“The home I had in me for you, wasn’t much of a home” – Nayana Nair

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The home I had in me for you
stood in silence at the
the slow curve of every approaching road,
it stood with hope
facing the ocean of molten cold dead ends.
It was a beautiful place really,
a place where sleep hunted for eyes,
if only for some consolation, if only to feel alive.
A place of hollow abundance, where one could only pray
for a bit of loneliness as relief.
Morning dreams of lace and scissors,
the shade of some long lost sorrow,
the memory of rain always remaining on the clothes,
the sunlight forever imprinted on your chest,
the light of the-world-lost always clawing its way
to the dead center of your heart.
It was the world of bleeding fabric,
lying on skin like a pet waiting for a tamed life.
It wasn’t really much of a home,
there really wasn’t much space there left – for life,
for you, or even my changed love-filled self to survive.

“Don’t cry. Tomorrow I will try again.” – Nayana Nair

.

The stones are in full bloom this morning
the heavy branches, my heavy arms,
this remaining bark hiding my old skin
invites new birds to make few homes in me.
The rivers born in the last frozen quarter of calendar
they fall, like leaves,
like pieces of heaven – the shrunken oranges
greeting the tarred roads as the old anxieties
swim to my surface, to greet me with a forgotten word.
My body gets to know ground in new ways.
My blood gets to know another skin.
The arm of a stranger, an unwanted breeze
holds me hostage and tells me to flower gently for once.
My skin gets to know rain in new ways.
Maybe tomorrow I could be born
without the morning storm of sadness.
There is always a tomorrow to try again.

“Another mistake of the same kind” – Nayana Nair

.

how many times
have we walked like this
on roads far away from our homes
even as the only thing we dreamed of
was the warmth we were leaving behind?

the memory of love
fades slowly with the last light.
how many times have we regretted
not looking back?

how often have we chosen silence
over words that can fix everything?

“When we all meet” – Nayana Nair

.

The silence was deafening
because there were people in it.
There was a tiny space made of granite,
a smallness born out of the spacious halls
now crowded with people.
the air stale with staring. The long moments
of confused and alienating gazes.
The wait. And for what?
Everyone knew they must speak,
only then a god will be formed,
only then we’ll have a reason to meet again.
But they were afraid of everything.
which was not really a problem.
They also felt among many other things
that only they felt and knew fear,
that fear kept only them as a pet to be played with.
They felt good and miserable when they though that.
They also felt special.
And because we were all special and doomed
and carried poetry in us to be looked at, to be listened to
we all stood there staring.
We stood shoulder to shoulder, sorrow to sorrow
trying prove to others that we knew life,
and that once, once we really did live.
But all we were seeing and feeling
under our feet, in the hollow of our hands
was that place, the house on the slippery slope,
the home we could never leave.
We were all there alone. Trying to avoid the weight
of another person who might just end it all for us
by saying something stupid as
“you are a bit too much for me”
and “this generation is not capable of love”
and “poverty is a state of mind”
Or something as true as
“this was a bad idea”,
“you do know that we will never meet again, don’t you?
at least we are all praying for that.”

“The things we hate are sometimes the only things that can be counted upon” – Nayana Nair

.

Even in my nightmares I had a home,
I had the warmth of my own
love-yearning heart whose selfish haunting
was more powerful than the sorrow
of the world itself.
Even when the night came
and killed the song of every bird.
Even when god abandoned my shadow,
even as I dreamt the eyes I loved
drowning in blood, floating towards my end.
I could live,
I could still write poems
under the light of my pain.

“The Remaining Beautiful Sculpture” – Nayana Nair

.

The houses are all empty, the roads deserted,
the remaining beautiful sculptures,
in the overgrown lawns of this plastic world,
have no eyes and no intent to save anyone.

Someone tells me my new lines
and I nod and wait for my voice to arrive.
Someone else opens my cage and you are also
somewhat released from your prison.
We walk the small distance of this model road,
revising the conditions of our freedom in our head.

You hold my hand and it feels like nothing.
How perfect. How hollow.
But soon the sun will rise and fill us with light.
Soon it would all be beautiful.
I almost wanted tell you,
“this emptiness is such a beautiful catalyst
for reckless beginnings”. But I guess you already knew.

As we all wait for the sun,
you tell me you have a name and I nodded.
I realized I could not say the same about myself anymore.
I realized much later that you never told what it is, your name.
A name is such a hollow thing, to be filled up by the person only later.
I don’t know the order of importance of things in this world.
So I guess this must be normal.

As the sun came out of hiding, I was filled with words again
and the words that I wrote in that first light was,
“we both could write poems that can break worlds.
we could be so much more than this. and maybe we are.
maybe we want to be something less. something simple.
something harmless. but is that even possible?“

As I wondered what your real words looked like,
I uttered the words I was told to,

“the houses are all empty, the roads deserted,
the remaining beautiful sculptures ,
in the overgrown lawns of this plastic world,
have no eyes and no intent to save anyone.
i won’t save you. i will be just like others.
i will look at you and wonder. i will smile and forget.
i will love and forget.
but i will remember you in your crudest form.
you will exist in my vocabulary like waves and perfumes
and home and roads. but you will remain.
i will make sure of it.“

And with all the conviction and gratitude you replied,

“that is enough. i can be saved just by that.“

I believed you so much in that moment
that I wanted to mean every word I spoke
and maybe that was the moment my love was born
for you.

“Yellow kills happiness” – Nayana Nair

.

And across this street is my old home,
the one I won’t ever visit.
This year they have painted it yellow.
How sad is that, isn’t it?
My mother hated that color.
She said that yellow kills happiness.
She said such colors convinced even a happy person,
that their smile is not enough.
Her smile, as a rule, was mostly not enough for anyone
and it made sense to me that she would hate
to compete with her wallpapers, her furniture,
her mirror, her curtains – for the sake of validating
her existence and importance.

The woman who stole our lives years later – I heard her
telling my mother
that “she was an insecure woman, that she was bound to lose”.
As if she, who paints this house now
with horrible colors every year, knew what loss is.
My mother – she liked browns and greys and greens.
She grew life out of her blood.
She loved dearly and irrationally-
whenever she sat still
and saw at us smiling and playing,
she would break into tears.
We loved her more dearly for that.

She loved that house
and the man that owns it.
She hated herself a bit too much.
She tried not to
but saving her was a work she had to do by herself
-a tiring chore, no one wanted to be part of.
She brought us the most beautiful yellow frocks one day
and looked at us, trying to love something impossible through us.
She looked at us hoping that her love for one thing
could make her bear her hate for another.
Like a fool, she believed
that her trying would mean something to this world.

“Face this smile that wants to break and feel normal” – Nayana Nair

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Home is here.
Come touch this wall,
touch this heart that wants
to stand with you here,
in every withering garden,
in middle of every nowhere.

The blossom of stories
that creeps up your spine
it wants a part of that.
It wants the sweetness of hope.
It wants the death of normal.
It wants end of every story
that has nothing to do with you.

Come here into these metal arms,
into this tent made of spider web
of hopeless love.
Face this smile that wants to break for you.
Come, this could be home,
this could be the place your can tears free
anyway there is only breaking here.
There is only dull colors of heaven,
there is only me-
who has never been anything magnificent
but still wants to be one with you fate
whatever that means.

“The places where I am not” – Nayana Nair

.

Across this glass,
across the tired melting clouds of mist,
on the other side
there are trees and homes and forests
that are just like places on this side that I rest.

The places where I am not
look as sad as all the places I have been.
Everywhere, on every road there is always a person
who knows a way to break my heart,
and I always end up thanking them for it.

There are rooms where I put up
lights and posters and curtains
and lovers and music,
those are the rooms I want to die in-
with some beauty, with some consolation of meaning .

But always I find the reason for my end outside these walls.
Those reasons live under the brightest light on the darkest road.
And because I was told that the light that I don’t know of
is the one that saves all, even the hopeless ones like me.
So my legs forget how to stop,
my hands forget how to let go,
and my blood glitters for a moment under the light of lost hopes
before it turns black, before it invites in the cold
that I always thought belonged to the inanimate world.

I think of the room I won’t reach,
and the songs and the faces and this world
that I will not be given a piece of, to keep.

As the sky fills me up, pats me down,
and tucks me in the snow
across the white,
I feel someone stir from sleep.
The wail that my throat cannot make,
finds a home in that other world, in the other me
that unlike me
knows how to cry and how to be loved for it.

“Paintings of springs and fault lines. Sketches of lost mothers.” – Nayana Nair

.

She sings.
An echo, a heartbreak maybe,
something piercing, something invisible,
something not ours-
this is all that we are allowed feel
(as long as we want to feel).

She is everywhere.
She sleeps, buried under the heavy weight
of water and floating globes of life and
drowning boats and oil.
She is everywhere.

Yet her voice outlines every step we take.
Every dying step is a step lost to her name.
Running away is beautiful in this city.
The traces of our writhing, crawling, changing bodies,
painted on every stone, every wall,
doesn’t let us forget the dust of the world
we crushed by our hands,
doesn’t let us forget the word “home”.

All our journeys branch from her heart.
We sit huddled with our feet in water,
with our hands over fires dying out
and talk of her. Always her.