“Unchanging facts” – Nayana Nair

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All the stories and songs and
in this part of land, at this end of life – they are all about
the boat and its wood, about the shine of its old surface,
the sound of water it carries even as it sits on the dry
dying land, burning for hours and hours.
Hours not measured in the cups of water nor in the shadows
that refuse to fall in spite of all the light,
but hours measured by the cries of gull, the number of sails torn,
the diminishing weight of the men,
and the the silent wrath of all the glorious water.
We ‘the ones rooted to the shores’,
we sing from the shade of generous trees
to ‘the ones who only knew the abundance
of salt and wounds and undying dreams’,
trying to understand their alien love.
We sing of them and their hateful dreams,
of the tears they forced us to swallow because
they couldn’t love us if we wanted to be their shackles,
we narrate these unchanging facts every morning,
we dig a new grave for the same person again and again,
with each hole in earth as empty as the other.

“The step before silence” – Nayana Nair

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The abyss holds a celebration today.
There is a relentless sound
of chatter and song,
of footsteps walking out of sync
heading this way.

This way, this place
where we have always been stuck
a step before the end, a word before silence.
This desolate space,
where we live and breathe
and learn to never rely on lungs or love,
it is a festival here.

The balloons of hope
are learning to fly in this heavier air.
Small innocent hands are sculpting
something better than hell
out of all this fire and light.
So much is possible today.
Anything can be lived.

Today the empty cold sky looks down with envy
at all that should have been unbearable.
Today I look down at myself
and see something lovable in everything
that made my heart crumble once.

“What I Remember (30)” – Nayana Nair

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The “sweet escape” is now more expensive
and better hidden in a packaging devoid of bubble wrap
and crumpled newspaper (how does that even work?)
I can no longer remember why it caught my eyes.
But such things normally do, so I don’t question it much.
“Such things” almost always refers
to things that I will always see and be drawn to, but never get near.
And I am not talking about the bare minimum semblance of love,
or the friend who must eat food without me to feel accepted in this world.
Now that is out of the way,
we can all imagine with utmost accuracy and pity
everything that is definitely on this list of mine.
Things I know the price of
because my pockets are empty.
The kind of empty a drop of dew feels
in front of a desert(even the smallest one).
This is not even a smallness fueled by insecurity or class consciousness.
This is the lens of pure objectivity at work,
which I sort of stupidly relied on to cure me, stop me
from showering my attention
to something that challenges my place in world
in the wake of release of a random new replaceable product in market.
which is sort of weird because
I do not know the price of the meal I eat
or the clothes I wear –
I feel them.
So I know better. I really do.
But the billboards that fly over the cities
-abducting cows, and UFOs, and fixed deposits, and basic sanity-
make me want to dial the number to someone, anyone
who can get me a card
that, I am told, can get me every luxury I do not yet deserve.
To my credit, I never dialed that number
simply because wanting something that was designed to be wanted
seemed stupid,
poking a hole into the balloon of my existence for it
seemed stupid.
In the list of more stupid things I can now “not want”
are grand expectations of a basic acceptable life, minimum respect,
of love, of family, of wanting a fair chance at a dream,
of food that tastes like food,
and air that doesn’t clog my lungs.
I am told that at a price one can have them all
but to the one who is barely afloat it sure is a stupid thing to want.

“i cry blood and drink blood. i live another day. still shamelessly wanting.” – Nayana Nair

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I am a fearful soul.
I can only hold the hands
that can break under my grip,
hearts that do not know
of their power over me.

I fear, no one would believe
in my fragile nature,
nor pity my deteriorating state
once I start breaking others
before eventually breaking myself.

My breaking is not my secret
even if it is an act that is remembered
only by my own hands, my own skin.
It remains a fabled tale
of the last death without spectators.

It lives to dissolve into the stronger truths,
it dissolves into the concrete results
that are now engraved with names
that were breathing just yesterday.

I walk to them
with cruel empty hands,
with loud disrespectful steps,
with brazen breath daring to still flow.

I take their name with my own,
with a sadness,
as if some part of me
has died with them as well.
As if I know anything about dying.

“Weight of Snow” – Nayana Nair

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The light – yellow, diffused, and scattered – falls here everyday
on the cold marble of my home.
It is winter already, which means there must be places on earth now
where turning on taps is a useless exercise,
where a whole street wakes up early
to remove the snow piling up in them, around them,
snow continues piling far away from their settlements
where there is no need to clear them,
where the weight of snow doesn’t suffocate anyone.
There must be places now where people are forgetting things one by one.
Remembering an unreal ocean of fierce light,
forgetting ever being there.
How many places have I forgotten already?
I move two chairs into the circle of warmth
and wait for the evening cold to reach my skin,
to end this dream.
I stare at the empty chair.
I draw myself sitting there, staring,
as if I cannot live without an empty space beside me.
What was that space once?
It was something warm with skin and heart and voice.
It was light in human form, it was the most beautiful life.
But that empty chair in the sun, has been empty for so long
it couldn’t possibly have been me
who existed when it was something more than that.

“It took me years, it took me you, to find a truth that was not a selfish reflection of me” – Nayana Nair

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Once she had a bite of my fate
she became a restless ghost.
She looked like all my ugly wishes staring back at me
but she had a beautiful smile so it was more bearable to my eyes
than to wear my own desperate words on my unsightly lips.
She looked out of place, but in a good way
as if she was the invitation to some place where my light won’t die.
Even in her voice it was my own words
that asked me to leave, that told me to love for the last time.
As my shrieks danced in the empty corridors
she planted a seed of eucalyptus in my palm,
she covered my hand with hers,
and covered our hands in dirt.
She told me how, for years, only the smell of eucalyptus
could calm her mind,
it made her believe that there was a gentle cure
to every disease that hurt her heart.
As she spoke such words that were not extraordinarily sad
I felt my spine become soft.
I dreamt of her leaning against my back
relieved of her every pain
and maybe it was the only beautiful wish
that has ever been born from my heart.
Once I touched the shadow of her heart
I grew and bloomed and learnt to be the one
who waits, heals,
loves, and breaks without bounds.

“How do you want to be saved?” – Nayana Nair

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I crawled to the window
in my dress torn by the claws and cries
of people who live in my nightmares.
They like clean living rooms, dark courtyards,
and cars with slashed tires sitting in their garage.
They have
“broken hearts” written down in forms as their identity
and broken chandeliers swept under their bed.
They crouch down and look at me
as the broken lights shine red,
as I see myself bleed beautiful rivers,
as my silent scream become winds, become ripples,
becomes the face that will forever make me cry.
They smile and ask me
“What do you wish? How do you want to be saved?”
while someone else burns the bed that I am crushed under
and asks me “Is this the what the warmth felt like in your mind?”
They drag me out into a forest,
where under the brightest tree of hope,
they stuff darkness into my throat, into my mind
and ask me “Do you still feel empty?”
They are unreal and of unsound mind.
They tell me living in me makes them so.
They wave goodbye to me with a smile,
offering me a sweet candy
for my silence and understanding
It is raining when I open my eyes.
I breathe in the world
where bleeding and burning is irreversible,
where it would lead to an end of some kind.
I crawl to the window
in my torn dress and my exhausted skin
and find myself staring
at people who used live in my nightmares,
people who look more real that the living me.
People who now own more than just my dreams.

“Earphones” – Nayana Nair

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I cannot paint

your silhouette moving through the rain toward me-
all the blue that lingered in the light rain, on my skin, in the wait for you.

The color that fills my mind when I recall
how your cold hands met mine, my frozen shivering love hungry hands,
and nothing was cold anymore,
nothing was insufferable,
as long as you and me stayed like this,
accepting the ache that comes with staying.

The song, the familiar and strange tune, that became beautiful
by the time it played for 35th time, by the time our cola lost its fizz,
by the time the untouched food looked comforting,
by the time I found that knowing you and your everything
was as painful and liberating as putting myself into words.

The tension
of the stretched earphones between our head and our aching necks,
a moment of sadness, of a great love, of a great end
played itself before us again and we promised ourselves- we won’t ever be there.
And yet as you mocked the world for its weakness
I cried for the same weakness you and me hid in ourselves.

The cold wind that went through me, as you walked past me,
my pride- ground and powdered, spilling out of me,
blinding and confusing people around me,
making me look desperate, pitiful, and empty
as I chased you through streets where we were never supposed to be.

I cannot draw them, so I write.
I write
how we stood together
in every room,
on every patch of earth
for the longest time
and saw within our reach
something that was beautiful and fragile
and no one’s to keep
as long as we saw each other only,
as long as we could smile at what we saw.

I remember you as you stayed still,
breathing carefully
as we let fate make something out of us.
I remember your eyes
asking me with a smile to confirm the reality of what we had,
of what we are.

I wonder how you remember me now.
Now that we are living our lives trying only to prove
that we have lost nothing of ourselves in losing each other.

“I looked for you” – Nayana Nair

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In the orange forest of drowning suns
I saw your face in the light going out first.
I stood with my empty nets, on a boat, with oars
that won’t budge, won’t sail away from your closing eyes.
I played this only memory I had of you
throughout my journey back.
When my feet found a ground to breathe again,
you had already grown bigger, sadder, scarier,
sorrier presence in my life.

Through my dinner that night,
I thought up names you may have had,
the people you may have loved,
the heartaches you thought would never end.
I thought of how easily things end,
how nothing in our heart
can save our heart from this lonely end.
Were you thankful or sad that you had to know this,
to share this realization
with a stranger made of cold eyes and numb limbs?

That night I looked for your body in every ocean I had in me.
I don’t know what was the point of this search
but I knew I had to do something about you,
that my feet had to walk distances because of you,
that something in me must hurt more than it did now.
That finally I had to die with you,
to know what I don’t know now,
to know even a fraction of your pain.
I was sad and relieved that my need to know you
ended there – with that thought,
with the steps I cannot take.

“Sitting in dark” – Nayana Nair

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I come in the dark hours of my mood
and switch on the lights of empty cubicles.
49 switches
and yet nothing works on me.

I walk past
the empty seats
seats that belong to people
I see everyday,
I smile to everyday,
who have never seen my smile in reality.

For few hours
I can be happy again.
I am free
to be alone,
to be miserable,
to be able to curse myself
but not being confused by the presence
of these people,
who are there for me
but not only for me,
but for everyone.
And not always,
but only when it suits them.

It is better that I am alone
because I don’t know
how to be thankful to them
without being bitter,
how to voice out the emptiness that flows into me
every moment I spend with them
and not feel hatred for the kind of person my words paint me to be,
how to wait for them with eager heart
when their kind words only remind me of monsters
that force their way into my life.

It is better that I am alone
It would have been better
if I could wear these feelings with ease,
without waiting for something to change.