“We shall be the dirt, if not the flowers” – Nayana Nair

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On this street of misfortune,
we shall dance our goodbyes
with our last light.
Me – with my shoulders swollen red
under the weight of futile hope
and you – with your throat sore from
all the songs that never reached anywhere.
Together we shall do our last bit.
I will promise to make something
lovable out of your songs
and you shall knead the hopelessness
out of my burning muscles.
With nothing great to offer,
we shall approach each other.
We with our burnt tongues
and with our melting teeth
will take a huge bite
from this last human hour.
This is how we shall correct
the trajectory of our awkward dark flight.
You’ll cry at the beautiful never-blue sky
as I sing for the dry lost ground
marked with only horrors
for it will never know
the motion of roots within itself.
It will never know the feeling of
a monster, a darling, a story
growing out of it cracks. But we shall know it-
what being earth, being air,
being the last calm means,
and that shall be enough.
Even if we never get to know
the other beautiful things
a skin and the will of human can be.
Knowing this will be enough.

“The home I had in me for you, wasn’t much of a home” – Nayana Nair

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The home I had in me for you
stood in silence at the
the slow curve of every approaching road,
it stood with hope
facing the ocean of molten cold dead ends.
It was a beautiful place really,
a place where sleep hunted for eyes,
if only for some consolation, if only to feel alive.
A place of hollow abundance, where one could only pray
for a bit of loneliness as relief.
Morning dreams of lace and scissors,
the shade of some long lost sorrow,
the memory of rain always remaining on the clothes,
the sunlight forever imprinted on your chest,
the light of the-world-lost always clawing its way
to the dead center of your heart.
It was the world of bleeding fabric,
lying on skin like a pet waiting for a tamed life.
It wasn’t really much of a home,
there really wasn’t much space there left – for life,
for you, or even my changed love-filled self to survive.

“The Right Way” – Nayana Nair

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The monsters brought their shadows
as they climbed into my bed
and I gave them stories
that promised to make them human again.
I had talked them into the idea
of change and love and the broken petal
that became a flower overnight
in the embrace of a care so fierce it
that nothing in the world could stay broken
once they knew its warmth;
just liked they talked me into
the ideas of strength and hiding and the stones
that teach the skin of blood, bruise and eventually a strength
so stubborn that it can never be separated
from our bodies, our sorrows, and our will to fight.
But many hours and a sleep and a love later
we still found ourselves staring at the
broken windows of hope,
and the stone of disappointments
melting in the morning light like snow.
Each half of our heart now wouldn’t stop crying
and begging for the other half to change.
Every part of us was now contending with each other
on the monopoly of truth, the right way to love,
and the safe ways to die. Our surety of self was evaporating
faster than ever. We were being broken from inside,
scattered for good, while our skins now knew the same battles
of keep up a form, keeping our reality hidden.
But now we could at least now sit in a room
and look each other in eye and smile,
knowing we could never be separate from each other.
Knowing there is no hell or heaven we would go to alone,
no forgiveness only granted to one.
There was no sin or or grace in this kingdom of cries,
there is no beautiful escape from this knowledge of life.

“Looking at the walls of time” -Nayana Nair

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We are going to remember
and we are going to survive.
We don’t need to peel our lives from the walls of time,
take back words we always truly meant.
We don’t need to forget the faces
that were the most beautiful to us in this world,
they continue to be beautiful even when they don’t look at us.
We don’t need to hate the people who were once our everything
even if now they are not ours now,
not in the way were used to having them.
Though forgetting is tempting and easier on heart,
we are going to remember them well
and when we survive
their goodness shall thus survive in us.

“All this destruction does something to me” – Nayana Nair

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The fork in my hand scratches furiously
at the new sheen of the borrowed plate.
The dense death
and the calcium of my hand tries to make a dent
in my green vessels, my skin too persistent
to break away, to let anyone else win.
My teeth runs away from cheap meat-
the soft fish, the bird drained of blood
lie wasted in the mouth of people as they
kiss and cave into equally hungry lying mouths.
My teeth digs in, tears into that one loveless heart,
trying to find some hunger for myself,
a hollow to store my excess, my too much,
the insufferable and the glittering overflow,
the by-product of life that doesn’t want to be lived.
All this destruction,
does something to me
I feel there is revelation, some hidden logic
these marks and sounds are leading me to,
so I flow along.
waiting for the moment when the desperate whimpers
give away to something else, something beautiful,
something that will make me finally cry
that will hurt me in the most irreversible way
something that will make me a human
capable of losing and loving anyway.
Maybe ‘the end’ is just a scary sign,
beyond which the life I wanted to live begins,
a place without illusions and truths.
A point of just easy breathing.”

“Whatever good remains” – Nayana Nair

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I looked at the beautiful beautiful plate,
the rice lit like pieces of paradise,
the spice, the salt,
a garden, a farm,
a forest fit into morsels.
I wanted to write about food
and realized how it no longer fills me
but what feeds me are the hands that make them.
Carefully they serve the empty cold plate,
fill it with love and color and texture
and sprinkle “i love you” and “hope you are always happy”
and “hope you are always full” without restrain,
always, always in excess.
But I am never full,
and I am often not happy.
I eat this world and their love
always with half my heart heavy
with ugly yearning for things that cannot be.
But whatever good remains of my heart
remains because they love, they care
for me like this,
without reconsideration,
without restrain,
always,
always
in excess.

“The best way to disappear” – Nayana Nair

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My emptiness is finally put to use.
The fishes swim in me –
the luminous disfigured creatures of depth
and the beautiful dying ones of light,
fill me up one by one.

I teach them songs of sorrow.
I hold them in my endless embrace
singing them back to life
and in return they let me feel like someone
who can protect, love, and shield.
They let me feel things no human ever could.

Even though I hate to be seen
I smile as my body is put on display.
My skin, the strongest glass.
My skin, the weakest beams.
The shallowest of oceans I become.

Humans hold hands, hold themselves
as they stand before me.
They find possibilities, mysteries, awe
in all that I hold inside,
in all that isn’t me.

“truth as truth” – Nayana Nair

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“even if i loved
it was all in vain
and if i couldn’t be loved
what good was i anyway“
i utter such atrocities
hoping no one takes me seriously
yet hoping someone would cry.
i can’t tell from here
if i have broken anyone yet.
there is only blindness where i stand.
there is only light where i am allowed to be.
the lights stay on me.
the shadow of curtains comes down
on the momentary truth that hangs at my lips.

i wake up
and read about the dream i sold
looking for the cracks i made
but all i got was “pain looks good on her“.
i wonder if i am really that beyond hope.
my blood shines and my tears have wings.
my brokenness isn’t broken enough.
even in my honest moments
i only seem make pain more beautiful.
to be cared for, to be tended to
could it ever happen to me, should i even try.
to speak truth as truth
i wonder how that feels like.

“I hope you are as stupid as me” – Nayana Nair

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It takes an eternity.
It takes the courage of fighting
thousand bloodless wars.
It takes the the cruelty
of scratching through my own wounded skin,
breaking my own ribs that were made to protect
the soft things that keeps me alive.
It takes stupidity and few seconds
for my fingers to reach your lips.

You look up. Your gaze says something
that I do not understand.
Such beautiful hopes and possible disasters
come alive in your face.
My fear comes to the surface of my eyes
swimming in the black oil
glistening and waiting to burn.

“how it pained to part. how beautiful it is to meet.” – Nayana Nair

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the eyes made of glass stare at us
with its kind open clutches held out.
the eyes made of forgetfulness
and remembrance in equal measure –
they are beautiful.
they sing of the most beautiful fear,
the most hurting hope.
and we sing back.
me and my brothers –
we sing like we have never known death
as we hand over our hidden skin folded in half.

folded in half, we sleep in its arm
and we invent love, invent warmth,
invent meaning.
we hear it breathing.
we hear our lung collapse.
we have brought something to life again.
this machine of fear and ends –
it breathes, it tears up and cries.
i feel an ocean flowing into my eyes.
the suffocation ends.
and just like that there is
nothing of us left with us.

somewhere we will open our eyes
and stare at lips that sing of giving,
we will feel our hollow insides echo
with the memory of our own lightest steps
we will look
at the saddest sweetest children of this world
and we’ll know ourselves through it again.
we will know of the ocean in us
when it leaves our eyes.
and just like that we will be all that
we couldn’t bear to live as.