“Always Spring” – Nayana Nair

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There is mercy in shadows,
there is healing in light,
and in the darkness?
There is always something in darkness
but we never know what.
Only there I can invent, imagine
and pretend.
Pretend
that this is my heart,
these are my people,
these noises that scare me
are of ghosts,
here I can see their teary eyes
Pretend
that the one coming towards me is
a kind monster,
that the bleeding has stopped
that outside is spring,
is a life better and wider than this
Outside is always spring
till I don’t open the windows,
till I don’t look out.
What a sad fragile relief this darkness is.
A never-ending cycle of hope and pain.

“I have learned to gaze lovingly” – Nayana Nair

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The fishes peep at me
through the pink sewer grates,
the filth and dirt and greed of city
eating their eyes,
the loneliness scratching at their fins.

I look at them
as if they are a painting
hung on an illuminated wall –
the last standing wall.
The vapors of dissipated life, dissolved flesh
spread all around it – the waste of everyday life
the waste of silent war.

But it lasts only a moment
my gift of vision, my ability to detach
only lasts so long.
The hunger in my bones, once again,
makes me look away.

I get up and walk.
I move my feet to the beat of the song
being spun in my corrupted mind
I am tempted to increase the volume
to find a pitch that resonates with the air here.
The point where everything bleeds and nothing heals
what will happen to me there,
what will happen to all of us I wonder.

But I have walked these roads before
I now know more than anything
that I only yearn to live.
Slowly, I have learned to protect my ailing tissues.
I have learned to gaze lovingly at my broken mind.
So, I press pause.
I continue to persevere.

“blue dreams and railroads” – Nayana Nair

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so my blue dream
is not even mine now.
i am just a mesh of people who hate me.
their fingers are my fingers now
poking my skin, endless railroads of red are built
with their nails that they do not even cut
before they sell me their fake love-filled eyes.
their eyes are my eyes
that wants to smash every reflective surface where i fall.
every reflective thought is just a poison.
a poison, a gossip, an untrue version of me running wild
in the minds of those who look at me.
they gossip about me
so i gossip about myself ,
whisper my secrets into the air
or better, into the ears of lovers who are chosen
especially for their talents in indifference,
vulnerability, and emotional violence.
lovers who can break me – are all that i want.
i need someone else to do this breaking for me
because i am coward who can’t move towards the end i want,
and also because my hands are busy.
i have more things to do.
i need my hands to tear my talents apart
in the name of value, tear my feelings apart
in the name of my worthlessness.
i need my hands to paint again and again.
paint indifferences on my insecurities
that come a bit too often to the surface of my skin now,
paint laugh lines on the bleeding corners of my lips,
paint dreams of love, moments of hurt, grand betrayals
on my otherwise lonely mind,
paint humans that match the shadows in me,
painting causes and assurances.
i must paint.
i must paint a reason-
a reason why i suffer so,
why this world works like how it does,
why i must break as the world breaks,
why i must break even for fixing this world.
i must paint a face
so that others don’t break at the sight of my face.
i clip my nails everyday
so that when i become someone’s ghost
when someone suffers because of me
at least my hands won’t leave them scars.

“such love” – Nayana Nair

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is there a permanent thing,
a person whose name sounds like “forever”
something that can we have it if we try,
if we bleed enough, if we follow all signs.
or did we invent god
just because such things don’t exist,
such hope, such love won’t come by.

“Last Drink in the Refrigerator” – Nayana Nair

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Amidst the clutter of her living room, I sat down with the last drink in her refrigerator- an extremely sour and almost suspicious orange juice.

I could look up the expiry date but it was already too late. I was almost down to my third sip. A thought that arrives a bit too late is probably a thought best forgotten. If I end up in ER for this, this might be my last orange drink. Sort of sad that the last orange drink in my life tasted like calculated foolishness rather than a bright sun and its shameless almost applaudable want of attention.

I walk around her apartment, looking at all the stuff she has accumulated over the years, things that I am rather too conscious to look at when she is awake. I do not know the face that I should make at the face of all that she can’t get rid of – the things she wants to throw away, the things that make her believe that she is an actual person with a life that was actually lived.

When I see her bleeding fingers, her grip, her intent to never fall from this precipice, her intent not to ever pull her self out of it; I end up finding all thing that I could have done, all that I could have been. I end up finding ways to have broken beautifully, to break in a way that wouldn’t endanger my will to live so much.

Which is weird because she is sadder than me. Which is weird cause I do not think the type of breaking matters that much.

They are just thoughts that have arrived a bit too late because now I have time to think, because now I have the heart to forgive, because I am that ideal age where I might opt to forget for the sake of my own heart.

If I end up in another heartache because of the things we can’t change anyway, if this turns out to by last love, then it is sort of sad that I can do only so little, that I can love this much.

“Picturing You” – Nayana Nair

I am not lonely.

I am just fond of imagining you.

I prick my heart with the thought of you
and it bleeds ,
but only a bit.

Enough to show that it is alive.
Enough to tell me to go on.

It beats for you
and bleeds for me.

That is how fair my love is.
And this is why you’ll always win.

“Melting a Rose” – Nayana Nair

In rooms like these
my hollowness becomes real.

It becomes an ant that won’t stop walking
with its tiny feet across the span of my hands,
a felling that won’t rest.

It feels like the rain
that falls and fills everything before me.
Leaving me alone. Alone to think of you.

And I.
again I find in you

a hope?
a reason to run away?

hope

I wrap your moonlight around me.
I melt this rose of tears.

I melt myself and my shields
so that you can see me as I see you.

In rooms like these,
with your hope in me

I can’t help but close my eyes

and dream of finding me in front of you
holding onto my heart

and you finally smiling back.

a reason to run away

I look at my bleeding hopes,
unlike you I have not yet learnt
how to not hurt.

So I bleed silently, fearing
I might be the wrong answer,

fearing the regrets that you might discover
the hurt you might know

due to the imperfections that I collect
and fill myself with.

Every time I dream of you
the rose in my heart melts a little more.

The melting drops burn my eyes.
There is only pain in the place where you used to be.

You stand beside the fire” – Nayana Nair

In the rubble with nerves hiding sparks,
in the nest of sleeping explosives,
again it is you.
Again you are here to prove something
by doing something unasked for.

You build a place for warm tea,
for all our shivering ghosts to haunt.
You place the chairs that are not chairs
but buckets that cannot hold anything now.
There are chairs that are lying around just fine
but you don’t want them.
You don’t want the old purposes eating away
the beauty of all that is left behind.

You console the ones holding onto what is no longer there
but you don’t want the ones who want a way back to what it was.
You ask us questions with your bleeding lips
you want us to answer with something real,
not just words.
“You are cruel”,
you laugh when we say that.
You make us leave everything we are
just so that we can finally sit on empty buckets
thinking about the hands we cannot hold,
thinking about hands that are no longer hands.

“The city is no longer burning”, you tell us
as we place our empty glasses in front of our empty eyes
and tell us it is fine if we don’t believe it now.
“Sleep. Dream and stay for a while with the molten and bombed,
the lost and the dead that still have your heart.
Take your time.”

As we lay awake in our heart-wrenching grief,
as we lose ourselves to your favorite world of sleep,
you stand beside the fire
that keeps us alive.
You stand beside the fire
that is not actually fire
but your heart
that burns like sun.

We wanted to tell you, “You are kind.
You are too beautiful for this world.
Have our heart and burn it instead.”
But we couldn’t .
We knew these things were easy only in words,
that these were things we couldn’t do, yet.
That we have not smiled and laughed with bleeding lips,
helping while being hated.
That we were too selfish to be you.

“the darkness that she sings for me” – Nayana Nair

i am in love
with the woman who sings and
becomes the background
of my every night.

i like to listen to her voice
as she takes my every second
keeps it out of my reach,
teaches me some really suspicious ways
to keep myself safe from the her demons.

she glows in the darkness that she sews
only for me,
for me to hold her hand the way
she will never be held,
the way i will never be held.

i hate to cry,
i have cried for a long time
for people who called me their option
when i was out of earshot
my tears are cheap, now all they do
is make me feel equally cheap
but the tears i shed for her life are beautiful
the tears i shed for her (who feels like me)
stops me from taking pills i don’t need.

another lover of hers sat opposite me few days ago.
she looked so much like her.
it made me wonder if i looked like her as well.
i wonder she knows her lovers are running amok
in the world that she paints with her pain.
i wonder if she knows that we are catching all her fears,
staying away from guys who speak like her ex,
staying away from the patterns she has pointed out.

i wonder if she knows
that we tell strangers “she sings well, she writes well”
when we want say
“she made me embrace the woman in me
that i have been trying to kill for a long long time.
she stood in my moonlight
counting all the daggers that make her bleed every day,
the same daggers that i fear to acknowledge,
telling me about the exact number of days it takes to collapse again,
about the face, her heart, and her womb that are for anyone’s taking,
about her rage, her mind, and her will that she was allowed to keep.
how she wanted to give up last night.
how giving up can become a concept of life every easily
but she didn’t want that,
because she didn’t want to be
the sad pathetic corpse of the woman
that the world said she would eventually be.”

i am in love with the woman
who wants me to be more than a silent background.

“Creature of Claw” – Nayana Nair

How long should I bleed
for the one who holds the knife.

I pluck another flower of kindness
to appease the one who won’t even smile for me.
He looks at it and tells me the tested foolproof ways
to kill this useless plant that grows in me
and cracks his shield.

He tells me he will love me more
if I will cut his skin
instead of making him look as bad as he is,
if I struggle a bit to get back at him
rather than struggle to know him like this.

He says
“i would like us to be peas of the same pod,
i would like us to be the insects with same appetite,
i would like you so so much more,
if you would help me rule this world
that doesn’t listen to me. if you could speak
the same words as i do, words dipped in careless anger
rather than the ones served with pity.
don’t tell me the danger of my dagger
by slicing away your skin. you feel more like an enemy now.
the more you bleed to make me suffer,
to make me give up, the farther you get
from the person i could love.”

How long should I bleed
for the one who holds the knife
to stop him from cutting his own heart.
This will hurt him, he knows,
eventually if not now.
Yet he is becoming a creature of claw with a paper skin,
he is growing a dream
from the horrors he has only read.
The unnatural pauses on his lips,
the look of helplessness in his eyes
makes me wonder if he even knows how to stop.