“Creature of Claw” – Nayana Nair

How long should I bleed
for the one who holds the knife.

I pluck another flower of kindness
to appease the one who won’t even smile for me.
He looks at it and tells me the tested foolproof ways
to kill this useless plant that grows in me
and cracks his shield.

He tells me he will love me more
if I will cut his skin
instead of making him look as bad as he is,
if I struggle a bit to get back at him
rather than struggle to know him like this.

He says
“i would like us to be peas of the same pod,
i would like us to be the insects with same appetite,
i would like you so so much more,
if you would help me rule this world
that doesn’t listen to me. if you could speak
the same words as i do, words dipped in careless anger
rather than the ones served with pity.
don’t tell me the danger of my dagger
by slicing away your skin. you feel more like an enemy now.
the more you bleed to make me suffer,
to make me give up, the farther you get
from the person i could love.”

How long should I bleed
for the one who holds the knife
to stop him from cutting his own heart.
This will hurt him, he knows,
eventually if not now.
Yet he is becoming a creature of claw with a paper skin,
he is growing a dream
from the horrors he has only read.
The unnatural pauses on his lips,
the look of helplessness in his eyes
makes me wonder if he even knows how to stop.

“I don’t want to be right anymore” – Nayana Nair

I wonder
‘me being right’
at what point of time it became synonymous
to finding out that his heart is empty-
my name washed out by the waves of the other girl.
The girl whom he swore is not his type.
“I was right”, I said as my hand trembled with anger and then fear
as I waited for the reply, for the apology, a missed call
from those whom I should not forgive.
But the way my heart is breaking
if only they would tell me that they still love me
I could have held them close to my chest
and thought of them as my family,
as the blood that I couldn’t part with.
I would have learnt to pretend
that I was born with a dagger on my back.

I was right, I understood
as I saw few more pictures not meant for my eyes.
(these days there are so many things that are not meant for my eyes),
as I try to digest the unfamiliar rage in his eyes,
as he breaks and breaks and breaks every moment we had
When I ask him “if should I stay around? if he’d change his mind?”
he tells me he doesn’t know his heart
and walks out into the night.

When I switch on the TV I almost expect to find
my name in red, my body in red
laying on the carpet that he loved
but had to ruin for a good cause, for a greater love.
This me, my death must be side effect of his love.
His love is all that matters now.
His love is not our love.
Our love is an obstacle to the happiness he can almost reach.

She calls me up again
to tell me how to gracefully give up.
I hear him behind her, I feel his despair in her voice.
(Must be true love.)
I hear him hum a song in the background,
a song that I have never heard.
I hear the ruffle of his clothes
that he moved from our life to her home
one betrayal at a time.
I hear what I don’t want to hear,
what I always knew-
they don’t want my forgiveness
even if I gave it for free,
I must mend my life by myself.
No past love will do it for me.

“Tiptoe” – Nayana Nair

the ones we sign our valentine cards to,
the ones we tie ourselves to for life
wait for us to die (or some form of death) to become free.
their heart is full of love – only not for us.

they tiptoe at night to bury their crimes
and demand honesty only when it suits
what they have in their mind.

so even when we ask,
“why did you break me like this
when I loved you so?”

they say, “there are no proofs in stories like these,
where everyone claims to be wronged.
there are no daggers, only words,
which are conveniently easy to forget
or edit if enough years pass.
anyway no one remembers that well,
one can always hear things wrong.”

so we go back to sleep,
get fine with living blind.
tell our self it is fine
as long as we are together,
when “together” is not what we want.