“When we all meet” – Nayana Nair

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The silence was deafening
because there were people in it.
There was a tiny space made of granite,
a smallness born out of the spacious halls
now crowded with people.
the air stale with staring. The long moments
of confused and alienating gazes.
The wait. And for what?
Everyone knew they must speak,
only then a god will be formed,
only then we’ll have a reason to meet again.
But they were afraid of everything.
which was not really a problem.
They also felt among many other things
that only they felt and knew fear,
that fear kept only them as a pet to be played with.
They felt good and miserable when they though that.
They also felt special.
And because we were all special and doomed
and carried poetry in us to be looked at, to be listened to
we all stood there staring.
We stood shoulder to shoulder, sorrow to sorrow
trying prove to others that we knew life,
and that once, once we really did live.
But all we were seeing and feeling
under our feet, in the hollow of our hands
was that place, the house on the slippery slope,
the home we could never leave.
We were all there alone. Trying to avoid the weight
of another person who might just end it all for us
by saying something stupid as
“you are a bit too much for me”
and “this generation is not capable of love”
and “poverty is a state of mind”
Or something as true as
“this was a bad idea”,
“you do know that we will never meet again, don’t you?
at least we are all praying for that.”

“The eyes of my mother” – Nayana Nair

I planted the idea of a happy family,
a happy tomorrow,
into the eyes of my mother
with breaking tips of my pencils
against her granite eye lashes.

I told her the story about the boy
who is ever so sad
because his parents didn’t care enough,
who weeps on his empty birthdays,
who weeps into my heart.
I tell her I am not so fine myself.
Maybe she didn’t hear me clearly,
cause she didn’t stop
her daily charade of writing her “the last letter”.

I cleared her bed, her table, her words, her being
from the perfectly modeled replica of world in my mind.
I showed her, “Look, this is how I will look
with you gone. Look, look at what you must not do to me.”

She pulled me close, and held my hand for a bit too long,
a bit too tenderly
as if letting me know, telling me
“Look, this is how I look when I am alive.
Look, look at me pouring out of myself, dragging my feet
even till the end. Look, look at what I can no longer live as.”

And I stood there for a long time,
slowly understanding things I possibly couldn’t.
I stood there for a long time,
till my mom’s face was replaced by that of the ever so sad boy
as he held me, letting me cry into him
for the hundredth time.