“Painting water lilies” – Nayana Nair

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There was a lot of burning that day, I remember.
The black skies still cling
to the corner of my eyes.
But I don’t know fire as intimately as you do.
When I flip through your notebooks,
I only find essays made of water.
The color from my nails seep into the page.
They find the most fragile words,
the true and weak words,
words with a faint crack
similar in the shape
to the one that adorns your heart.
My nails, my cheeks become pale
as all my colors flow out of me,
as if by some urgent need,
to bloom over these words, over you,
to aid you in your hiding,
to shield you silently.

“I am far away from giving up” – Nayana Nair

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Some kinds of love are made of flesh,
that can be killed eventually
however long it must take.
Forever does not exist for everyone.
But all that exists only in the kingdom of decay,
all that refuses to leave this flesh
as the knife of time cuts deeper and deeper,
those stubborn ones who only tend
to the roots of hopeless dreams
it was probably them, who thought up this scheme
of wanting a thing like this.
This fragile cloud of “forever” that will rain any day
and yet will rise from our tears and fill our skies again.
I am sad to say I am too weak to stray away from those skies.
I am yet to learn how to sever
the wants of my gods from my flesh.

“i will come to see you again” – Nayana Nair

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and when i come to meet you
there are oranges buried in snow
and grenades in fruit bowls.
there is your smile that is locked
in a room filled with flammables
your new bedroom- you tell me as you turn away.
i take steps towards this ruined shrine
and a ghost, wearing all the dead roses of our world,
holds a spear of your name against my chest.
i step back and follow your cold body
again through the corridors buried in rain.
you stop suddenly and say something
but miss it as i rush into you,
through you,
through the fragile wall and doors
of another breaking dream
and i am here again, alive and distraught
under this comfortless ceiling of reality.

“i cry blood and drink blood. i live another day. still shamelessly wanting.” – Nayana Nair

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I am a fearful soul.
I can only hold the hands
that can break under my grip,
hearts that do not know
of their power over me.

I fear, no one would believe
in my fragile nature,
nor pity my deteriorating state
once I start breaking others
before eventually breaking myself.

My breaking is not my secret
even if it is an act that is remembered
only by my own hands, my own skin.
It remains a fabled tale
of the last death without spectators.

It lives to dissolve into the stronger truths,
it dissolves into the concrete results
that are now engraved with names
that were breathing just yesterday.

I walk to them
with cruel empty hands,
with loud disrespectful steps,
with brazen breath daring to still flow.

I take their name with my own,
with a sadness,
as if some part of me
has died with them as well.
As if I know anything about dying.

“When we meet again lets try burning some wings and maybe then we will be able to fly” – Nayana Nair

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The howevers have replaced the forevers
and it is a beautiful change.
Now we can let the dying thing die at peace.
The fleeting feelings and their fragile wings
could have dropped and turned to dust with time
I know,
but there is something frustrating about slow,
about things that don’t end
when they drag their feet to the wrong doors
pretending to look for answers,
when everyone stares at faces they cannot bear to look at
waiting for someone to end things for them.
I am also guilty of all this,
of thinking that making new promises
will give me enough pressure, enough motivation
to follow through the life that I don’t really want,
of holding on
when I have no mind to continue.
However isn’t this a good excuse, a god-sent moment
to finally separate our stories, to forget this mess
that will never fix by itself or even by our half-hearted trying.

“Earphones” – Nayana Nair

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I cannot paint

your silhouette moving through the rain toward me-
all the blue that lingered in the light rain, on my skin, in the wait for you.

The color that fills my mind when I recall
how your cold hands met mine, my frozen shivering love hungry hands,
and nothing was cold anymore,
nothing was insufferable,
as long as you and me stayed like this,
accepting the ache that comes with staying.

The song, the familiar and strange tune, that became beautiful
by the time it played for 35th time, by the time our cola lost its fizz,
by the time the untouched food looked comforting,
by the time I found that knowing you and your everything
was as painful and liberating as putting myself into words.

The tension
of the stretched earphones between our head and our aching necks,
a moment of sadness, of a great love, of a great end
played itself before us again and we promised ourselves- we won’t ever be there.
And yet as you mocked the world for its weakness
I cried for the same weakness you and me hid in ourselves.

The cold wind that went through me, as you walked past me,
my pride- ground and powdered, spilling out of me,
blinding and confusing people around me,
making me look desperate, pitiful, and empty
as I chased you through streets where we were never supposed to be.

I cannot draw them, so I write.
I write
how we stood together
in every room,
on every patch of earth
for the longest time
and saw within our reach
something that was beautiful and fragile
and no one’s to keep
as long as we saw each other only,
as long as we could smile at what we saw.

I remember you as you stayed still,
breathing carefully
as we let fate make something out of us.
I remember your eyes
asking me with a smile to confirm the reality of what we had,
of what we are.

I wonder how you remember me now.
Now that we are living our lives trying only to prove
that we have lost nothing of ourselves in losing each other.

“The door opens slowly” – Nayana Nair

I turned another corner
and walked into another house
that I knew nothing about.
The owner, the god of this land stood there
outside in the garden
telling a child how to create more beautiful loops,
how to somersault,
how to find more worms, more of everything.
An adult placed like a talisman
that couldn’t keep me
or what I bring with me away.
He didn’t even notice the grave that I carried in me,
the open pits in ground awaiting more bodies.

I walked to the front door and rang the bell
thinking, wondering what must I not be seeing
in the person I see as a fool.
I wonder if the graves in him didn’t love him back as well.
The door opens slowly and I wait.
I let my willingness to wait announce to her that it is me.
She makes me a wait a bit more-
that is the nature of game we are caught in.

Seconds and hours I spend on her couch,
waiting for the commotion outside to end,
for “the happy family on a sunday morning” to end.
She has four brother
and an almost sister that they never talk about.
She reminds me this a few more times
so that on the mental map of belonging and similarities
I find this unnamed sister closer to my role.

They rush in like a flood, like a rain gone wrong-
all these bodies that I am not supposed to see.
“They are perfect”, I thought to myself.
I thought of my mother, the anger in my home,
the counting of countless miseries,
the coarse harsh words that filled my eyes, then filled my mouth,
the gentle sunsets that drown only dreams.
“They are perfect”, I think, “for someone living in the same world as me”.

She tells them about my scholarships, about my fragile upbringing,
about the art that runs in me.
She tells them all about the things that they like.
For today she has made them into me.
I smile and say a little too less.
I smile as if I mean no harm.

But I know
I am here.
I am here and there is no escape
from the fact that eventually
I will sit in this room with my love
and with a glitter pen running out of ink.
I will draw, deepen the cracks that I already see.

Such is my nature.
Such are the songs that I live on repeat.

“On Erasing Roads” – Nayana Nair

The dead world lives through her.
Her escape is a door left open
for the violence to spread,
or so she always believed.
When she saw someone who reminded her of love,
saw that the fragile bird of happiness
would choose sit by her window and wait for her to sing back,
when all that could make her feel safe and somehow better
smiled at her and asked her name.
She would remember how from her skin and her mind
grew trees of fear every night.
The flood that has left her land
loomed above this forest.
Anytime the cloud would burst,
the past would burst through her smile,
and all would be lost.
Today, tomorrow, day after,
on an afternoon when she would forget about it all,
on a beautiful day like that
she knows she will find sorrow again.
So she stays quiet and writes a softer tragedy
of a girl who could never tell her name
to anyone who chose her hoping for happiness.

“Now playing: the ominous names you are yet to know, yet to resent” – Nayana Nair

I board the train that I could
thinking,
only thinking about the one I couldn’t.
There are only tunnels, only darkness,
no network,
only cold metal that I rest my head
hoping for my fever to come down,
only windows that turn into mirror.

In those momentary mirrors
I always look like someone on life support.
In the crowd that no longer suffocates me
I cling to the wires that fill my ears
with the sound of past, with love that will never come back,
with the love that I will never be,
with everything I can’t bear to talk about nor forget.

Though it pains me to look at myself for more than 2 seconds,
I force myself to withstand my stare.
For if I take my eyes away from me
I end up looking into eyes of strangers
who twist and distort their faces
asking for a reason they can understand
or they end up looking away,
their heart as fragile as mine.

We all act as if we can know each other by a glance,
as if we would prefer to be the backdrop, the wallpaper
than to find eyes that can actually see us,
than to know one more human who is hell bent on proving
the brittleness of our species.
I understand their heart, their fear all too well.
My skin remembers what their heart has forgotten.
Though I don’t think anyone really forgets things like these.

“The Noise of Empty Heart” – Nayana Nair

I close your heart.
I stitch you back
in a same haphazard way
I do almost everything in life.
The same way I knocked down
every clumsy fragile landmark
that could have actually helped me at the end.

From your mouth I have come to know
that my hopes are tied to the throats of my saviors.
That you are disgusted as you see me
sitting on top of sleepless nights
as I help myself with another serving of self-pity
that I won’t be able to digest.
That I laugh a little too long at the every joke
that the world plays on repeat,
all the while the cruel thread that I am
I cut the skin, I cut the voice, I cut the air.

“this what i am, change me in an easy way, see this is how i am hurting, why won’t you look at me when you said you wanted was the real me”

I say as I try to crawl back into the hide of your love.

“i will stitch you back, if i have hurt you. if you want to hear goodbye, i will say it a thousand times. please, please stop crying. please for once hesitate before you ask for the door out. ask for once if it was easy to take in your sorrows, your demons, your cold shoulder. ask for once how i have fared, how i have come this far, how am i letting you go, letting you be, after loving you so badly. “