“I wrote it all with dread” – Nayana Nair

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The sharp edge on your voice
brings back the glowing face of my father
talking about the descent of world
with an bright animated hatred,
his hands folding around the hilt
of an absent necessary knife,
as he ignored my own hands
tearing away at the dictionary,
gouging out some weak heart
from another chest of mine.
I wrote a song about his presence,
his looming beautiful voice,
about the ceilings of the world
that bent down to touch his blessed head.
“He will be soon gone”,
I repeated that line again and again
not knowing where to lead that feeling to.
I repeated the same pathetic show
to soothe his nerves, the same growing
of small violent flowers in his ashtrays,
as his drink swirled in the glass,
as it all devoured him slowly,
as I wrote again “soon he will be gone,
and I’ll be left behind to take his place.”

“i dreamt of you today” – Nayana Nair

.

i dreamt of you today.
today i was a lost child
digging through the mist
with my fragile bleeding lonely fingers
for the name of the one i love,
the one i didn’t get to love enough. this name,
seated in the golden shrine of autumns, was nothing like
the name i remembered. the rust was eating away its mass,
the reality was tinkering with its gravity. holding it now,
felt very close to embracing an illusion.
light and time pass right through it
as if they are illuminating and revering
something
that never was.
i am starting to forget, i realize.

“the open doors don’t mean much now” – Nayana Nair

.

the towers
are open to the public now.
the crowd can now crow
and row and climb
to the better views-
a softer light,
a smaller distant world,
the illusions of gods
growing on our own earthly skin.
this radiance
was supposed to mean something else,
something more, something new though.
but these deafening footsteps,
this meaningless chatter,
these houses now growing like shrooms,
the clothes now drying on every step,
the resurgence of life and the blooming bruise,
the grass growing, the herds living
and dying in the shade of the tower-
they only make me cry.
even in their most wretched moments
they still remain things i can’t have.
the singular monument of hope
and its playground of chaos
and me, the only child
who doesn’t belong,
looks up at the promised sky,
feeling a new hollowness creeping.
feeling myself break
for the same old things in new ways.

“These Roles” – Nayana Nair

.

You smile
as you place the plates on table,
as you serve meals made of fire
in front of my body growing cold.

You smile
as you drag your feet
from the threshold of the door,
as you run towards the world,
as you swim back towards me.
Knowing, always knowing
that I also feel the weight of this water on us.
So you smile a bit more
and always rush to me to as if you are the lost child
when you also know the muddled one is only me.

I feel your doubts soften in my embrace
thinking of all that i have been and all that I ever could be,
all that you will ever love and never need.
And in my turn, I summon a smile thinking of what you are,
of the gentleness of your soul, of this genuine heart.
And just like our hands that are never still
trying to mimic and catch up to the heart of the other,
we are forever melting between these roles.
And because it is so,
because even this small me can save you with a smile.
I can love you even when you get wounded in my hold.
I can love you even with a guilty heart.

“The ocean is so huge and weird” – Nayana Nair

.

I drew her shadow on sand.

She stood still, her tiny shoulders
and ribs (that thankfully can no longer be seen)
moved gently with each breath.
Each tiny breath
like the wave that swept in,
like her laughter used to be.
She looks at me and asks if it is done.
I nod. I meant to say “almost”.
Just like I had meant to say “stop”,
or “please don’t” or “take me and spare her”.
She doesn’t wait for my answers anymore.
She skips over the boundaries of our shadows.

Her outline of me drawn in shaky fingers,
looks like a human being pulled apart
beside her own shadow – a child, complete and perfect.
But she looks at her shadow and calls it weird,
just like how she called the ocean weird.

For her
the smiling children in the glossy magazine were weird,
a chocolate bar without an occasion. without a reason were weird,
the memories of home she wanted to forget were weird,
the days she walked to school with her friend
and the days the sun went down as she slept over the
struggles of homework were weird.
She sat down and tried to come up with an answer for my “why”.

“the ocean is so huge.
as huge as, all the things i can’t have
but once i had them. it is weird.

it is weird how this ocean is mine now,
the breeze is mine along with the sky
but i don’t want them.

you have memorized my shadow.
you keep bringing me back to life
but you tear up so easily as if even you don’t believe yourself.
as if you don’t believe in me .

sometimes i feel that this ocean is our gift to each other,
it is our heart free of our bodies.
sometimes i believe that i am here and you are here
and the world where my head can rest in your lap
still exists.”

“The way complete beings find breaking” – Nayana Nair

.

You look at me
and I look at you
the way broken things look at the hands of an angry god,
the way complete beings look down
at things that can never be their equal.

You and me, we take turns,
learning to feel pain, to give pain
reaching for the light in each other’s eyes,
making copies of each other’s memories
and spilling the ink on the originals.

You and me –
we are children left alone unsupervised with this steel instrument of love.
We now know of the blood and bone within our skin, thanks to this blade.
We now know how to keep distance when nothing keeps us apart.

When we lose our color, our teeth of milk and cruelty,
when the blade loses its shine
and looks like any other rust of this world,
only then we know the pain
of having walked past a life we could have had,
the journeys we could have walked,
the meaning we carried in ourselves for each other sake,
the meaning we never looked up, never cared for.

“Invisible with every word” – Nayana Nair

.

The last stranger at the funeral home
brought in the worst rain of the season,
the coldest wind of the night
along with your last letter.
He leaned against the window
and called up everyone he won’t be able to meet today
looking at me all the while.
As if he knew every word that I was reading.
Probably waiting
to see whether I cry at the same lines that he did.
His eyes look like the ones who have got used
to crying for things that cannot be undone,
for a life that cannot be.
I wondered if he loved you. Maybe he did.
Maybe you knew. I hope you did.
He sat beside me
trying not to grieve more than a mother,
trying not mourn like a lover,
making himself invisible with every word
i read under my tearful breath

“…even when I sat at the dinner table with my brightest smile and deepest hunger, i couldn’t convince me that i needed to exist here.
even the warmest embrace of this world could do nothing but break me. i knew opening my heart could only bring floods and all ends of all kind.
i knew all along of this end. forgive me for pretending otherwise….”

“Wedding Photos” – Nayana Nair

It was like magic
running the highlighter, the bright crayon
over the sepia hands of her.
She didn’t complain or cry
as we ruined another photograph of hers,
as we tried to hide the evidence
of her failed love, our failing life.

We cut her out, moved her away
from the one who looked like us.
We placed her side of story, her half of heart
in the albums.
Albums that felt lighter
now that the responsibility
to remember only the good, its difficulty
was no longer our business.

We shredded few faces of his,
few others we drowned in ink.
His face was the reason we couldn’t look at ourselves,
the reasons of all the hurting words
we learned so fast.

After we ruined everything for good
we stared at each other,
and saw the tears we should’t be having in us.
This wasn’t how magic is supposed to feel.
Why?
Why was there no thrill, no relief in what we had done?
Isn’t it our turn to be free from the one who left?

“The eyes of my mother” – Nayana Nair

I planted the idea of a happy family,
a happy tomorrow,
into the eyes of my mother
with breaking tips of my pencils
against her granite eye lashes.

I told her the story about the boy
who is ever so sad
because his parents didn’t care enough,
who weeps on his empty birthdays,
who weeps into my heart.
I tell her I am not so fine myself.
Maybe she didn’t hear me clearly,
cause she didn’t stop
her daily charade of writing her “the last letter”.

I cleared her bed, her table, her words, her being
from the perfectly modeled replica of world in my mind.
I showed her, “Look, this is how I will look
with you gone. Look, look at what you must not do to me.”

She pulled me close, and held my hand for a bit too long,
a bit too tenderly
as if letting me know, telling me
“Look, this is how I look when I am alive.
Look, look at me pouring out of myself, dragging my feet
even till the end. Look, look at what I can no longer live as.”

And I stood there for a long time,
slowly understanding things I possibly couldn’t.
I stood there for a long time,
till my mom’s face was replaced by that of the ever so sad boy
as he held me, letting me cry into him
for the hundredth time.

“Red Gates” – Nayana Nair

I drowned the flowers
one by one.
The poison of beauty
now runs through the rivers
on this land,
they fill his backyard
in every season of rain.
A child with his smile
drowns another boat of dreams,
the flood is a field of paper,
the flood is all that is left of me.
She stares into me,
waiting for a reflection to surface.
She walks into me
to see where I end.

She tells me about the boy
she can’t love and the boy
she can’t blame
as I dissolve and submerge
the red gates of her house,
the garden of forgiveness,
her school shoes, all roads to her friend
who doesn’t smile back anymore,
the spoons that remind her of hunger
for farthest worlds and people.

She asks me how deep will be this pain
of losing herself, how long she would have to smile
through this hate.
I flow into her heart,
wondering, if there
I could turn back to the flower I was,
if the end of my hate could be
the end of her pain.
If I could be her answer of hope.