“Forgetting” – Nayana Nair

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Is forgetting something like

descending down the the narrow white steps
and finding myself knee deep
in the coolest spring on the hottest day of year.
An year that I feel I am yet to live,
a temperature that feels a bit too familiar.

Is forgetting something like

looking back at the steps and trying to recall
where I am from, trying to recreate the horrors or happiness
that I am running from,
Wondering if I was actually running.
A part of me begging me to go back,
a part that keeps saying that where I came from
was the only place I ever wanted to belong to.

Is forgetting something like

being brought back to the year,
that I am trying to avoid looking at,
by the receding cold water,
to see my feet run
after the blue shadow, the floating leaves,
the place no summer can reach.

Is forgetting something like

reaching a place
far away from the narrow broken stairs to past,
but also a place where no springs, no summer exist.
In such a place without symbolisms and signs
I keep finding
another pitiful deity of broken and beautiful hope.

Is forgetting something like

finding faith, loving again, blindly believing.
To close my eyes, to the me that I am now,
just to hear myself running down the stairs,
just to feel the water find my feet again.

“Paintings of springs and fault lines. Sketches of lost mothers.” – Nayana Nair

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She sings.
An echo, a heartbreak maybe,
something piercing, something invisible,
something not ours-
this is all that we are allowed feel
(as long as we want to feel).

She is everywhere.
She sleeps, buried under the heavy weight
of water and floating globes of life and
drowning boats and oil.
She is everywhere.

Yet her voice outlines every step we take.
Every dying step is a step lost to her name.
Running away is beautiful in this city.
The traces of our writhing, crawling, changing bodies,
painted on every stone, every wall,
doesn’t let us forget the dust of the world
we crushed by our hands,
doesn’t let us forget the word “home”.

All our journeys branch from her heart.
We sit huddled with out feet in water,
with our hands over fires dying out
and talk of her. Always her.

“that’s so us” – Nayana Nair

the rains of these kind
that starts with loss and longing
that won’t slow down
won’t shut up
these rains are so much like me
so much like you
indifferent and cruel
i have found another song today
that somehow floats
above the static of this world
i have found another shelter
that fools me into believing
that my sadness is something i can run from
that we will stop belonging to each other
just because we decided to

“Fossil” – Nayana Nair

Drop by drop the wax fills
the bucket of broken butterflies.

I am falling into another sleep,
into another death that is warm,
that embraces me like no lover ever has.

I feel the pain in my wings, and unlike other days
I try to think that this will never pass.
That I will remain like this, with a bit of pain always there
in my shoulder blades, under my ribs, aching for a memory that floats
above my body, above my existence.

Someone holds my hand and I let them.
I was always afraid of living and dying alone.
I guess there are many like me.

Years from now they will find us
and probably write stories
about how we loved each other even in death.
As they look at our almost ruined and almost saved faces
they won’t know how we died heartbroken,
how we held onto each other
but never dared to look at each other
or ask the names we had started to hate.
How our skins melted into each other only because
we had nowhere else to be.
That even as light broke free from our eyes
we didn’t want to look like failure.

“Digestible” – Nayana Nair

to be human is to float like a single cell life
devouring pieces of digestible meaning,
splitting and cutting oneself without blood loss
into something more manageable.
to be human is to lose your legs
to the ideas of nation, families, and lovers.
to be a human like me is to look at
herbivores, carnivores, omnivores, scavengers…
and wonder what hunger feels like.
it is to order love at every other restaurant
waiting for the taste of pain to grow on me,
while i mimic strangers stranded on far away tables
and hope what i am learning is not another dead language.

“Evergreen” – Nayana Nair

The nights are not that painful anymore
whatever grows in me
is evergreen.
It has no care for lack of light in this world,
no care for years filled with question marks.
Unlike me,
it has no fear to be eaten up or extinguished.
Unlike me. It is so unlike me,
that I can rely on it to keep me floating
even my hands refuse to help me live.
I used to believe that it is love,
it is hope that keeps me afloat.
But I no longer have a name for it,
since love and hope have abandoned me
and yet I float.
And yet I float.

“I keep looking for you” – Nayana Nair

I am floating towards you
against my own will.
I struggle and loose
against my fate,
against what my heart loves.
I am floating in your eyes
in spite of all my flaws.
I am happy
that you love me.

I am floating again,
floating away from you
and my heart has forgotten
the love I had for you.
But I fear
somewhere in me your are still there,
hiding at places where I won’t look.
So I keep looking you,
so that I can be free from you.
I keep looking you,
even when I don’t want you.

In my sleep,
I open a door to another dream
where I drift in the endless ocean
wearing the clothes I once wore on a school trip,
on a boat that capsized on a show that I saw long ago.
As I lay blinded by sun, by hunger, by life
I uttered your name again and again,
as if you are somewhere near,
as if you would answer.
Your name was the only happiness in that world.
Your name was my only sorrow.

“Difference” – Nayana Nair

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Her head floats in the sea of sleep,
in the rising and falling waves of dreams,
in the island of blankets
that is kept warm only by her own body.
As the light in her room changes its hue,
the chill on her window
melts into the nothingness
that the day always brings.
Words and vision come to the surface of life
before she does.
She hears her voice
-“I hope this the day that makes
the difference”.
She dismisses it
as the ghosts that have overstayed.
Holding her falling parts in a life
crushed under the weight of its own hopes.