“A leaking instrument of love” – Nayana Nair

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Some part of her
has taken root here.
In this forsaken place,
she flowers and spills
the soft resilient petals of sun
on the dissolving roads,
on the floods of blue.
She lays her soft claim
on the wings of unnamed birds,
on the broken shrines,
on the leaking instrument of word,
on this throat
that knows her name
to be the only god
capable of a love so tender
that she becomes the holy wind
in this sail of a skin,
this skin that heals and breaks
and blooms with blood, only to
become, only to remain
as the last trace of an impossible embrace.

“What a hopeless sadness have I ended up facing in her love for truth”- Nayana Nair

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How false this all is.
Let’s imagine something truer.
Something true like returning to the pain.
I imagined another world devoid of distant fires.
A room filled with moonlight and sorrow.
Here I heard myself speak of the pain
that I cannot forget, that I cannot stop to seek.
I heard myself stupidly ramble about
the cold settled in my stomach, the snow
that had no winter to name as its mother,
how I tried to seek another face
that could make looking at my own bearable,
how I broke everything but me
because that was the only way to really hurt myself.
I heard her cry.
I asked her again and again
how much more truer should my pain be
for her love to become real,
for my love to count.
But I only heard her cry.

“i will come to see you again” – Nayana Nair

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and when i come to meet you
there are oranges buried in snow
and grenades in fruit bowls.
there is your smile that is locked
in a room filled with flammables
your new bedroom- you tell me as you turn away.
i take steps towards this ruined shrine
and a ghost, wearing all the dead roses of our world,
holds a spear of your name against my chest.
i step back and follow your cold body
again through the corridors buried in rain.
you stop suddenly and say something
but miss it as i rush into you,
through you,
through the fragile wall and doors
of another breaking dream
and i am here again, alive and distraught
under this comfortless ceiling of reality.

“blue dreams and railroads” – Nayana Nair

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so my blue dream
is not even mine now.
i am just a mesh of people who hate me.
their fingers are my fingers now
poking my skin, endless railroads of red are built
with their nails that they do not even cut
before they sell me their fake love-filled eyes.
their eyes are my eyes
that wants to smash every reflective surface where i fall.
every reflective thought is just a poison.
a poison, a gossip, an untrue version of me running wild
in the minds of those who look at me.
they gossip about me
so i gossip about myself ,
whisper my secrets into the air
or better, into the ears of lovers who are chosen
especially for their talents in indifference,
vulnerability, and emotional violence.
lovers who can break me – are all that i want.
i need someone else to do this breaking for me
because i am coward who can’t move towards the end i want,
and also because my hands are busy.
i have more things to do.
i need my hands to tear my talents apart
in the name of value, tear my feelings apart
in the name of my worthlessness.
i need my hands to paint again and again.
paint indifferences on my insecurities
that come a bit too often to the surface of my skin now,
paint laugh lines on the bleeding corners of my lips,
paint dreams of love, moments of hurt, grand betrayals
on my otherwise lonely mind,
paint humans that match the shadows in me,
painting causes and assurances.
i must paint.
i must paint a reason-
a reason why i suffer so,
why this world works like how it does,
why i must break as the world breaks,
why i must break even for fixing this world.
i must paint a face
so that others don’t break at the sight of my face.
i clip my nails everyday
so that when i become someone’s ghost
when someone suffers because of me
at least my hands won’t leave them scars.

“i cry blood and drink blood. i live another day. still shamelessly wanting.” – Nayana Nair

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I am a fearful soul.
I can only hold the hands
that can break under my grip,
hearts that do not know
of their power over me.

I fear, no one would believe
in my fragile nature,
nor pity my deteriorating state
once I start breaking others
before eventually breaking myself.

My breaking is not my secret
even if it is an act that is remembered
only by my own hands, my own skin.
It remains a fabled tale
of the last death without spectators.

It lives to dissolve into the stronger truths,
it dissolves into the concrete results
that are now engraved with names
that were breathing just yesterday.

I walk to them
with cruel empty hands,
with loud disrespectful steps,
with brazen breath daring to still flow.

I take their name with my own,
with a sadness,
as if some part of me
has died with them as well.
As if I know anything about dying.

“Silent Dazzle” – Nayana Nair

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The words are brittle
the ones they ask me to eat.
I was told this is how you forget
but it really doesn’t work.
It always leaves a mark on me,
claiming a bit more of me.
My throat would have shined,
would have dazzled the world,
if they could see the shards of glasses that
are stuck inside, that decorate my wind pipe.
Only I know how my voice and my hunger
makes its way out of this maze.
Like the thief in the movies
avoiding the lines of red,
I move within my body
slowly, carefully,
afraid if what I might encounter next.
Next to this fear… words and speaking
and performing in front of this world
seems easiest part of existing.
My words pushed out into the world
are always wounded and broken.
And they lie on the ground,
in the hands that feel strange,
already losing half of their bodies,
their meaning already taking its last breath.

To speak is to see myself die in the hands of other
and yet be spared, only to live a bit more,
only to utter the next word.

Another piece of glass added to my collection.
Another drop of blood shimmering at its end.

“The roads that I promised never to walk on” – Nayana Nair

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There are so many things that I wait to see again
and none of them will do my heart any good.
There are mountains and flags and footsteps
all settled into the sleep, lost in this busy blue.
Some call it drowning. Some call it the end of things.
Some wait for it to rise and become the lonely peak once again.
Some like me float my boat on this ocean
all dressed in sad flashy optimism
with my poor eyesight and a grainy foresight
ready to cry.
Some like me wait for the things they fear,
wait for the things that break, that tear.

All beautiful things of past are now buried
under a common grave with no stone, no epitaph.
I can’t tell apart my love from theirs.
My growing years, my diminishing heart,
the roads that I promised never to walk on,
the hands I promised never to leave-
they call it theirs.
They hold it in their arms
whenever after years of aimless floating
their boat gets caught by a shadow
that wants them.

Meanwhile I am afraid of holding back anything
that tries to stop me. Every pull frightens me
that I might love something that is not mine
that I will never know if this happiness is just
my sickness of water, sickness of search and waiting.
I can never look anyone in the eye
in the fear of seeing someone else’s tears,
in the fear of seeing my own corruptibility reflected.

And yet I can’t seem to end this search
for there are so many things I fear I will never feel again
if I end it all here.
Though they happen to be the same things
that I am incapable of believing in ever again.

“The moon shines on us” – Nayana Nair

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When I talk of the moon that shines on us in our sorrow,
as we promise to do better and be better,
I am again omitting something
that needs to be said.
Something that everyone reading us should know,
before they tell us the best course to reach happiness from here,
before they believe us when even we have learnt not to.

I am omitting that we are comfortable in our sorrows,
that happiness is an alien land.
We would rather break our hearts
than visit that place where we don’t fit in.

I am omitting that
we are obsessed about fitting in
as much as we are
about doing it without changing anything about ourselves.
So we will only be what we have always been.

I am omitting
that our love is primarily
about navigating life with heavy hearts
just to reach moments like these
where we feel we can be forgiven as long as we forgive.

The moon that shines on us in our sorrow
also shines
on the absurdity of this refuge that protects us from nothing,
on this love where there is no place for ‘better’.
Even when we know that this is a cycle of pain and deception
we revel in the fact
that this won’t end like everything else in this world.

“The land of disasters” – Nayana Nair

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As my empty cup for tea
came crashing on the floor,
I heard another sigh escape me.
I turned back from the counter
and watched in resignation
as the winds mercilessly pushed through
the cushions, the magazines, the old discarded
phones that made no noise as they came
to find death second time.

The curtains and the window frames
came apart. The sad smiles, barely visible
through the annealed glass, cracked upon
and my ancestors fled away, rejoicing for first time
in the brokenness of this world.
I recalled all the videos I had seen
about the land of disasters and the restless hearts
that live there. I recalled the reasons
that cause such misfortunes, the incomplete
distracted television reports. But I didn’t have to think
of all that, to know what was happening to me.

The sky was clear
and I could hear people walking to festivals and carnivals
and towards to unbearable silence of funerals,
trying to laugh as much as they can before they get there.
I closed my eyes and waited with anxiousness,
waited without hopes
for love to appear again and make a mess of the life
I had spent years to put together.

“Chorus” – Nayana Nair

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Sometimes when I forget to live, to see ahead,
I find myself back again in the house of wood
beside my child made of sand.
He looks like me most of the days,
sometimes she looks like him.
They are often speaking like chorus of brokenness.

Some days they tell me that they are not mine,
that they are not children, that I am not me.
I ask them
then why do I feel the way I do?
why do I hurt the way I hurt?
And hearing this
they become the sand that I can only cry upon.
They don’t come alive
until another time.

But until that, I must be me,
and see things not being themselves.
The sand that was a life a second ago,
it melts, it grows wings
and opens its eyes and burns as sun.

Sometimes it opens it eyes and starts crying in my arms.
It tears my skin, it makes me smile
all my dying parts wake up
but in a world where no such beautiful haunting exists
where I have no reasons to cry
only tears that never stop.