“I nod with a smile knowing what it means” – Nayana Nair

.

The sea in the cold basement
rises and falls and collapse around his moon eyes.
Last year, he was a deer forever running into shining lights.
Only yesterday, he was melting the roads he walked on.
Today his hands are cold and yet steady.
He speaks of himself, of me, of this world
in a voice of wind and thunder and love.
And after being other thousand things
I also have become today this light
that can find its origin to him.
The white perfect sails
of all that was and all that could have been
are drowning on every horizon.
“But nothing is ever lost.” he says,
“Everything comes back. Everything continues
to illuminate some life, somewhere.”

“All this for nothing” – Nayana Nair

.

And this is the sorry sorry state
in which I find myself
after everything is done.
The checklist can now be torn
and thrown away in this trash can
that sits like a queen in this empty street.
And I sit like an attendant beside it
filled with vomit and dread
and thoughts of “now what? now what?
now what?” circling my head
like vultures who prey on words born out of
insecurities. Insecurities that should have died long ago
if not for the people who love you
and who need you to have these flaws
to feel comfortable around you.

They are so convinced that they will drown
that the only thing they promise you is a death together
and it is actually very romantic…
to see them take a knife and peel of a layer of their skin
and hand it back to you so that you can do the same to them,
so you can smile at each other, convincing each other,
that this is what everyone does,
this is what goes on in everyone’s life,
that this is somehow normal,
that this is love.
Because it was still better than every other hollow feeling
that you get from this world
that would only leave you wanting for god-knows-what.

This is the road of betterment though.
So things have changed a lot. I don’t handle knives anymore.
I don’t leave my body unattended in hands of strangers.
I don’t curse at people who tell me that I need help
(though I still feel that I should give them an earful).
I have forced my way out of that life.
I have quit my demons. I have quit lOvE.
I have quit things that hurt me with the promise of life.
It is almost the end.

It was supposed to be fine now. But now,
no matter how much I ring the door of better life,
no one answers.
It is night and I hear voices calling me back.
There are people out there that I have promised to die with
and they will be here for me anytime.
And if I see them, I will probably walk into their arms
and all this will be for nothing.
I know I shouldn’t be crying over this.
If anything the world of sanity
seems to be as unreliable and as irresponsible
as my friends who fill their head with smoke
and drive into the nearest wall.

“The roads that I promised never to walk on” – Nayana Nair

.

There are so many things that I wait to see again
and none of them will do my heart any good.
There are mountains and flags and footsteps
all settled into the sleep, lost in this busy blue.
Some call it drowning. Some call it the end of things.
Some wait for it to rise and become the lonely peak once again.
Some like me float my boat on this ocean
all dressed in sad flashy optimism
with my poor eyesight and a grainy foresight
ready to cry.
Some like me wait for the things they fear,
wait for the things that break, that tear.

All beautiful things of past are now buried
under a common grave with no stone, no epitaph.
I can’t tell apart my love from theirs.
My growing years, my diminishing heart,
the roads that I promised never to walk on,
the hands I promised never to leave-
they call it theirs.
They hold it in their arms
whenever after years of aimless floating
their boat gets caught by a shadow
that wants them.

Meanwhile I am afraid of holding back anything
that tries to stop me. Every pull frightens me
that I might love something that is not mine
that I will never know if this happiness is just
my sickness of water, sickness of search and waiting.
I can never look anyone in the eye
in the fear of seeing someone else’s tears,
in the fear of seeing my own corruptibility reflected.

And yet I can’t seem to end this search
for there are so many things I fear I will never feel again
if I end it all here.
Though they happen to be the same things
that I am incapable of believing in ever again.

“This ground that we stand upon” – Nayana Nair

.

Dear &^%$,

Have you found a way
to leave everything
that you call your ground-
your ground of anger,
of rusting armour of indifference,
of the trauma the heartless giants planted in your heart,
the compass that shows all the wrong directions
and always takes you to the nearest cliff, again and again.
Have you found a way to be better, to live better?
I haven’t yet.

Yesterday I listened to a stranger talk for hours
about how it can be done,
how it will end when we want it to.
It made me wonder if maybe we are not yet ready
for this groundless life.
Maybe that is our only issue.

All that can save us is so temporary, so transient.
Yet the thing that ruins us, is ours to keep-
not like the sun, but like the demon that needs our skin to live.
I wonder if we just need to be needed that badly.
Is that why we choose to cry than to change?
Is that why we choose to hold onto the wave that is drowning us-
just because it is here, because it is ours till it kills us.
Among many other things I also wonder what made us like this.
To be honest I am afraid to know.

What are you afraid of today?
Do let me know.

Yours,
$%^&

“Paintings of springs and fault lines. Sketches of lost mothers.” – Nayana Nair

.

She sings.
An echo, a heartbreak maybe,
something piercing, something invisible,
something not ours-
this is all that we are allowed feel
(as long as we want to feel).

She is everywhere.
She sleeps, buried under the heavy weight
of water and floating globes of life and
drowning boats and oil.
She is everywhere.

Yet her voice outlines every step we take.
Every dying step is a step lost to her name.
Running away is beautiful in this city.
The traces of our writhing, crawling, changing bodies,
painted on every stone, every wall,
doesn’t let us forget the dust of the world
we crushed by our hands,
doesn’t let us forget the word “home”.

All our journeys branch from her heart.
We sit huddled with our feet in water,
with our hands over fires dying out
and talk of her. Always her.

“Minimum Limit of Thirty” – Nayana Nair

.

And when we had run out of pleasant things to talk about
I asked him things he didn’t ask me,
things he didn’t want to be asked.
But I was bored of the all this peace,
all the ants that crawled into him, into me
maintaining separate lines,
to reach the places in us
we both didn’t want the other to see.
I guess I wanted him to be different,
I had more than enough people
who wanted to love me without knowing me.
I guess I wanted to be difficult.
For once I didn’t want to be the easy conversation,
the easy way out of pain.

I asked him
when the waves of life try to reach his foot,
what does he do?
Who does he think of?
Whom does he drown in his mind
every time, every moment
to avoid knowing what he really feels?
Does he almost hold that hand,
does he almost save the one who will kill him first,
who has always killed him
without hesitating?

He seems to be the type who would do stupid tings
on repeat at least thirty times
before giving up on the one
whose love didn’t surface
even after the thirty wounds, or bloody hands,
or hundred considerations.
He looks so breakable and so happy
I wonder if in the hollows of his heart
where his anger and disappointments hides,
are there flower beds of daisies,
and a heart that can never be broken?

Is this how I look-
like him, plagued and haunted by beautiful dead thing?
Is that why he smiles at me without saying a word?
Is that why I can’t smile back?

“Pamphlets” – Nayana Nair

.

In the age of breaking,
all my classmates
swarmed to the dead pools in summer.
They ironed their skin with the heat I couldn’t bear.
With a smudged color on their lips,
their never resting pupils,
the pamphlets of their anxious laughter
that they passed to each other,
the crumpled remains they walked upon
they looked like imitations of greek statues
and love stories gone wrong.
They looked like people who joke about drowning and dying
and the love that killed them in their sleep.
“They are too young to know about love and pain”
someone said on TV,
even as we built an ugliest everlasting fire
out of the promises the world couldn’t keep.

“Always Shining” – Nayana Nair

.

Are they finally drowning?
The sails, the flags, the songs
the party, and the expensive backless silks.
The rings and guns and blood shining.
Always shining.
They are finally coming for us.
We will again have someone’s face in front of us
at least for a while
and we will sing songs
that they have no choice but to listen to.
The cries and shrieks and the stories
that we had saved in us will not go waste.

They have not yet seen us
rotting
feets and feets below them
but somethings take time.
The water will fill them
but they will never grasp
the slow violence and its finality.
They will look above at the lost sky,
they will not know what they are looking for
as the concepts of hope and god and saving
becomes grayer in their head.
They will keep struggling
feeling all promises becoming breathless in them
and they will miss the point of saying goodbye.
We always do.

Darling, they are coming
our children, our neighbors, our dear strangers,
our ministers, our wood, our sky, our eyes,
our new memories.
Now we can die together and actually die
and not be haunting blue in this green ocean.
I missed living dear
but I missed them more –
everyone, everything taken away from us.
We have waited patiently, wishing them life.
We have prayed for them to stay away from wherever we are.
But now they are coming
and I cannot help but selfishly smile
at seeing everything coming back to us.

“The door opens slowly” – Nayana Nair

I turned another corner
and walked into another house
that I knew nothing about.
The owner, the god of this land stood there
outside in the garden
telling a child how to create more beautiful loops,
how to somersault,
how to find more worms, more of everything.
An adult placed like a talisman
that couldn’t keep me
or what I bring with me away.
He didn’t even notice the grave that I carried in me,
the open pits in ground awaiting more bodies.

I walked to the front door and rang the bell
thinking, wondering what must I not be seeing
in the person I see as a fool.
I wonder if the graves in him didn’t love him back as well.
The door opens slowly and I wait.
I let my willingness to wait announce to her that it is me.
She makes me a wait a bit more-
that is the nature of game we are caught in.

Seconds and hours I spend on her couch,
waiting for the commotion outside to end,
for “the happy family on a sunday morning” to end.
She has four brother
and an almost sister that they never talk about.
She reminds me this a few more times
so that on the mental map of belonging and similarities
I find this unnamed sister closer to my role.

They rush in like a flood, like a rain gone wrong-
all these bodies that I am not supposed to see.
“They are perfect”, I thought to myself.
I thought of my mother, the anger in my home,
the counting of countless miseries,
the coarse harsh words that filled my eyes, then filled my mouth,
the gentle sunsets that drown only dreams.
“They are perfect”, I think, “for someone living in the same world as me”.

She tells them about my scholarships, about my fragile upbringing,
about the art that runs in me.
She tells them all about the things that they like.
For today she has made them into me.
I smile and say a little too less.
I smile as if I mean no harm.

But I know
I am here.
I am here and there is no escape
from the fact that eventually
I will sit in this room with my love
and with a glitter pen running out of ink.
I will draw, deepen the cracks that I already see.

Such is my nature.
Such are the songs that I live on repeat.

“Wedding Photos” – Nayana Nair

It was like magic
running the highlighter, the bright crayon
over the sepia hands of her.
She didn’t complain or cry
as we ruined another photograph of hers,
as we tried to hide the evidence
of her failed love, our failing life.

We cut her out, moved her away
from the one who looked like us.
We placed her side of story, her half of heart
in the albums.
Albums that felt lighter
now that the responsibility
to remember only the good, its difficulty
was no longer our business.

We shredded few faces of his,
few others we drowned in ink.
His face was the reason we couldn’t look at ourselves,
the reasons of all the hurting words
we learned so fast.

After we ruined everything for good
we stared at each other,
and saw the tears we should’t be having in us.
This wasn’t how magic is supposed to feel.
Why?
Why was there no thrill, no relief in what we had done?
Isn’t it our turn to be free from the one who left?