“Walking off the cold” – Nayana Nair

.

The stones are stacked,
a song is sung.
The invisible hands
and wailing throats
are at work again.

The yard grows sand,
grows salt and sun
and water is what it waits for.
Colorless blue is all
that eludes the grand plan.
And the wait for it is a snake –

a snake crawling through
the alleys of heart,
upturning graves and homes,
looking into the eyeless sockets
on walls, waiting for some light
to illuminate something true here.

Wait is the girl who pukes
at the mention of hope,
and walks off the cold
by lighting her own legs.
Her feet that always survive miraculously,
dance on the grassless yards
yearning for blue.

The yard grows feet
grows heart and fun.
The yard is lit with
the light of fried birds –
this is the liveliest moment
that all hands here know.
What else can one do with life?
What else can one do with death?

“Paintings of springs and fault lines. Sketches of lost mothers.” – Nayana Nair

.

She sings.
An echo, a heartbreak maybe,
something piercing, something invisible,
something not ours-
this is all that we are allowed feel
(as long as we want to feel).

She is everywhere.
She sleeps, buried under the heavy weight
of water and floating globes of life and
drowning boats and oil.
She is everywhere.

Yet her voice outlines every step we take.
Every dying step is a step lost to her name.
Running away is beautiful in this city.
The traces of our writhing, crawling, changing bodies,
painted on every stone, every wall,
doesn’t let us forget the dust of the world
we crushed by our hands,
doesn’t let us forget the word “home”.

All our journeys branch from her heart.
We sit huddled with our feet in water,
with our hands over fires dying out
and talk of her. Always her.

“Invisible with every word” – Nayana Nair

.

The last stranger at the funeral home
brought in the worst rain of the season,
the coldest wind of the night
along with your last letter.
He leaned against the window
and called up everyone he won’t be able to meet today
looking at me all the while.
As if he knew every word that I was reading.
Probably waiting
to see whether I cry at the same lines that he did.
His eyes look like the ones who have got used
to crying for things that cannot be undone,
for a life that cannot be.
I wondered if he loved you. Maybe he did.
Maybe you knew. I hope you did.
He sat beside me
trying not to grieve more than a mother,
trying not mourn like a lover,
making himself invisible with every word
i read under my tearful breath

“…even when I sat at the dinner table with my brightest smile and deepest hunger, i couldn’t convince me that i needed to exist here.
even the warmest embrace of this world could do nothing but break me. i knew opening my heart could only bring floods and all ends of all kind.
i knew all along of this end. forgive me for pretending otherwise….”

“Crutch” – Nayana Nair

I let your hand become my crutch.
I let your feelings for me
become a means of my own validation.
I let “love” slip
from my mind.
Being the center
of your tiny universe
has ruined me, has undone my heart.
You are too close, too close to be seen
or to be cared for.
Each morning your face reminds me
how you are become one step closer
to achieving invisibility in my eyes.
“i cannot imagine not being your everything”
is not the same as “i love you”.
I wonder if you know that.
I wonder if you know
that this difference
of what I feel
and what I should
is killing anything humane left in me.

“how storms fade” – Nayana Nair

twenty-six steps away from the cold end,
we stand together as if we are both looking
at a foe we must defeat together.
a child passes us by with a yellow balloon.
how misplaced it seems, this child
in this place made of storms.

this is something i don’t want to do.
our steps will fade into the deep end of this lake
while the mother in me would summon the face of this child
as a hope of what i could have had
if I could endure a little bit more.

an invisible small hand curls around my fingers
as your voice falters and you mess up our last song.
the ghost of your future, whatever face they may have, have also arrived.
so i put back the sweater on
and you check the calls you must return
as the ones who intend to live on only do.

“What have my eyes lost sight of ?” – Nayana Nair

As I sing your praise
I end up recalling
how I used to look at you
as if you could save me.
But now we stare at each other
while my life remains what it is.
I don’t call it a mess now,
to get some sympathy out of you,
to get a miracle out of you.
I don’t call it a blessing
just so that you would know
that I appreciate what you gave me
and hope to get a little bit more.

One song, one hymn after another.
I play at the seams of my skirt.
I pick at the skin that I once was.
“is this how we lose ourselves?”,
I want to ask you.
“is this we become who we are,
by cracking and crumbling invisibly,
the moment to mourn-lost forever,
the innumerable funerals no one grieved at,
is this why growing up is painful for all?”.

Instead of prayers
I come to you with only questions.
Instead of your forgiveness
I end up asking your understanding
for what I have done and what I have become.

“Backseat” – Nayana Nair

we get onto the car
that we wish was stolen
i look at her (not my lover, yet),
at him (my friend – we share the same passion
of finding new things to be disappointed about),
i look at the the small bags we have packed
and realize that this is far too less to start a life
i count them as i get in
i realize one of us probably
has nothing worth carrying around in life.

she keeps telling me that unlike us
she has to take care of things
so she is bound to be late
she says this while she texts the food preferences
of her beloved pet
to someone who owes her one
(i feel something similar to jealousy seeing this).

and he keeps changing the radio station
as if he knows what he is looking for,
as if he has grown up on radio songs and commercials,
but he hasn’t.
he says that is what makes it more romantic,
the unknown that was always in front of you
to finally acknowledge something
that shouldn’t have been invisible from the start.

i just look at them, making mental notes,
calculating the chances that we might come to our senses
(that would be pretty sad, if that happens).
i keep looking back
as if i was being abducted,
dragged out of heaven against my wishes.
but it is no heaven
(not anymore).

so i sleep in the backseat
hiding my tears under the blanket of darkness-
since i do not want to recall every thing
that made this place and my body unholy, unbearable;
since i don’t want ask these two
about what they are running away from.
i wonder if i will ever know a home
that won’t drive me away.

“Fictional Friends” – Nayana Nair

i break another glass today,
the girl with blue highlights in her hair
walks over it without bleeding
but tells me
not to try such things at home on my own,
that it took her years of invisibility
to even try such tricks.
but she has no suggestions for what else i should do
instead of breaking my smooth skin
and wrecking my good name.
so she tells me a story about a girl and wolf,
another about a girl and her impossible dream,
about a girl and her sad prince,
a girl and the dark world,
a girl and whatever wants to break her down.
she tells me i don’t have to be that girl.
that i just have to be person who happens to be a girl
and not hate herself for it.


it is night already.
i find myself in strange blue rooms.
i hold hands with another new stranger
who promises to sing me to sleep.
he walks like heartache that knows how to smile.
he pretends to be the real deal.
he is too drunk on his own sad story like me
to even see anyone else.
so no we are not in love.
i just want to borrow his songs,
his voice, his awareness of all that is wrong.
i look out of his window, at my own home
at my friends, at my love, at broken frame of my family,
at myself who is trying too hard
to be indifferent to it all.


the battery of my phone dies
and i am alone again in this life
that i can’t find my way around.
i am somewhat lost, tired,
and yet somehow happy
to have lived through this despair,
through another dark night.