“I wrote it all with dread” – Nayana Nair

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The sharp edge on your voice
brings back the glowing face of my father
talking about the descent of world
with an bright animated hatred,
his hands folding around the hilt
of an absent necessary knife,
as he ignored my own hands
tearing away at the dictionary,
gouging out some weak heart
from another chest of mine.
I wrote a song about his presence,
his looming beautiful voice,
about the ceilings of the world
that bent down to touch his blessed head.
“He will be soon gone”,
I repeated that line again and again
not knowing where to lead that feeling to.
I repeated the same pathetic show
to soothe his nerves, the same growing
of small violent flowers in his ashtrays,
as his drink swirled in the glass,
as it all devoured him slowly,
as I wrote again “soon he will be gone,
and I’ll be left behind to take his place.”

“This ground that we stand upon” – Nayana Nair

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Dear &^%$,

Have you found a way
to leave everything
that you call your ground-
your ground of anger,
of rusting armour of indifference,
of the trauma the heartless giants planted in your heart,
the compass that shows all the wrong directions
and always takes you to the nearest cliff, again and again.
Have you found a way to be better, to live better?
I haven’t yet.

Yesterday I listened to a stranger talk for hours
about how it can be done,
how it will end when we want it to.
It made me wonder if maybe we are not yet ready
for this groundless life.
Maybe that is our only issue.

All that can save us is so temporary, so transient.
Yet the thing that ruins us, is ours to keep-
not like the sun, but like the demon that needs our skin to live.
I wonder if we just need to be needed that badly.
Is that why we choose to cry than to change?
Is that why we choose to hold onto the wave that is drowning us-
just because it is here, because it is ours till it kills us.
Among many other things I also wonder what made us like this.
To be honest I am afraid to know.

What are you afraid of today?
Do let me know.

Yours,
$%^&

“no colors, no flowers for me” – Nayana Nair

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“he left me”
this is where I would have wanted everything to end,
at “he left me”…simple and clean
and yet carrying a sadness that can be forgotten
or remembered as something that just exists.
Exists not like floods but like rain.
Exists not like a story of love
but a story that had a possibility of some meaning.
“he left me” could have existed in me, in this world,
how words of no significance and no power exist.

But it didn’t end there.
What he did was simple,
but what he didn’t do
those are the things that exists like flood, like pain
that can exist without him.
He left me a leaf
and not a flower.
And knowing this, even if I forget him,
it won’t end
the pain I feel at the sight of flowers,
the anger the green fill me with,
the feeling of being wronged
at seeing everyone who gets both, while suffering less than me.

He left me a life that I am capable of living well
but a heart that won’t ever feel at ease
as long as I live wanting love for myself.

“Becoming Precious” – Nayana Nair

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Their torn ends, their disappearing body,
the plastic wings at the corner of
the shallow pockets (that were actually good for nothing)
now look like a teardrop determined to stand till the very end.
Isn’t it all so ridiculous,
laughable, and sad?
The blue that never dies – doesn’t it fill you with anger
at the unfair paces each component of this world moves?
The half alive part of everything cursing the other broken half
for taking them down as well.
Isn’t it a bit too noisy here to miss or accept anything?

(Or am I the only one?)

All the treasures are now at the pawn shops,
and the bottom shelves
of the rooms and houses, countries, and identities abandoned,
in the words that belong to pseudo names and ‘anonymous’,
in the trash cans of people who swear never to love you again.
They lie deleted and dumped under the bridges
whose shadow rubs your back
as you try to vomit out the leftover love eating your heart.

While everything to be thrown away is always there
in the cupboard,
in the handbags, on the sofa, in your phone
talking up extra space,
waiting for you to forget them, get fed up of them,
waiting for you to throw them away,
so that they can haunt you,
so they can be your another true love.
Till they are your sole teardrop when it all ends.

“Minimum Limit of Thirty” – Nayana Nair

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And when we had run out of pleasant things to talk about
I asked him things he didn’t ask me,
things he didn’t want to be asked.
But I was bored of the all this peace,
all the ants that crawled into him, into me
maintaining separate lines,
to reach the places in us
we both didn’t want the other to see.
I guess I wanted him to be different,
I had more than enough people
who wanted to love me without knowing me.
I guess I wanted to be difficult.
For once I didn’t want to be the easy conversation,
the easy way out of pain.

I asked him
when the waves of life try to reach his foot,
what does he do?
Who does he think of?
Whom does he drown in his mind
every time, every moment
to avoid knowing what he really feels?
Does he almost hold that hand,
does he almost save the one who will kill him first,
who has always killed him
without hesitating?

He seems to be the type who would do stupid tings
on repeat at least thirty times
before giving up on the one
whose love didn’t surface
even after the thirty wounds, or bloody hands,
or hundred considerations.
He looks so breakable and so happy
I wonder if in the hollows of his heart
where his anger and disappointments hides,
are there flower beds of daisies,
and a heart that can never be broken?

Is this how I look-
like him, plagued and haunted by beautiful dead thing?
Is that why he smiles at me without saying a word?
Is that why I can’t smile back?

“Any time now” – Nayana Nair

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“Irrespective of what has happened, I know happiness.
I do not remember the sadness as vividly
as those sentimental singers do. I don’t know the pain
that lasts eternities. I know of a happiness that cannot be lost.”
This is what I say when I meet my past.
This is what I say when I step into the world
where the past doesn’t pass by like it should.

I say this
because I cannot say
I am afraid of
because once___________________________
and till now it haunts me.

When___________________________________,
I have to strain myself, I have to forget myself.
Before someone tells me “This is life. Get used to this.”,
before they tell me about “the worst that can happen”,
I have to get out of my body,
I have to hide my remaining self in the corners I won’t fit.

I have to force myself not to throw up
as ___________________________________
_______________________________________,
as I see from far away
my body smile at all that is wrong.

I smile on my walk to the main road, I smile on my ride back home.
I hum a little joyful song as I close the door,
the same damn song I have hidden behind all this time.
On my warm bed, I lie facing myself
waiting for the tears
that should have arrived by now.
I wait for the breaking to happen,
so that I can put myself back,
so that I can suck out this poison again.

But the tears, the breaking, the moment of honesty,
the crying without knowing why
doesn’t happen.
And I realize, I fear that now ______________
has become a part of me, a natural pain.
Now
there is no way I can claim the body of the one
I cannot recognize.

I look at ceiling and hold onto the tremor of this stranger’s heart
that should have been me.
In those restless heartbeats, there is hope, there is fear,
there is anger, there is a me that has to say meaningless words
like “a happiness that cannot be lost” to soothe this world,
so that it won’t take away anything more of me.

“Everything I Treasure” – Nayana Nair

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There is a kind of happiness
that eludes me,
a kind of fear that
grips me in my sleep,
a kiss that makes me fear
losing
everything I shouldn’t treasure.
A person who kills me every second by loving me,
by giving up his hollow self to my hungry mouth.
A person whose sadness,
only sadness is mine.
A person who has loved too much,
been hurt too much,
who now substitutes pity, anger, jealousy, and need
in place of true love
(what is true love anyway?).
I remain awake trying to make this equation work
(what is true love anyway?).
I weigh my heart against yours and I realize
what a waning moon feels like.
I collect such new feelings without blaming you
(what is true love anyway?).
All my treasures are feelings I would accept
only by your hands,
however cruel and hurtful they may be.

“Dry Rivers” – Nayana Nair

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The river is finally running dry.
I heard someone rejoicing to hear this.
What is a river without it’s water?
I am told it is money, it is development,
it is more money.

Another colony, dozens of businesses springs up.
There is nothing to be sad anymore.
I walk on the roads trying to trace
the skeleton of what is lost.

Now, I know the names of few more rivers
that are nowhere to be seen on maps.

The numbers of such ghost keep increasing.

There is a language that no one cares for.
There is a city that forces everyone to leave.
There are words that don’t sound fancy anymore.
There is an accent that needs to be exorcised from tongues-
the identity of what we are is a secret,
something we can be killed for.

But it is the season, the world
where rivers dry out beautifully,
where aches turn into anger, into revenge,
into art, into denials,
into search for something new.
But rarely does it turns into tears.

How is it we have so much to lose,
so much that is already lost
and yet have so little to grieve about.

“in the light that smiles nonetheless” – Nayana Nair

that’s where my anger lives

on the mud stains of a size 7 shoes
swimming on the white floor of my small apartment.

in the plants uprooted, in the marigolds strewn
and trampled on, in the light that smiles nonetheless.

on the streets where lives my fear – that finds me
and almost kills me, every time i hear footsteps behind me.

on the patronizing attitudes that i dutifully respond with gratefulness.
on the potential dangers, the possibilities of violence that every intimacy invites.
on the things i say yes to with a breaking heart.

in the mirror that only prizes my delicate frame and my weak wrist,
that tells me i would at least beautiful in the missing posters,
in the files housed in grim police stations,
in the videos and photos i would never get to know of (if i am lucky)

in the speeches that tell me i am safe
in the compartments and corners made for me.
soundproof corners where either
i would finally end up believing the facade, the lie of a safe world
or where i would learn how to stay silent to be spared the worst.

that’s where my anger lives

“What I Remember (28)” – Nayana Nair

As I grew up, whom I hate changed constantly, it changed more frequently than my dream for future roles.

Maybe that’s why I was so particular about what I hate and I did it with fervor for the first few years.

But as time went on that hatred turned into just another silence – my refusal to speak with anyone who I wanted to hate.

And now it has transformed to hating people while I pretend to get along with them. Curling inside with anger at the same jokes that I feel compelled to laugh on.

It is not an easy thing to do but it is still easier than all the alternatives. (The alternatives are my nightmare.)

Because even though my hatred has grown over time, I also find it in me that space to accept people at their ugliest, not loving them, just accepting that they too can live here, be here and do what I hate, and telling myself that I have to be fine with that.

I have come to hate this side of me the most – this cowardice dressed as generosity and understanding, where I do nothing but smile as my blood, my ideals burn and collapse.

Maybe that’s why I have hated myself most, with constant determination, without doubt. This hatred is my only light – my anger at myself, for not doing enough, for taking up fearing my uncertain volatile feelings and views, my own voice, more than I fear this world.