“And everything is a miracle because you love me” – Nayana Nair

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A summer comes alive,
a branch flowers
at the touch of my hand.
My hands that were just held by you
they find all dead things,
all dark corners of life.
There is so much of life in these hands
that are now desired by you.
There is so much that can now
be brought back to life,
so much that can stop hurting.
There is no way to stop all this warmth
from spilling out of me anyway.
This world, this path of ruins,
this history of us,
existed for this moment maybe
so that we may learn the texture of hope
in each other’s skin,
so that we may see the rebirth of light
in each other’s eyes.

“All this destruction does something to me” – Nayana Nair

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The fork in my hand scratches furiously
at the new sheen of the borrowed plate.
The dense death
and the calcium of my hand tries to make a dent
in my green vessels, my skin too persistent
to break away, to let anyone else win.
My teeth runs away from cheap meat-
the soft fish, the bird drained of blood
lie wasted in the mouth of people as they
kiss and cave into equally hungry lying mouths.
My teeth digs in, tears into that one loveless heart,
trying to find some hunger for myself,
a hollow to store my excess, my too much,
the insufferable and the glittering overflow,
the by-product of life that doesn’t want to be lived.
All this destruction,
does something to me
I feel there is revelation, some hidden logic
these marks and sounds are leading me to,
so I flow along.
waiting for the moment when the desperate whimpers
give away to something else, something beautiful,
something that will make me finally cry
that will hurt me in the most irreversible way
something that will make me a human
capable of losing and loving anyway.
Maybe ‘the end’ is just a scary sign,
beyond which the life I wanted to live begins,
a place without illusions and truths.
A point of just easy breathing.”

“my most beautiful ruined self” – Nayana Nair

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the woman with red lips ,
with her body
flattened on the thickest
shiniest paper
stands dead, stands tall,
as big as the most reflective bone,
the most visible
and most sought assembly of bricks,
grown on the most affluent dreams.
she wobbles like a rootless tooth
when the wind blows.
inside the low blood walls,
across the road
that have never been stepped on,
she stands, she towers
and never dares to look down
on anyone but herself.
she smiles the smile that would have been
a sunrise-finally-felt
if only it was really meant.
if only it was all true
it wouldn’t have been
heart breaking to be looked at.

“even if you become my story, my only story, as the rest of me dissolves” – Nayana Nair

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Even if this moment casts me to hell*,
even if this is a seed of hurt
that will soon be my new skin,
as long as your spirit embraces me
there would be only spring,
there would only be morning birds,
and silent roads filled with your sweet footsteps.

“What a hopeless sadness have I ended up facing in her love for truth”- Nayana Nair

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How false this all is.
Let’s imagine something truer.
Something true like returning to the pain.
I imagined another world devoid of distant fires.
A room filled with moonlight and sorrow.
Here I heard myself speak of the pain
that I cannot forget, that I cannot stop to seek.
I heard myself stupidly ramble about
the cold settled in my stomach, the snow
that had no winter to name as its mother,
how I tried to seek another face
that could make looking at my own bearable,
how I broke everything but me
because that was the only way to really hurt myself.
I heard her cry.
I asked her again and again
how much more truer should my pain be
for her love to become real,
for my love to count.
But I only heard her cry.

“don’t ask me. i don’t know what’s my problem just like you.” – Nayana Nair

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i would wake up
and find myself again in another room
with another stranger (obviously broken)
and i would try to remember the night before,
the season before, the feelings before
i ended up here. i fail to recall the pain that drew me here,
i fail to remove this person from the mess of all the words
that has been said to me before. before is now a continuum.
and “you”, “me”, and “us” and “we”
are just terms that point nowhere, to nothing
but they carry too many people inside, the seams of these words
are always coming apart, there is too much weight to these light words,
they leave our shoulders and heart broken.
how lovely it would be to be singular again.
how simple everything could be.
but everything tends to flow, tends to merge,
tends to find roots every time it taste defeat, it finds ground.
it is still somehow good. though good is maybe a relative term.
but then everything is relative, even us. me and you are different
only when we are placed far apart in time and space.
as i drown diaries and memories in the waters
of the forests that you used to visit, i find myself
walking as you, sharing your skin of fear,
speaking the broken language of your dreams.
as you, i end up drowning a lot more, losing a lot many
things than i had planned to. it doesn’t hurt, honestly,
when that happens. a lot of things should hurt
but they don’t. and i feel that is my tragedy. i used to feel every loss
even of others and i loved it. and now because i feel nothing
i have taken up jobs on the excavation sites of pain of strangers
that are dying from numbness. my presence seems to help,
at least diverts attention. the “too much” about me helps everyone but me.
i have an excess of blood, an excess of heart
however implausible that might seem. but it is so. i have learnt that
after numerous burnings and denial. all that breathes,
all that seems to be made of magic and speaks in voice of thunder,
anything that we don’t understand
we have burned them enough. we are burning too much of ourselves.
but that is not my problem. at least not my only problem.
i have never had a definable problem. but we can talk as if they are,
as if everyone can be broken down into components
of their loss and yearnings and lacks,
their playlist and bookshelves and friend list,
the people we hate and love and can’t stop to obsess about-
the people we are dying to forget and living in remembrance of.
we sound so noble tonight when we talk like this .

as if we are above the shallow plains of life.
i will forget your name though, and you will also forget
or at least would want to forget a lot about me
that is a totally different type of shallow, isn’t it.
we have shared so much and we will hate ourselves for it.

“Our Favorite Story” – Nayana Nair

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We both were people looking for blood.
Looking for the vessel, a flesh
to fill our favorite story
of the most sorrowful love.
All that we dreamed of
was hurt at first sight.
This was never about love.
This was never about us.
The moment, the feeling
that could outlive us
after taking our lives,
we have only yearned for it.
How wonderful
that we are finally here.
Here to start this spectacular thing
that will be the end us.

“blue dreams and railroads” – Nayana Nair

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so my blue dream
is not even mine now.
i am just a mesh of people who hate me.
their fingers are my fingers now
poking my skin, endless railroads of red are built
with their nails that they do not even cut
before they sell me their fake love-filled eyes.
their eyes are my eyes
that wants to smash every reflective surface where i fall.
every reflective thought is just a poison.
a poison, a gossip, an untrue version of me running wild
in the minds of those who look at me.
they gossip about me
so i gossip about myself ,
whisper my secrets into the air
or better, into the ears of lovers who are chosen
especially for their talents in indifference,
vulnerability, and emotional violence.
lovers who can break me – are all that i want.
i need someone else to do this breaking for me
because i am coward who can’t move towards the end i want,
and also because my hands are busy.
i have more things to do.
i need my hands to tear my talents apart
in the name of value, tear my feelings apart
in the name of my worthlessness.
i need my hands to paint again and again.
paint indifferences on my insecurities
that come a bit too often to the surface of my skin now,
paint laugh lines on the bleeding corners of my lips,
paint dreams of love, moments of hurt, grand betrayals
on my otherwise lonely mind,
paint humans that match the shadows in me,
painting causes and assurances.
i must paint.
i must paint a reason-
a reason why i suffer so,
why this world works like how it does,
why i must break as the world breaks,
why i must break even for fixing this world.
i must paint a face
so that others don’t break at the sight of my face.
i clip my nails everyday
so that when i become someone’s ghost
when someone suffers because of me
at least my hands won’t leave them scars.

“For every map you push into my hands” – Nayana Nair

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Can we really trust this map?
I don’t.
And I won’t
till you give me
the story of those who made it
or even of those who followed it
blindly, knowingly,
as they sang of their love under their breath,
as they shouted their own name in blizzards,
and found their past stubbornly standing
waiting for the impossible
at the shores that were made to crumble.

Tell me how small fishes nibbled at their tears
as they looked back at the shore, at themselves
they will never return to.
Tell me what happened of them.
Tell me about where they stopped,
where they left their breath lingering.
Print me a book of 300 pages, devoid of observable facts,
for every map you push into my hands.
Give me a glimpse of the heart
of the one whose words I must trust.

And once I see, I swear I won’t hold back.
Even if all I see are tears
I will take only steps forward.
Even if all I hear are dissolving laughter
I would chase their ghosts, I will call out to them.
I will lose myself, lose my voice
in chasing their fates.
I don’t know what’s the point of this
Maybe I just want to wander, maybe I just want to hurt
and smile for someone else
without a hope of getting something similar back.
To see, without being seen.
But I know I can only walk for this.
I can only walk like this.

“How to guard the doors and fail miserably” – Nayana Nair

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It is not the night that brings in the monsters.
They are just creatures, just nature-
that exist outside the door that you are guarding.

They come in because this world is theirs as well.
They come in because they can,
just like how you can go out.
This is the fair deal you don’t want to exist.

At least they do not look for you,
they do not mark your picture
and throw darts at it.
I love them for that,
for the lack of vicious premeditation,
the lack of fun in their delivery of hurt.

The river of pills that flows into my window
has nothing to do with them.
The hurt that keeps you awake,
the nails that slowly make marks
on the surface of your eyes

this ruined place, this brokenness
are always the gifts of the ones
who look like us.
This has nothing to do with the monsters.
This has nothing to do with nights.

But has knowing such things ever helped.
The days are just as frightful as nights.
Now anything that looks like me,
and everything that doesn’t –
they are possible ends of me.

Now I must either run away from everything
or must end up loving them all, forgiving them all –
this broken temple of knowledge, this fake shallow sacred unions,
these glorious wretched feelings that won’t let me remain me.
How far should I run. How foolishly should I love.
How do I decide.