“All this destruction does something to me” – Nayana Nair

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The fork in my hand scratches furiously
at the new sheen of the borrowed plate.
The dense death
and the calcium of my hand tries to make a dent
in my green vessels, my skin too persistent
to break away, to let anyone else win.
My teeth runs away from cheap meat-
the soft fish, the bird drained of blood
lie wasted in the mouth of people as they
kiss and cave into equally hungry lying mouths.
My teeth digs in, tears into that one loveless heart,
trying to find some hunger for myself,
a hollow to store my excess, my too much,
the insufferable and the glittering overflow,
the by-product of life that doesn’t want to be lived.
All this destruction,
does something to me
I feel there is revelation, some hidden logic
these marks and sounds are leading me to,
so I flow along.
waiting for the moment when the desperate whimpers
give away to something else, something beautiful,
something that will make me finally cry
that will hurt me in the most irreversible way
something that will make me a human
capable of losing and loving anyway.
Maybe ‘the end’ is just a scary sign,
beyond which the life I wanted to live begins,
a place without illusions and truths.
A point of just easy breathing.”

“it is about getting a bit too much in life” – Nayana Nair

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so why the long face?
what’s ailing you today?

i am confused.

about love? again?

no, about me.

about your skin?
about the directions your eyes take?
or about the growing all wrong feeling?

about “me in love”.
about “me” and “love”.

so is your skin cracking like mine?
has loneliness finally figured out how to hurt you best?
is it about why there is so much of love in this world
and why only you aren’t getting any?

no, it is about getting a bit too much.
about finding love again and again,
and being loved back again and again,
and before you get irritated,
it is also about love ending again and again.

so do you hate them for the end?
or are you still loving them when you shouldn’t?

i haven’t figured out that yet.
sort of don’t want to .
i am already depressed about not having that “one love”.
now the sunset reminds me of one person
and the rains remind of another.
i remember them all, not with hate, not with love,
but with fondness.

is that a good thing? or something bad?

i don’t know.
they are taking too much space in me
i was true to everyone so it feels rude and thankless
to get rid of things that were once my only joy.
but i feel it is all making my heart bigger.

don’t people normally want?
a bigger heart?

but it making my head a mess.
my immature and desperate want
of having that one person, only one person in my eyes
is lost cause.
i can give my whole life to one
but they will know, always know
that i am missing so many parts.

so
since the desperate and immature past you has given up
don’t wait around for another immature person
to count and complain about your parts.

but i am still the immature one even now.
i have always been that.
i wouldn’t be worrying over
my own split attention, if not split heart,
if i wanted to be the bigger better person
that life i forcing me to be and to have.

don’t worry
life is long. you will grow.
you will grow to fit your heart.

what if i don’t?

then we wait, till it does.

“Understanding freedom” – Nayana Nair

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He broke my shackles with his blood
and took my hand,
my weightless hand, my almost wings,
and held them in the warm embrace of his own prayer.

As my hands created ripples for my own amusement,
as my hands broke the bread that I would now get to eat,
as I looked at flowers for hours at leisure,
and sang wordless songs without the fear of being heard
-he cried.
It was beautiful and sort of silly – his tears.

He cries at the smallest things
yet is unfazed at the moments that require tears.
Like this farewell, where with a smile
he recites his memorized list of wishes,
he recites the feelings of hope he has for the ones before him.

He looks at me. He looks at us all
and says “you are free. this is now a game without masters.
this is now a world where you are as good,
as deserving of respect
as anyone you stand with or stand against.
you are free. live. live such that
you would need no one to remind you of that.”

As we cried, he told us that
disappearing is what he always meant to do
that wanting his shadow around,
seeking his approval, and following his words
would undo everything he has done in this world.
Yet our tears won’t stop.

We didn’t know if these tears were of desperation,
of relief, of love, of being abandoned,
of being left without directions or heads that could
do the work of seeing and thinking for us,
in return of our submission.
He told us it is sometimes okay not to know.
He said it is okay to hate him
if it helps us to find a way that is our own.

It broke me to hear that because
he spoke as if being okay with being hated for saving
was an essential part of being good.
It was sad that he had to smile when he said it
as if he was not free to cry or complain for something like that.
Or maybe I have not understood freedom yet.

“For this hell keeps me from breaking for bigger and worse questions” – Nayana Nair

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“We must break our bones and lives
to create another spark –
this is what we owe to this world”
the voice on other side of my dear old wall
told me, told us all again.
And because we must do something about it,
we kept ordering another heart, another mindset,
another way, another “desperate somehow”
till our hands never felt comfortable with anything that is not new.
Would we stop, could we stop
if someone told us
that we are more than our failures?
I wonder even if I could believe those words
I wonder if such words mean much in this world.

Even if there was another place
to start a life that doesn’t run over me every morning
on the tracks that keep changing their shape and place,
tracks where I am just a new layer of metal, another layer of blood
that won’t give up, that cannot die yet,
saying hello to the ones who wake up beside me
as if death is another sleep for which they cannot lose time.
Even in that place, I feel I would suffer trying to define
and find my place even if no one asks me to.

“Earphones” – Nayana Nair

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I cannot paint

your silhouette moving through the rain toward me-
all the blue that lingered in the light rain, on my skin, in the wait for you.

The color that fills my mind when I recall
how your cold hands met mine, my frozen shivering love hungry hands,
and nothing was cold anymore,
nothing was insufferable,
as long as you and me stayed like this,
accepting the ache that comes with staying.

The song, the familiar and strange tune, that became beautiful
by the time it played for 35th time, by the time our cola lost its fizz,
by the time the untouched food looked comforting,
by the time I found that knowing you and your everything
was as painful and liberating as putting myself into words.

The tension
of the stretched earphones between our head and our aching necks,
a moment of sadness, of a great love, of a great end
played itself before us again and we promised ourselves- we won’t ever be there.
And yet as you mocked the world for its weakness
I cried for the same weakness you and me hid in ourselves.

The cold wind that went through me, as you walked past me,
my pride- ground and powdered, spilling out of me,
blinding and confusing people around me,
making me look desperate, pitiful, and empty
as I chased you through streets where we were never supposed to be.

I cannot draw them, so I write.
I write
how we stood together
in every room,
on every patch of earth
for the longest time
and saw within our reach
something that was beautiful and fragile
and no one’s to keep
as long as we saw each other only,
as long as we could smile at what we saw.

I remember you as you stayed still,
breathing carefully
as we let fate make something out of us.
I remember your eyes
asking me with a smile to confirm the reality of what we had,
of what we are.

I wonder how you remember me now.
Now that we are living our lives trying only to prove
that we have lost nothing of ourselves in losing each other.

“Familiar” – Nayana Nair

“You have changed”, I want to say.
But the more you change, the more familiar you get.

Now you look like the girl who lied she is my friend.
You look like the boy who crawled into my skin
only to confirm that I can feel the hurt just as he can.
You look like my hand that loves to strangle my heart.
You look like the sad unwelcoming roads to my breaking home.
You look like the one who desperately want to be remembered for leaving me in parts.

I want to say that I loved someone else
that couldn’t possibly be you.

But you are a person of this world,
you are the same as everyone else.
You sit here with me
hoping that you weren’t mine,
hoping that I would look familiar to you
if you looked long enough.

“On My Own” – Nayana Nair

Once the shade of the shutters
are rolled down,
once I am left on my own,
reason and explanation rush in,
try to cling and climb up
the cracks of my heart,
and the folds of my brain,
trying desperately to stop me
to reach out, to find me
in the fog of fear.

But I am already far ahead,
my hands reach for everything it could hold,
everything it could break
and hurl them at the window
till it broke,
till I could cry
for the things that were robbed from me.
I couldn’t stop.
I couldn’t stop hurting myself
even when I lay half-broken under dangling paper curtains,
even when all that I broke pierced my skin and hurt me back.
If I stopped, I would again hear the steps
that always walks over my world and reduces me to dust.

“What I Remember(6)” – Nayana Nair

I am writing this poem
because for an hour my mind is butchering
every beautiful thing in the world
to get that one line that can finish the thirst of this page.
And nothing beautiful remains beautiful
when such desperate hands
hack at it, cut it into grotesque chunks
and then fail terribly when trying to stuff them
into these mascots figures, these alphabets.
I call this a poem
because I can call it nothing else.
I call this a poem
because years ago a naive me
reached the conclusion
that the only way
a moment can live on,
a feeling can be recorded,
without the burden of the reason of its existence
is if it becomes a poem
and because the current me
doesn’t know how to deal with myself,
the current me knows nothing but to write,
and has nothing of substance that moves it’s heart.
And I fear myself
for the ease with which I refer to myself as ‘it’,
only because I became useless for few minutes.
I end up documenting my fear
of becoming empty,
of becoming blind,
and calling it a poem.
I end up felling helpless in newer ways
and I am forced to call it a new beginning
because giving every sorrow a beautiful name
is all that I capable of.

“My Character” – Nayana Nair

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The crowd, every crowd-
they exhaust me
and frighten me.
They take away air around me
and tell me to leave myself at the door,
if I want to come in.
They like to stare a lot,
they like to condition my mind, my eyes to look away when they stare.
Is this the point
where I am supposed to sit down with a sigh
and tell a sad story-
about how I was wronged (isn’t everyone?),
how they never apologized,
how there was nothing to apologize for,
how people find it easier to support the one in wrong,
how it is easier to hate myself that to hate so many people.
The most painful but convenient words that I can tell myself-
“maybe they were right” “i took it too personally”.
How the result of telling someone all this
are more words like these-
“you are not the only one, it happens, it is normal”
“don’t make a big deal of it”.
Is there any end to what one must hear and suffer
just to give an explanation that people want so badly to hear
and are more desperate to brush off as weakness of my own character.