“You look at the sun, the way I look at snow” – Nayana Nair

.

The bruising purple song,
the decay of dear flowers,
the gifts given as settlements
in nasty goodbyes- this morning
you tie these new shadows
on your neck- your neck now hidden,
your neck otherwise always growing
new bones in new odd ways,
your neck otherwise a monster
like the rest of you.
You – otherwise a beautiful
heroic animal of rage,
today you look normal
with your clever violence.
Today you look like the portrait
that you colored red last summer
because it made you sick
to look at a sadness so proud.
You tell me about graphite and fire,
how you could relate a bit more to graphite
if it knew to bleed better, leaving not crumbs
but organs made of earth’s belly. If only fire down there
knew of this surface filled only with examples
and exhibits of mortality,
then we could all cry together, you say.
Your hands softly tosses away
something crucial of you in the melting pool
of men now made more of sun and less of snow.
You dip your cold hand in the furnace of spring
and ask me if I can see it as well. I do.
I see life changing the molecules of my loves
to something neat, something that soon will outgrow me,
something I will now fear tainting.
I see my love,
but I am sure we are not seeing the same thing.

“If broken is what I’ll ever be, I want to be like her” – Nayana Nair

.

The hand that writes on the board of sky
erases everything in a haste again.
She, the deity of hope, stands flustered
offering her pink cheeks and silent lips
to our cold eyes. She looks at the swamp,
the dirt, the knees
dancing with the flow of earth
and waits for us to write a flower
on the lines of our fate.
She wanted to tell us
about something beautiful,
about the world
that waits to be worshipped.
It was supposed to be a class
about becoming,
about the skin of baby
that would come to our surface
when we let ourselves feel something.
But she knows all correct words
will first do us harm.
She has suffered that harm
before she found the softer light of life.
She fumbles with her love, her offering
for she knows
not all of us will make it through like her.
She wanted to make a list of her loves
to write us a path that is only made of light
but ended up writing the names of all those
who drowned because they felt too much for too long.
She can’t stop her tears, can’t stop apologizing.
She wonders if she has broken us permanently
while we look at her own broken form and silly love
and wonder if this is where worship, where light starts.

“A leaking instrument of love” – Nayana Nair

.

Some part of her
has taken root here.
In this forsaken place,
she flowers and spills
the soft resilient petals of sun
on the dissolving roads,
on the floods of blue.
She lays her soft claim
on the wings of unnamed birds,
on the broken shrines,
on the leaking instrument of word,
on this throat
that knows her name
to be the only god
capable of a love so tender
that she becomes the holy wind
in this sail of a skin,
this skin that heals and breaks
and blooms with blood, only to
become, only to remain
as the last trace of an impossible embrace.

“From now I am a body that takes up more space, without really occupying the space with anything of my own” – Nayana Nair

.

In the moonlit park plagued with roses,
the chain, the heart of metal
creaked under my weight.
My growing body, my faltering mind cried
holding the body of its sorrow for reasons
that don’t make sense in any language.
The words stitched on my tongue
hate to see light, hate to find ears,
hate to lie in clean lines of ink.
But the dead night breathes
another reassurance in my chest, so I cry.
Our breaking would be our new secret.
This will be our new short friendship.
Tomorrow I shall grow up for real.
Tomorrow you shall hold someone
whose innocence shall float effortlessly
in these waters that welcome only the untainted.
After these few hours of indulgence,
I shall no more pray for my old heart,
no longer ask for things
that everyone has been forced to lose.

“Don’t cry. Tomorrow I will try again.” – Nayana Nair

.

The stones are in full bloom this morning
the heavy branches, my heavy arms,
this remaining bark hiding my old skin
invites new birds to make few homes in me.
The rivers born in the last frozen quarter of calendar
they fall, like leaves,
like pieces of heaven – the shrunken oranges
greeting the tarred roads as the old anxieties
swim to my surface, to greet me with a forgotten word.
My body gets to know ground in new ways.
My blood gets to know another skin.
The arm of a stranger, an unwanted breeze
holds me hostage and tells me to flower gently for once.
My skin gets to know rain in new ways.
Maybe tomorrow I could be born
without the morning storm of sadness.
There is always a tomorrow to try again.

“The Right Way” – Nayana Nair

.

The monsters brought their shadows
as they climbed into my bed
and I gave them stories
that promised to make them human again.
I had talked them into the idea
of change and love and the broken petal
that became a flower overnight
in the embrace of a care so fierce it
that nothing in the world could stay broken
once they knew its warmth;
just liked they talked me into
the ideas of strength and hiding and the stones
that teach the skin of blood, bruise and eventually a strength
so stubborn that it can never be separated
from our bodies, our sorrows, and our will to fight.
But many hours and a sleep and a love later
we still found ourselves staring at the
broken windows of hope,
and the stone of disappointments
melting in the morning light like snow.
Each half of our heart now wouldn’t stop crying
and begging for the other half to change.
Every part of us was now contending with each other
on the monopoly of truth, the right way to love,
and the safe ways to die. Our surety of self was evaporating
faster than ever. We were being broken from inside,
scattered for good, while our skins now knew the same battles
of keep up a form, keeping our reality hidden.
But now we could at least now sit in a room
and look each other in eye and smile,
knowing we could never be separate from each other.
Knowing there is no hell or heaven we would go to alone,
no forgiveness only granted to one.
There was no sin or or grace in this kingdom of cries,
there is no beautiful escape from this knowledge of life.

“The Night Wind” – Nayana Nair

.

The light bulb blooms.
The petals of light, the tungsten
burning red and hot- invites, sings, thinks only
of the memory of wings.
The burning, the bodies and their count,
the trivial data, the remains of feeble lives
pile up only to be blown away by the night wind.
Far way, the plastic chairs rustle like grass,
as everyone leaves with their lips
stained and bleeding with illusions.
In the silence of the backyard,
I alone hear the wings drop like rain.
I look at my own charred and mauled self
and ridiculously, think of love, only of love.
I realize something is truly wrong
with this world that I’m caught in.

“And everything is a miracle because you love me” – Nayana Nair

.

A summer comes alive,
a branch flowers
at the touch of my hand.
My hands that were just held by you
they find all dead things,
all dark corners of life.
There is so much of life in these hands
that are now desired by you.
There is so much that can now
be brought back to life,
so much that can stop hurting.
There is no way to stop all this warmth
from spilling out of me anyway.
This world, this path of ruins,
this history of us,
existed for this moment maybe
so that we may learn the texture of hope
in each other’s skin,
so that we may see the rebirth of light
in each other’s eyes.

“Painting water lilies” – Nayana Nair

.

There was a lot of burning that day, I remember.
The black skies still cling
to the corner of my eyes.
But I don’t know fire as intimately as you do.
When I flip through your notebooks,
I only find essays made of water.
The color from my nails seep into the page.
They find the most fragile words,
the true and weak words,
words with a faint crack
similar in the shape
to the one that adorns your heart.
My nails, my cheeks become pale
as all my colors flow out of me,
as if by some urgent need,
to bloom over these words, over you,
to aid you in your hiding,
to shield you silently.

“maybe i’ll never know better” – Nayana Nair

.

the paper flowers in her hair
breathe for that one time
and wilt away.

she keeps walking,
keeps drinking
the colored sweet drink

with the bitter cold metal
melting her lips,
the taste of afternoon welded to her tongue.

her hands never rest, never stay still.
they twirl their laughter
around my fingers .

they find my shoulder, they color my cheeks.
they grow beaks, sprout wings; they rest on my elbow
and pecks at my tiny songs, my pale lips.

a rainbow is born in me, a wall collapses,
and again i forget the rust and the death,
the lesson of danger of fruitless love
that i promised to remember all my life.