning is beautiful.
It is beautiful as long as I don’t hear the cries
of one being burnt. It is magic
as long as I don’t ask
for confirmation of my worst fears being true
from the others who never open their windows.

There is red in the news no one talks about,
there is red in the names that disappear over night,
there is red splattered inside the world in my head
but the world is suspiciously clean even when all I smell is death.

When I close my eyes, it is never dark.
Something burns before me, I am always aware of it.
I wonder if I would ever know sleep again.

“ellipsis” – Nayana Nair

i can’t…i just can’t bring myself to remove all the ellipsis…that i leave behind in my sentences. i know they look shabby… as if i don’t know how to create proper sentences…as if i have never heard of a comma. i am told it is something similar to ending and pausing sentences with “you know”.

“so juvenile”…my friend had commented. i remember saying the same words to my friends as well (but i don’t think my tone was the same, but i could be mistaken…or self righteous)…so it seems i am not allowed to take it to heart. i am supposed to erase the ellipsis…till they smile again and lie that “i will do better”…or that “it’s time i grow up”…or “gotta become a real poet”.

it seems it is okay to store my ellipses in my mind
to place it on an empty sky,
on the face of my teacher sprinkled with a hatred that i can’t understand,
on the hands that never reach out to me in daylight,
on the future i can’t seem to dream about,
on every minute that i walk alone on the streets
where i thought i would never have to be alone,
on the days when i know the answer but won’t speak up
for the fear of being right.
i don’t know how to live a life
where what i think has importance or the acceptance of others.
need to find a better home for my pauses
than pages that are mine
but only with conditions.

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