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“Argument” – Nayana Nair

The essays I have written
on the wretchedness of this world,
they are merely an argument,
a poor argument,
the only argument I can give
when I am confronted
by the wretchedness of my own soul,
the blood on my own hands,
the weight of shame on my conscience,
and my inability to change.

(Quote from manga Oyasumi Punpun)

“about” – Nayana Nair

about…
the breaking reflections in my running blood stream
the low lying and slow dying branches of my thoughts
the disappearing light and
the terrifying and liberating heartbeat
about…
words, your words
that i breathe in my lungs
to try and hear and fail to see what you feel, what you mean
since my ears are of no use
as they are still filled with the cries
that my brain has not been able to process till date
about…
about…
that’s what i want to talk about
and that’s what i want to hide

“god’s work” – Nayana Nair

i wanted to say
please don’t drag my god
into your selfish quest for power.
please don’t turn my god
into a tool to manipulate mind.
but i couldn’t say those things
for my god was no longer my god,
he/she belonged to people who were ready
to accept any lie, any cruelty
to propagate their beliefs and their way of life
to protect their gods (or so they say).
so i had no choice
but to cut myself from this doctrine
of power and numbers.
not to protect my god,
but to protect my mind and myself,
to protect my faith in the endangered humanity
when all i face are the proofs of its non-existence,
when all i find are people who think shaming people
and spilling blood is god’s work.
maybe it is selfish
but i want to remember my god as someone more kinder.

“Part and Parcel” – Nayana Nair

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That day when it rained of
bruised and dying birds
of feathers marked with colors only
an arrogant and confident cruelty can cause,
everyone looked about for an umbrella
to protect themselves from this vision
that they didn’t want to witness.
This was not the historic moment
that they wanted to be part of.

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I could understand their willingness to believe
that the marks of fingers in the blood and bodies
that filled up the roads
can be called natural causes.
It was probably better
than knowing the names of people whom we may have laughed with
only to know they know how to fly,
how to clip wings and suspend the decaying bodies in air
for eternities,
while we asked them the directions for our life,
while we asked them to tie up our laces as a child,
while we asked them to love us, and build a new life.

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I guess even the innocent
got fed up of being looked at like a potential danger
or tired of looking for one.
It was probably more convenient to come to an understanding,
of agreeing on a made-up fact
that this all is part and parcel of being a bird in the sky,
that birds should know better than to fly,
and tempt innocent humans into life of crime.
Birds at their best should just chirp joyfully
and let everything slide.

“Trade Myself” – Nayana Nair

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Will this river
that runs between us
loose its taste of mistrust,
if I take up your blood
and let go of mine?

I wish I could do that.

But a part of my mind,
that is yet to be corrupted by love,
rationalises and prefers
my loveless and homeless state
than to entrust my dreams to you.
It tells me
that if I can easily give them away
trade myself for a hope with an expiration date,
that if I don’t care
you won’t too.

“The Little Blood I Have” – Nayana Nair

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I looked up at the confused giants
and puzzled at their ugly voices
and deformed faces,
how they hold onto stones and branches
how they hold onto papers,
and threw each other off cliffs.
But what made me sadder was
that no one who was thrown off those cliffs ever died.
They just keep coming back
looking a bit different, speaking more funnier
and acting more mean
and throwing each others down again.
No one ever died here.
Everyone lived and everyone wanted all this to end
but no one wished it more than me.
I was made to believe that the little blood I have in me
is their doing, is their gift.
I wonder how much time it would take
to empty myself from the traces of this violence
and memories of people I grew up calling my family.

“Mess” – Nayana Nair

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A shadow moves in the clearing ahead
avoiding the columns of lighted air.
It steps on the green
now splattered with red
and looks for a hand that can help,
to get rid of this blood.
It finds my face and looks away
seeing probably I am in a bigger mess.

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