“All this destruction does something to me” – Nayana Nair

.

The fork in my hand scratches furiously
at the new sheen of the borrowed plate.
The dense death
and the calcium of my hand tries to make a dent
in my green vessels, my skin too persistent
to break away, to let anyone else win.
My teeth runs away from cheap meat-
the soft fish, the bird drained of blood
lie wasted in the mouth of people as they
kiss and cave into equally hungry lying mouths.
My teeth digs in, tears into that one loveless heart,
trying to find some hunger for myself,
a hollow to store my excess, my too much,
the insufferable and the glittering overflow,
the by-product of life that doesn’t want to be lived.
All this destruction,
does something to me
I feel there is revelation, some hidden logic
these marks and sounds are leading me to,
so I flow along.
waiting for the moment when the desperate whimpers
give away to something else, something beautiful,
something that will make me finally cry
that will hurt me in the most irreversible way
something that will make me a human
capable of losing and loving anyway.
Maybe ‘the end’ is just a scary sign,
beyond which the life I wanted to live begins,
a place without illusions and truths.
A point of just easy breathing.”

“Midnight Call” – Nayana Nair

sleepgirl

There is somewhat
a hesitancy in me
to I pick up the call
at midnight.
The ring sounds different.
It has a shaky sound
immitating the hands
that must be struggling to hold
phone in the very hand
through which countries of stories
have slipped into darkness.
Leaving behind
this person
who must feel like a character
who has lost his story.
And I am afraid
I can’t offer him
the words that can build up his life back,
that can calm his chaotic breathing,
and shuddering heart.
I can’t do it.
Because I was once on the other side
and my hands are still shaking.
I turn around in my bed all night
trying to reassure the only heart
that I can heal.