“as if nightmares are fiction” – Nayana Nair

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let’s break those darn mirrors.
lets not peek through the hands of fear.
let’s not see the monsters of sorrow.
remember not
where they walked and where they hide.
close your eyes and wait.

for what?

for the end.

there is an end?

there always is.

there are
ends that pierce through our our shoulder blades
and the blinds of our ribs.
it is actually beautiful to see how
heart melts away too easily, stops too easily
loses it way too easily.

also

there are
ends that make broken mirrors magnificent,
that smell like our mother,
that find our mouths at the dead of the night
and breathe in their last breath into our collapsing lungs.

it is sad to see how
our helplessness asks sacrifice from others
how we go back to sleep,
as if nightmares, once they end, are only fiction.
how we realize only after hours and years, wake up too late to notice
the blue hands, that once seeked us in storms,
decaying under the sunshine of the most beautiful day of our lives.

and what do you do then?

close your eyes and wait.

for what?

for the end

there is an end? even after this?

there always is
but maybe not the one we want.

“Home of Blindness” – Nayana Nair

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I have to sing
and keep singing,
have to keep begging people to dance within my heart,
within the confines of these bricks,
with the parts of me that can’t die
and parts of me that I wish I still was.
I have to keep inventing reasons and occasions
I have to paint every meaning within me
in the boldest loudest colors.

Because the moment it all stops
I will hear the shouts again.
There is no silence in this world.
Outside, everyday
the fearful children of a fearless god
shout his name again and again.
Asking for reason, for rain,
for roses carrying their name.

I also once stood there, in the dark corridors,
on burning roads
asking god to love only me,
to hold my hand, to save me alone.
It is a very dark road,
the one we take to find
the light that will only belong to us.

And there is only this home of blindness
far away from all the crying and ceaseless hoping
where I can use these eyes of mine
for something more than holding and spilling tears,
where I get to sing for the god within the song.
I worship these walls that hold me in my place.
I worship all of your laughs, all the steps the never stop.

But I am still afraid
because tears still come easy to me,
because even this borrowed light whispers the name of one
who I still hope to reach.
The one who should exist somewhere outside these walls.
But I can only be here in this world of his
if I don’t run to him all the time.
I can be his, without falling short or falling apart,
only if I substitute what he has made for what he is.

“The Sun and the Sorrow” – Nayana Nair

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The sun and the sorrow
were in my eyes.
I couldn’t see your face
as you bent down
and carefully separated
your words of love
from the pieces of me.

When I am in sorrow
I try to imagine
what you could have looked like
as you carefully took back
everything of yours.
I imagine an ugly indifference,
sometimes I imagine a tear.
I don’t know what to do
with this “not knowing.”

But in these painful retellings
I feel relieved at this uncertainty
that sometimes lets me remember you
as the part of me that I couldn’t help but love
even in my breaking.
But I also feel relieved at the ease with which
I can draw that cruel expression on your face
which won’t let me stay in love with you
any longer than this.

“Saving only December” – Nayana Nair

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All the spring’s color
have been molten and poured
into the broken casts of summer.
They seep into ground, into autumn leaves
that falls in every space between you and me.
They sing something for us again
as we shiver and stop ourselves from giving in,
as you hold back from saying every word
that can fix me (at least for now).
I google how to kill feelings
that don’t let me eat or speak or smile.
I bite my lips trying to bury the words
that would shine in your colors, if you were to look at me.
If you were to look at me, you would be only sad
to know how unchangeable my heart is.

You tear sheet after sheet, rip them out of calendar
and hand them to me.
We burn 11 months, saving only December, because you never know.
There is a knock on our door, someone who is lost
brings in the chilled wind, the fine dust of snow,
and voices celebrating something we will never understand.
I wait for you to come back and settle into you warm sleep.
I sit at the foot of the sofa, and think about
the one time I dreamt of death.
I was looking out of window waiting for you
and you came back with new pair of eyes that never settled on me,
and when I was almost about to cry
you moved towards me with a dying sparrow in your trembling hands.
It lay on its side with its soft violent gasp for breath
that were perfectly in sync with mine.

“Half of my Winters” – Nayana Nair

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I wanted to play this winter song
on the brightest day of spring.
Maybe at least in that way
I will be able to mourn for something
that I should have been happy to leave behind.
But the snowflakes in me
drift into the world
and become butterflies of someone else’s heart.
All my songs now belong to sun,
they belong to scent of summer fruits,
they fall as unpredicted rain
on the windows I closed just in time.
Anyway, I had to learn this sooner or later.
How can I keep believing in my own feelings,
on the things that were supposed to never change, never melt
after losing half of my winters to the green winds of change.
As I place all my “old dreams that don’t suit the new me”
away from my reach,
I wonder if the only way to save the dignity of my old sincerity
is to lock it way from my own skeptical, mocking eyes?

“and soon it will be time” – Nayana Nair

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in her two storey house
my doll sleeps on her silk sheets
with a knife resting beside her.
it shines
as if newly delivered and never used,
as if sharpened hundred times,
as if it has known the pain of blood every night,
every night cleaned
under the deafening noise of running tap water.
the metal mixes with her fears, with her trembling hands.
something again slips from her grasp.
and now it is time for tears,
and it will be soon time
for cycles of search and paranoia.
there is a time for every madness in her mind.
there is always a calm wait
before she reaches the next stage of hopelessness.
there is always a party hosted at the dead end of her lives
where she takes another drink,
and finds hands filled with warmth
and eyes that like the color of her healing skin,
the burned tips of her tongue, and her swallowed words equally.
but someone utters the wrong word,
looks at her the wrong way,
leaves the taps water, filled with smell of blood,
running in her mind again,
and again she lunges for the
the knife that fits in her hand better than any hope
and again she ends the song of her lover,
again she wakes up alone.

“Knowing is also a sort of poison” – Nayana Nair

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There are too many thought on my mind today
there is too little love in my heart
but my eyes are focused only on you dear
my ears hear only your voice.
But it doesn’t matter,
I know that too.

Knowing is also a sort of poison.
It only makes me angry at
your smile and your assurances.
It doesn’t change the fact
that today you live in hurt
and tomorrow you may not be with me to get better.
It doesn’t change the fact
that you won’t let me come close,
that you say I have no right
to know that part of you.

All that I am allowed to do now
is to smile as if I do not see,
is to talk of a tomorrow that will never be,
think of names we would never get to use,
plan a journey we will never begin.
This is all we ever did, when we had so much time.
This is all we ever did. This is what we will never do.
That’s all there is left to it.

You will say that you are fine.
I will say “I know”, when I don’t.
And I will hate the sight of your pain
and I will hate myself for it, as will you.
Maybe I will burn this place down
if you don’t let me in.
Maybe there is no place left to burn,
Maybe that’s what you’re hiding.
Maybe that’s what you mean.

“Earphones” – Nayana Nair

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I cannot paint

your silhouette moving through the rain toward me-
all the blue that lingered in the light rain, on my skin, in the wait for you.

The color that fills my mind when I recall
how your cold hands met mine, my frozen shivering love hungry hands,
and nothing was cold anymore,
nothing was insufferable,
as long as you and me stayed like this,
accepting the ache that comes with staying.

The song, the familiar and strange tune, that became beautiful
by the time it played for 35th time, by the time our cola lost its fizz,
by the time the untouched food looked comforting,
by the time I found that knowing you and your everything
was as painful and liberating as putting myself into words.

The tension
of the stretched earphones between our head and our aching necks,
a moment of sadness, of a great love, of a great end
played itself before us again and we promised ourselves- we won’t ever be there.
And yet as you mocked the world for its weakness
I cried for the same weakness you and me hid in ourselves.

The cold wind that went through me, as you walked past me,
my pride- ground and powdered, spilling out of me,
blinding and confusing people around me,
making me look desperate, pitiful, and empty
as I chased you through streets where we were never supposed to be.

I cannot draw them, so I write.
I write
how we stood together
in every room,
on every patch of earth
for the longest time
and saw within our reach
something that was beautiful and fragile
and no one’s to keep
as long as we saw each other only,
as long as we could smile at what we saw.

I remember you as you stayed still,
breathing carefully
as we let fate make something out of us.
I remember your eyes
asking me with a smile to confirm the reality of what we had,
of what we are.

I wonder how you remember me now.
Now that we are living our lives trying only to prove
that we have lost nothing of ourselves in losing each other.

“The sky told me that the suns will also die. I didn’t want to know that.” – Nayana Nair

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Some deaths are not only slow
but also beautiful.
And the eyes that are once covered with this lie of beauty
never want to see the the pain beneath.
We can accept the pain as fact, or even as a myth,
as long as it is beautiful,
as long as the center of ruin
is not our lives.

“I cannot tell the difference”- Nayana Nair

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“Long time ago” is a dangerous neighborhood.
All its season are holograms of perfect world,
the illusions of rain and snow and sun,
the illusion of hearts still beating under the non-existent skin.
The technician of this a weary magic
lives beside the empty park in the middle of my heart.
He knows the perfect days to make me cry, to make me see.
He invents new people, new details.
Sometime these are fake stand-ins for the what he has lost
in his war against me, all that I intend to forget.
Sometime they are what I failed to realize,
people I didn’t get to love.
Most days I can’t tell the difference
between the words I have forgotten
and the ones I will never hear
again.
This town
has post offices with stamps of words I no longer mean
stuck on its wall.
There cars and houses and roads and rivers
owned by people who will never die.
They all gather on my birthday
in the cemetery of one grave.
They sit on the endless green grass with their picnic baskets,
with the kids I will never have, with the pets I will never keep
and look into the eyes that will never look at me.
They smile knowing something I will never know.