“This ground that we stand upon” – Nayana Nair

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Dear &^%$,

Have you found a way
to leave everything
that you call your ground-
your ground of anger,
of rusting armour of indifference,
of the trauma the heartless giants planted in your heart,
the compass that shows all the wrong directions
and always takes you to the nearest cliff, again and again.
Have you found a way to be better, to live better?
I haven’t yet.

Yesterday I listened to a stranger talk for hours
about how it can be done,
how it will end when we want it to.
It made me wonder if maybe we are not yet ready
for this groundless life.
Maybe that is our only issue.

All that can save us is so temporary, so transient.
Yet the thing that ruins us, is ours to keep-
not like the sun, but like the demon that needs our skin to live.
I wonder if we just need to be needed that badly.
Is that why we choose to cry than to change?
Is that why we choose to hold onto the wave that is drowning us-
just because it is here, because it is ours till it kills us.
Among many other things I also wonder what made us like this.
To be honest I am afraid to know.

What are you afraid of today?
Do let me know.

Yours,
$%^&

“Paintings of springs and fault lines. Sketches of lost mothers.” – Nayana Nair

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She sings.
An echo, a heartbreak maybe,
something piercing, something invisible,
something not ours-
this is all that we are allowed feel
(as long as we want to feel).

She is everywhere.
She sleeps, buried under the heavy weight
of water and floating globes of life and
drowning boats and oil.
She is everywhere.

Yet her voice outlines every step we take.
Every dying step is a step lost to her name.
Running away is beautiful in this city.
The traces of our writhing, crawling, changing bodies,
painted on every stone, every wall,
doesn’t let us forget the dust of the world
we crushed by our hands,
doesn’t let us forget the word “home”.

All our journeys branch from her heart.
We sit huddled with out feet in water,
with our hands over fires dying out
and talk of her. Always her.

“Minimum Limit of Thirty” – Nayana Nair

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And when we had run out of pleasant things to talk about
I asked him things he didn’t ask me,
things he didn’t want to be asked.
But I was bored of the all this peace,
all the ants that crawled into him, into me
maintaining separate lines,
to reach the places in us
we both didn’t want the other to see.
I guess I wanted him to be different,
I had more than enough people
who wanted to love me without knowing me.
I guess I wanted to be difficult.
For once I didn’t want to be the easy conversation,
the easy way out of pain.

I asked him
when the waves of life try to reach his foot,
what does he do?
Who does he think of?
Whom does he drown in his mind
every time, every moment
to avoid knowing what he really feels?
Does he almost hold that hand,
does he almost save the one who will kill him first,
who has always killed him
without hesitating?

He seems to be the type who would do stupid tings
on repeat at least thirty times
before giving up on the one
whose love didn’t surface
even after the thirty wounds, or bloody hands,
or hundred considerations.
He looks so breakable and so happy
I wonder if in the hollows of his heart
where his anger and disappointments hides,
are there flower beds of daisies,
and a heart that can never be broken?

Is this how I look-
like him, plagued and haunted by beautiful dead thing?
Is that why he smiles at me without saying a word?
Is that why I can’t smile back?

“Pamphlets” – Nayana Nair

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In the age of breaking,
all my classmates
swarmed to the dead pools in summer.
They ironed their skin with the heat I couldn’t bear.
With a smudged color on their lips,
their never resting pupils,
the pamphlets of their anxious laughter
that they passed to each other,
the crumpled remains they walked upon
they looked like imitations of greek statues
and love stories gone wrong.
They looked like people who joke about drowning and dying
and the love that killed them in their sleep.
“They are too young to know about love and pain”
someone said on TV,
even as we built an ugliest everlasting fire
out of the promises the world couldn’t keep.

“Always Shining” – Nayana Nair

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Are they finally drowning?
The sails, the flags, the songs
the party, and the expensive backless silks.
The rings and guns and blood shining.
Always shining.
They are finally coming for us.
We will again have someone’s face in front of us
at least for a while
and we will sing songs
that they have no choice but to listen to.
The cries and shrieks and the stories
that we had saved in us will not go waste.

They have not yet seen us
rotting
feets and feets below them
but somethings take time.
The water will fill them
but they will never grasp
the slow violence and its finality.
They will look above at the lost sky,
they will not know what they are looking for
as the concepts of hope and god and saving
becomes grayer in their head.
They will keep struggling
feeling all promises becoming breathless in them
and they will miss the point of saying goodbye.
We always do.

Darling, they are coming
our children, our neighbors, our dear strangers,
our ministers, our wood, our sky, our eyes,
our new memories.
Now we can die together and actually die
and not be haunting blue in this green ocean.
I missed living dear
but I missed them more –
everyone, everything taken away from us.
We have waited patiently, wishing them life.
We have prayed for them to stay away from wherever we are.
But now they are coming
and I cannot help but selfishly smile
at seeing everything coming back to us.

“The door opens slowly” – Nayana Nair

I turned another corner
and walked into another house
that I knew nothing about.
The owner, the god of this land stood there
outside in the garden
telling a child how to create more beautiful loops,
how to somersault,
how to find more worms, more of everything.
An adult placed like a talisman
that couldn’t keep me
or what I bring with me away.
He didn’t even notice the grave that I carried in me,
the open pits in ground awaiting more bodies.

I walked to the front door and rang the bell
thinking, wondering what must I not be seeing
in the person I see as a fool.
I wonder if the graves in him didn’t love him back as well.
The door opens slowly and I wait.
I let my willingness to wait announce to her that it is me.
She makes me a wait a bit more-
that is the nature of game we are caught in.

Seconds and hours I spend on her couch,
waiting for the commotion outside to end,
for “the happy family on a sunday morning” to end.
She has four brother
and an almost sister that they never talk about.
She reminds me this a few more times
so that on the mental map of belonging and similarities
I find this unnamed sister closer to my role.

They rush in like a flood, like a rain gone wrong-
all these bodies that I am not supposed to see.
“They are perfect”, I thought to myself.
I thought of my mother, the anger in my home,
the counting of countless miseries,
the coarse harsh words that filled my eyes, then filled my mouth,
the gentle sunsets that drown only dreams.
“They are perfect”, I think, “for someone living in the same world as me”.

She tells them about my scholarships, about my fragile upbringing,
about the art that runs in me.
She tells them all about the things that they like.
For today she has made them into me.
I smile and say a little too less.
I smile as if I mean no harm.

But I know
I am here.
I am here and there is no escape
from the fact that eventually
I will sit in this room with my love
and with a glitter pen running out of ink.
I will draw, deepen the cracks that I already see.

Such is my nature.
Such are the songs that I live on repeat.

“Wedding Photos” – Nayana Nair

It was like magic
running the highlighter, the bright crayon
over the sepia hands of her.
She didn’t complain or cry
as we ruined another photograph of hers,
as we tried to hide the evidence
of her failed love, our failing life.

We cut her out, moved her away
from the one who looked like us.
We placed her side of story, her half of heart
in the albums.
Albums that felt lighter
now that the responsibility
to remember only the good, its difficulty
was no longer our business.

We shredded few faces of his,
few others we drowned in ink.
His face was the reason we couldn’t look at ourselves,
the reasons of all the hurting words
we learned so fast.

After we ruined everything for good
we stared at each other,
and saw the tears we should’t be having in us.
This wasn’t how magic is supposed to feel.
Why?
Why was there no thrill, no relief in what we had done?
Isn’t it our turn to be free from the one who left?

“What I Remember (29)” – Nayana Nair

At a bus stand in front of mall (that I have never been to)
I learnt how to wait and how to live with disappointments
without making a big deal of it.

In the bracket of an hour, I grew smaller than I ever thought I could be.
“this is what love does to you, this is what love does to all of us”, all the voices in me lied.
I was again weary of the love that I had chosen and the person I had trusted
(“again” – the word that showed me the real reason why it would never work out).

I stood beside strangers on the crowded bus stand, awkwardly crying.
I counted these not-so-scary strangers who were trying to become one skin.
I pretended that I hated to be rained on as much as they did.
I pretended that I didn’t mind their warmth, that my suspicious mind was not at work again.

Hours went by, empty roads faithfully stayed empty.
I became more aware of the boundaries of my body
I became aware of the person who would never come looking for me,
who would look at the three hour long rain and still won’t wonder what happened to me.

We all stood there,
pretending to be the only human
in the group of zombies who had taken over a bus stand out of boredom,
who stared at the wide road, the darkness beyond, and the emptiness behind
as if their eyes were made to witness only this moment.
I closed my eyes and hummed something, anything
that could drown the presence of everyone
who knew the sound of my breaking heart now.

At a bus stand, that could protect no one,
we all dreamt of the worst- of the submerged road,
a rain that will never stop, the cold that would take us down for days,
children forever waiting, of the lightning we could hear but not see

of a love painlessly ending and a heart that shamelessly survived.

“Someone is waiting for me” – Nayana Nair

Fog swims over my study table.
The glasses grow cold and old
and useless.
Again I forget to drink the medicine,
the milk, the love that fills my phone.
Like I forgot to get vaccinated,
to close the door, to wear something warm
even after being reminded
how easy it is to die.
Someone is waiting for me
to say the words I do not mean.
But they love me
so I try not to hate them for that.
I sink back into my chair.
I sink somewhere in the fog.
I try not to struggle too much.
I try to live with all my heart
but it is so difficult.
So difficult
to accept, ingest anything.
So difficult
to forget that I am drowning.

“Red Gates” – Nayana Nair

I drowned the flowers
one by one.
The poison of beauty
now runs through the rivers
on this land,
they fill his backyard
in every season of rain.
A child with his smile
drowns another boat of dreams,
the flood is a field of paper,
the flood is all that is left of me.
She stares into me,
waiting for a reflection to surface.
She walks into me
to see where I end.

She tells me about the boy
she can’t love and the boy
she can’t blame
as I dissolve and submerge
the red gates of her house,
the garden of forgiveness,
her school shoes, all roads to her friend
who doesn’t smile back anymore,
the spoons that remind her of hunger
for farthest worlds and people.

She asks me how deep will be this pain
of losing herself, how long she would have to smile
through this hate.
I flow into her heart,
wondering, if there
I could turn back to the flower I was,
if the end of my hate could be
the end of her pain.
If I could be her answer of hope.