“Once everything could be salvaged by commonplace miracle” – Nayana Nair

.

I would be busy scanning the shelves,
my hands clutching
a carelessly torn paper
that mentions in your clear writing
all that is essential
to nurture tiny special things
like childish loves and high-flying songs.
I would walk down the aisle
to the music of wedding march,
to the noise of tiny wheels ready to dismantle,
unable to find anything to save anyone.
The remedies for a body
that has known the laws of gravity too closely,
the bottles that can hold happiness gifted by visiting dreams,
the stickers of cracks to be pasted on the dams holding us back-
they are no longer sold here.
Like a typical maid running out of a ball,
with no prince, no magic, no new fate tailing her shadow
with my back adorned by lights of structures
that now only sell numbness
and the promise of easy breaking down,
I face the streets that are oblivious to their own dissolving.
I face your absence once more
to remind myself why nothing works anymore.

“the bridges float on the horizons we have lost” – Nayana Nair

.

the bird of possibility, decorated with arrows,
sits on our broken shoulders
and asks us what we see there
there – where we are not

there?

there…

something fragile still sleeps in us

our hands reach out to always find a sure warmth

something made of feathers hugs us back

a gentle sun kisses our wearied eyelids

and yet the dream doesn’t dissolve in your hand

“By holding you back” – Nayana Nair

.

And what do I desire
when I plant my body
in the path of storm,
when I place my hand
on your ailing nerve.

The ideas of gaining,
of becoming, of light –
the unholy invasive light
claiming all my hiding spots,
why do they seem to not matter.

The slow definite end
that I looked forward to,
whose hopes I relied on
to just breathe,
why does it seem hateful
when you are the one
moving towards it.

When my skin knows every surface
your struggling hands have grazed,
when I know sometimes
one cannot just go on,
why do I feel this all is unfair
when you are the one
who yearns to dissolve.

“I have learned to gaze lovingly” – Nayana Nair

.

The fishes peep at me
through the pink sewer grates,
the filth and dirt and greed of city
eating their eyes,
the loneliness scratching at their fins.

I look at them
as if they are a painting
hung on an illuminated wall –
the last standing wall.
The vapors of dissipated life, dissolved flesh
spread all around it – the waste of everyday life
the waste of silent war.

But it lasts only a moment
my gift of vision, my ability to detach
only lasts so long.
The hunger in my bones, once again,
makes me look away.

I get up and walk.
I move my feet to the beat of the song
being spun in my corrupted mind
I am tempted to increase the volume
to find a pitch that resonates with the air here.
The point where everything bleeds and nothing heals
what will happen to me there,
what will happen to all of us I wonder.

But I have walked these roads before
I now know more than anything
that I only yearn to live.
Slowly, I have learned to protect my ailing tissues.
I have learned to gaze lovingly at my broken mind.
So, I press pause.
I continue to persevere.

“i cry blood and drink blood. i live another day. still shamelessly wanting.” – Nayana Nair

.

I am a fearful soul.
I can only hold the hands
that can break under my grip,
hearts that do not know
of their power over me.

I fear, no one would believe
in my fragile nature,
nor pity my deteriorating state
once I start breaking others
before eventually breaking myself.

My breaking is not my secret
even if it is an act that is remembered
only by my own hands, my own skin.
It remains a fabled tale
of the last death without spectators.

It lives to dissolve into the stronger truths,
it dissolves into the concrete results
that are now engraved with names
that were breathing just yesterday.

I walk to them
with cruel empty hands,
with loud disrespectful steps,
with brazen breath daring to still flow.

I take their name with my own,
with a sadness,
as if some part of me
has died with them as well.
As if I know anything about dying.

“Telling Signs” – Nayana Nair

.

“Does rust affect plastic dreams?”
I ask my teacher in my sleep.
She takes out an axe and starts cutting down
the first mouth filled with wrong answers.
Two rows away
she wipes her brows and folds her sleeves,
she takes another deep breath
before she checks the attendance sheet
and finds the next dream to kill.

She tells me I should think more and ask more
and ask the questions that help me live.
She looks at the metal that grows out of my pores
and gives me another chance.
She says only if I would try to be better
than the people I am clinging to, I could grow up to be her.
I look away from the blood that flowing down her neck,
the parts of her that she intends to kill by holding other’s breath.

“What about my mother’s arms, weak weak exhausted arms?
Are those my telling signs?
Does that mean I don’t have to worry,
that I am just someone next in line?
What about you? Do you rust like me?
Would the color of my rust, would my weakened heart
make me worth protecting,
make me deserving of kinder words?

She told me “It will not get you respect or equality,
if that’s what you are looking for.
It can sure get you love, of some kind, for some time
but it is just a matter of time
before you see the end that only you can write.
And you would end up writing it
cause that painful end would be more truer and more yours
than any love that you find by compromise.”

As she walks past me, smiling lovingly,
as she spares my life, that now she owns.
As she dissolves my only way back,
I realize too late, that my chaos and my doubts
were more hopeful than an answer like this
that promises pain to everyone else but me.

“Assignment” – Nayana Nair

There was that pile of paper
I could never keep safe.
The crossed out, always crossed out words,
words always out of order,
words turned beautiful
only because they dissolved
in my frustration.
Only because now I cannot read them
without effort.
I must make something out of them
something that couldn’t possibly be mine.

The blue ink dripping,
forming planets on unexpected letters,
forming planets on my hands.
I would take them to class
and look at them as if now I meant something more,
now that I was suffering for something I want.

I raised my hands to answer a question
I have already answered hundred times.
I sat down and swallowed my teacher’s frown.
He didn’t have to teach me
that right answers matter
only when they come from right mouths.
(I once got an A only because I forgot to put my name.)
I knew there was nothing I could learn
by swallowing frowns everyday,
but still I dragged myself, my broken planets,
my half burnt poems in my half burnt hands
to the one who doesn’t think twice
before asking me
to hate myself better.

“Nothing to do with love” – Nayana Nair

I want this sadness that dissolves in me,
that never goes away,
never stands apart from me,
never looks me in the face with questions
or even answers.
I am ready to take vow with this heartbreak
as long as it feels like you,
promises eventually to replace you,
as long as my love is greater than you.
I do nor have to miss you,
call you, beg you,
force myself to forgive you,
hate you silently,
or practice breaking with grace.
I do not have to do things
that have nothing to with love
as long my sadness is mine alone.
I can bear this and more
as long as I remember my genuine heart
and not you.

“Red Gates” – Nayana Nair

I drowned the flowers
one by one.
The poison of beauty
now runs through the rivers
on this land,
they fill his backyard
in every season of rain.
A child with his smile
drowns another boat of dreams,
the flood is a field of paper,
the flood is all that is left of me.
She stares into me,
waiting for a reflection to surface.
She walks into me
to see where I end.

She tells me about the boy
she can’t love and the boy
she can’t blame
as I dissolve and submerge
the red gates of her house,
the garden of forgiveness,
her school shoes, all roads to her friend
who doesn’t smile back anymore,
the spoons that remind her of hunger
for farthest worlds and people.

She asks me how deep will be this pain
of losing herself, how long she would have to smile
through this hate.
I flow into her heart,
wondering, if there
I could turn back to the flower I was,
if the end of my hate could be
the end of her pain.
If I could be her answer of hope.

“Sense of Urgency” – Nayana Nair

Today I realized
what to call all that I have been reading for so long.
A person I didn’t mean to overhear called it ‘a sense of urgency’-
the desire to save this world as soon as possible.

It seems the enemies are too many.
I saw many names in the list of these enemies
that I silently agreed with-
pollution, dictatorship, bullying,
monetization of education, competing in a rigged world,
oppression of lives and loves of minority, hate crimes,…

I scoffed at some:
the collapse of society in the hands of socially withdrawn,
collapse of economy in the hands of those who want and do less,
the unfeeling and unapologetic generation that seems to love depression,
women whose learning and thinking too much only breaks families,…

“this is the cause worth dying for”-
I suddenly became afraid of that feeling.

As I read all the absurd causes I couldn’t agree with.
As I read and became exasperated at the words of those
who were convinced that they knew better
even as they killed and killed and killed
and got addicted to seeing blood dissolving in oceans.
I realized
how dangerous this feeling could be.

“this is what to means to change the world.
to change the world
is to walk over everything I don’t want to see”
My sense of urgency hated me for thinking this.
It recited every quote about silence of good men.
But all I could now see was the line that I must not cross,
the words I must not say, the knife that I must never hold-
no matter the cause.