“The things we hate are sometimes the only things that can be counted upon” – Nayana Nair

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Even in my nightmares I had a home,
I had the warmth of my own
love-yearning heart whose selfish haunting
was more powerful than the sorrow
of the world itself.
Even when the night came
and killed the song of every bird.
Even when god abandoned my shadow,
even as I dreamt the eyes I loved
drowning in blood, floating towards my end.
I could live,
I could still write poems
under the light of my pain.

“Chorus” – Nayana Nair

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Sometimes when I forget to live, to see ahead,
I find myself back again in the house of wood
beside my child made of sand.
He looks like me most of the days,
sometimes she looks like him.
They are often speaking like chorus of brokenness.

Some days they tell me that they are not mine,
that they are not children, that I am not me.
I ask them
then why do I feel the way I do?
why do I hurt the way I hurt?
And hearing this
they become the sand that I can only cry upon.
They don’t come alive
until another time.

But until that, I must be me,
and see things not being themselves.
The sand that was a life a second ago,
it melts, it grows wings
and opens its eyes and burns as sun.

Sometimes it opens it eyes and starts crying in my arms.
It tears my skin, it makes me smile
all my dying parts wake up
but in a world where no such beautiful haunting exists
where I have no reasons to cry
only tears that never stop.

“Becoming Precious” – Nayana Nair

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Their torn ends, their disappearing body,
the plastic wings at the corner of
the shallow pockets (that were actually good for nothing)
now look like a teardrop determined to stand till the very end.
Isn’t it all so ridiculous,
laughable, and sad?
The blue that never dies – doesn’t it fill you with anger
at the unfair paces each component of this world moves?
The half alive part of everything cursing the other broken half
for taking them down as well.
Isn’t it a bit too noisy here to miss or accept anything?

(Or am I the only one?)

All the treasures are now at the pawn shops,
and the bottom shelves
of the rooms and houses, countries, and identities abandoned,
in the words that belong to pseudo names and ‘anonymous’,
in the trash cans of people who swear never to love you again.
They lie deleted and dumped under the bridges
whose shadow rubs your back
as you try to vomit out the leftover love eating your heart.

While everything to be thrown away is always there
in the cupboard,
in the handbags, on the sofa, in your phone
talking up extra space,
waiting for you to forget them, get fed up of them,
waiting for you to throw them away,
so that they can haunt you,
so they can be your another true love.
Till they are your sole teardrop when it all ends.

“Minimum Limit of Thirty” – Nayana Nair

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And when we had run out of pleasant things to talk about
I asked him things he didn’t ask me,
things he didn’t want to be asked.
But I was bored of the all this peace,
all the ants that crawled into him, into me
maintaining separate lines,
to reach the places in us
we both didn’t want the other to see.
I guess I wanted him to be different,
I had more than enough people
who wanted to love me without knowing me.
I guess I wanted to be difficult.
For once I didn’t want to be the easy conversation,
the easy way out of pain.

I asked him
when the waves of life try to reach his foot,
what does he do?
Who does he think of?
Whom does he drown in his mind
every time, every moment
to avoid knowing what he really feels?
Does he almost hold that hand,
does he almost save the one who will kill him first,
who has always killed him
without hesitating?

He seems to be the type who would do stupid tings
on repeat at least thirty times
before giving up on the one
whose love didn’t surface
even after the thirty wounds, or bloody hands,
or hundred considerations.
He looks so breakable and so happy
I wonder if in the hollows of his heart
where his anger and disappointments hides,
are there flower beds of daisies,
and a heart that can never be broken?

Is this how I look-
like him, plagued and haunted by beautiful dead thing?
Is that why he smiles at me without saying a word?
Is that why I can’t smile back?

“Any time now” – Nayana Nair

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“Irrespective of what has happened, I know happiness.
I do not remember the sadness as vividly
as those sentimental singers do. I don’t know the pain
that lasts eternities. I know of a happiness that cannot be lost.”
This is what I say when I meet my past.
This is what I say when I step into the world
where the past doesn’t pass by like it should.

I say this
because I cannot say
I am afraid of
because once___________________________
and till now it haunts me.

When___________________________________,
I have to strain myself, I have to forget myself.
Before someone tells me “This is life. Get used to this.”,
before they tell me about “the worst that can happen”,
I have to get out of my body,
I have to hide my remaining self in the corners I won’t fit.

I have to force myself not to throw up
as ___________________________________
_______________________________________,
as I see from far away
my body smile at all that is wrong.

I smile on my walk to the main road, I smile on my ride back home.
I hum a little joyful song as I close the door,
the same damn song I have hidden behind all this time.
On my warm bed, I lie facing myself
waiting for the tears
that should have arrived by now.
I wait for the breaking to happen,
so that I can put myself back,
so that I can suck out this poison again.

But the tears, the breaking, the moment of honesty,
the crying without knowing why
doesn’t happen.
And I realize, I fear that now ______________
has become a part of me, a natural pain.
Now
there is no way I can claim the body of the one
I cannot recognize.

I look at ceiling and hold onto the tremor of this stranger’s heart
that should have been me.
In those restless heartbeats, there is hope, there is fear,
there is anger, there is a me that has to say meaningless words
like “a happiness that cannot be lost” to soothe this world,
so that it won’t take away anything more of me.

You stand beside the fire” – Nayana Nair

In the rubble with nerves hiding sparks,
in the nest of sleeping explosives,
again it is you.
Again you are here to prove something
by doing something unasked for.

You build a place for warm tea,
for all our shivering ghosts to haunt.
You place the chairs that are not chairs
but buckets that cannot hold anything now.
There are chairs that are lying around just fine
but you don’t want them.
You don’t want the old purposes eating away
the beauty of all that is left behind.

You console the ones holding onto what is no longer there
but you don’t want the ones who want a way back to what it was.
You ask us questions with your bleeding lips
you want us to answer with something real,
not just words.
“You are cruel”,
you laugh when we say that.
You make us leave everything we are
just so that we can finally sit on empty buckets
thinking about the hands we cannot hold,
thinking about hands that are no longer hands.

“The city is no longer burning”, you tell us
as we place our empty glasses in front of our empty eyes
and tell us it is fine if we don’t believe it now.
“Sleep. Dream and stay for a while with the molten and bombed,
the lost and the dead that still have your heart.
Take your time.”

As we lay awake in our heart-wrenching grief,
as we lose ourselves to your favorite world of sleep,
you stand beside the fire
that keeps us alive.
You stand beside the fire
that is not actually fire
but your heart
that burns like sun.

We wanted to tell you, “You are kind.
You are too beautiful for this world.
Have our heart and burn it instead.”
But we couldn’t .
We knew these things were easy only in words,
that these were things we couldn’t do, yet.
That we have not smiled and laughed with bleeding lips,
helping while being hated.
That we were too selfish to be you.

“in this castle of forever” – Nayana Nair

i held on,
only because i feared
i might regret giving up on someone
whom i could have probably loved again with time.

i held on even when
this scenario of finding love in you again
didn’t give me any happiness.

love only taught me fear.
fear of hurting you.
fear of being hurt.

in this castle of forever
i haunted the one who haunted me back.
we have hidden our bodies, our heart
somewhere no one can find.

we wait for the other
to give up or grow up.
we wait for someone else
to pull us apart.

“Another Dream” – Nayana Nair

The world is still blue,
but blue looks so beautiful today.
Today there is no better you or better me
that haunts us in our happy moments.
So you can plan your solo journey on your old map
while I get ready for my work.
Let’s mark date on calendar, a place on earth
where we can return if the life and dreams get tough.
Let’s see the world for what it is.
Let’s become what we are meant to be.
I do not want to be your anchor dear,
I want to be your sail, your another dream.

“Hint” – Nayana Nair

Once I could call you,
call your name
without reason ,
without the anxiousness
that now haunts me
when the phone keeps ringing
or when you stay silent
as you wait for me to take the hint.

-oOo-

I am afraid of bringing up my own name in front of you.
I am afraid to talk about your absence.
I am afraid to hold your hand.
I am afraid of saying ‘I love you’ first.

-oOo-

I keep hoping
that you must have reasons
that have clouded your eyes
and numbed your feelings,
that you are looking
for a way to keep us together.
I keep hoping
even when I shouldn’t.

“Just Poems” – Nayana Nair

My mind that understands
is chained and crippled by its understanding.
It only tries to understand new words
by comparing it to
what has already written or read.
It only understands feelings in terms of
the pain it has given
or all it has suffered.

-o-

So when I stand in front of the doors of a poem
feeling the sting of December winds on my back.
When I ring the doorbell
and hear from other side “May I come inside?”
I immediately know that this not something
that I understand,
that there is a difference
in reading as if
sitting on the couch in a stranger’s house
waiting to be entertained
and reading as if
I have let the stranger in my own mind
and allowed him to change
the view I have of this world.

-o-

Some poems are not just poems.
They are voices that never die
because they have never been born.
They are ghosts that we have always wanted to haunt.
They are names we give to our own suffering,
a closure that only we can give to ourselves.