“I am far away from giving up” – Nayana Nair

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Some kinds of love are made of flesh,
that can be killed eventually
however long it must take.
Forever does not exist for everyone.
But all that exists only in the kingdom of decay,
all that refuses to leave this flesh
as the knife of time cuts deeper and deeper,
those stubborn ones who only tend
to the roots of hopeless dreams
it was probably them, who thought up this scheme
of wanting a thing like this.
This fragile cloud of “forever” that will rain any day
and yet will rise from our tears and fill our skies again.
I am sad to say I am too weak to stray away from those skies.
I am yet to learn how to sever
the wants of my gods from my flesh.

“Love is like that for everyone” – Nayana Nair

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I washed my face
and with the water dripping
from my messy bangs onto the dress
that I never planned to ruin
I stared at the ant on the wall.
I listened to the sound of you
falling in love again just across the wall.

I held in the meaning of this
along with my breath.
I blew at the ant wondering
if I can be a force to be reckoned with
a hurricane for someone else.
Maybe not. I felt a sense of camaraderie
with the legs of prey today.
So maybe not today.

Or maybe never.
I feel you would laugh
even if I tried to be one.
I feel a storm. I always feel it at my back
whenever I turn away from you.
I wish I could fear for you, worry about you
in those moments
and not think about the knives
that leave your hand
always to find me. Though you say
you never meant it to be that way.

I fear most – the words of love from your lips,
because they are never for me,
but always said within my earshot
And though you say love is like that for everyone,
but do you really fear the same things as me?
Do you pray to the gods of bathroom ants
for forgetfulness, for survival
as if love is force that will always be against you?

“and soon it will be time” – Nayana Nair

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in her two storey house
my doll sleeps on her silk sheets
with a knife resting beside her.
it shines
as if newly delivered and never used,
as if sharpened hundred times,
as if it has known the pain of blood every night,
every night cleaned
under the deafening noise of running tap water.
the metal mixes with her fears, with her trembling hands.
something again slips from her grasp.
and now it is time for tears,
and it will be soon time
for cycles of search and paranoia.
there is a time for every madness in her mind.
there is always a calm wait
before she reaches the next stage of hopelessness.
there is always a party hosted at the dead end of her lives
where she takes another drink,
and finds hands filled with warmth
and eyes that like the color of her healing skin,
the burned tips of her tongue, and her swallowed words equally.
but someone utters the wrong word,
looks at her the wrong way,
leaves the taps water, filled with smell of blood,
running in her mind again,
and again she lunges for the
the knife that fits in her hand better than any hope
and again she ends the song of her lover,
again she wakes up alone.

I chewed, swallowed, and slurped

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My mother used the same knife for over twenty-five years. That’s roughly as old as I am. Through the slicing, chopping, and mincing, the knife grew paper-thin. As I chewed, swallowed, and slurped, my intestines and my liver, heart, and kidneys grew. Along with the food my mother made for me, I swallowed the knife marks that were left on the ingredients. Countless knife marks are engraved in the dark insides of my body. They travel along my veins and play on my nerves. That’s why a mother is a painful thing to me. It’s something the organs all know. I understand the word heartache physically.

– an excerpt from “Knife Marks“, Kim Ae-ran

“Personal Sun. Personal Shadow.” – Nayana Nair

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the green pastures
the white fences
the perfect fake loving gaze
the debts of kindness
the half that never completes itself for once
the ornamental lackings of my being
the personal sun, the privilege to look away
and never know the heart of one who can’t
the greed such that I can’t stop receiving
the ideals that I can live without,
ideals that are already falling short
to accommodate
my monstrous growth, my falls from grace,

All these,
everything that I say I don’t need
is also
all that I cannot give back.

It is easier for me
to live,
to be kind,
to understand,
to love
with a life of hypocrisy,
with a guilt weighing down my heart,
with the smile that I can get only because
the world is unfair.

It is easier for me to smile
at the knife stuck in my back.
It is easier to forgive
when I cannot forget my own blood stained hands,
my own reckless selfish heart.

“What I Remember (26)” – Nayana Nair

I covered up myself up-
hiding the pieces,
hiding the glue,
hiding the knife close to my heart.
There is too little time
and so much to be disposed,
so much has to be kept at the bottom of the stairs,
under the sheets,
under the hand that cupped my face
so that no one could say with certainty
whether I am laughing or crying or thinking
about the hands that will never touch my face again
or wondering why I can’t move away
or keep away from mines and alligators
and magma and my fearful heart and dark wells
and palaces that never sink or get ruined
completely and green roads of past and red
destinations in my hands and love for colors
that will not love me back and following the one
with tearful eyes and the thoughts of some end,
any end.
All this extravagance,
so that no one could see my see through my real feelings
being eaten up by imaginary words and scenarios.

“everything else” – Nayana Nair

“warm”
this word has become cold
sitting at the base of my throat
my throat burns
and my everything else?
my everything else
-my pretty flesh and my ugly insides-
who want me to be there
and at the same want me gone.
i guess they want me to change.
this is my new low
where my organs are my imaginary friends
the only ones I can talk to,
the only ones who need me,
the only ones I can disappoint,
my new friends who are learning
the weariness of living for me.
I ask around for a lover who has a love for knives
and tolerance for madness of all kinds.
I hear a hundred thousand sighs in me
when the new replacement of romance appears,
asks me my name and digs his sharp canine teeth
on the last bits of my happiness as a hello.
The hundred folded cranes look more like ravens
and the one who promises me an end is now my only hope.
Now things are easy
now that I can’t hear myself breaking
now that I have this strange loud laugh to hide behind,
this person stranger than me,
taking up the blame of everything I have done,
helping me hide from everything that I have killed in my life.

“Creature of Claw” – Nayana Nair

How long should I bleed
for the one who holds the knife.

I pluck another flower of kindness
to appease the one who won’t even smile for me.
He looks at it and tells me the tested foolproof ways
to kill this useless plant that grows in me
and cracks his shield.

He tells me he will love me more
if I will cut his skin
instead of making him look as bad as he is,
if I struggle a bit to get back at him
rather than struggle to know him like this.

He says
“i would like us to be peas of the same pod,
i would like us to be the insects with same appetite,
i would like you so so much more,
if you would help me rule this world
that doesn’t listen to me. if you could speak
the same words as i do, words dipped in careless anger
rather than the ones served with pity.
don’t tell me the danger of my dagger
by slicing away your skin. you feel more like an enemy now.
the more you bleed to make me suffer,
to make me give up, the farther you get
from the person i could love.”

How long should I bleed
for the one who holds the knife
to stop him from cutting his own heart.
This will hurt him, he knows,
eventually if not now.
Yet he is becoming a creature of claw with a paper skin,
he is growing a dream
from the horrors he has only read.
The unnatural pauses on his lips,
the look of helplessness in his eyes
makes me wonder if he even knows how to stop.

“Dissociate” – Nayana Nair

my other head
bleeds and falls off
as does my bloody knife

i can no longer call myself a victim of life
now that my sin is set in stone

few more hours for the sun to rise
few more hours i must bear the company of my face
in few more hours the world will love me
now that i look like them and kill like them
they will surely love me
for having one less brain and one less mouth

my eyes look back at me
not accusingly but with pity
of what have i done to myself
but i dare not cry
and act as if i am the one being wronged
my tears- i’ll be burying them under the red petunias
that you loved

my hearts beats furiously
as if running towards something, perhaps an end
end of me? end of her?
it feels wrong saying “her”, “you”
as if a knife is all it takes to set things conveniently wrong

i close the door and leave my open mouth
and questioning eyes on the kitchen table
i break a nail and break my heart
as i dig two graves for myself

“Sense of Urgency” – Nayana Nair

Today I realized
what to call all that I have been reading for so long.
A person I didn’t mean to overhear called it ‘a sense of urgency’-
the desire to save this world as soon as possible.

It seems the enemies are too many.
I saw many names in the list of these enemies
that I silently agreed with-
pollution, dictatorship, bullying,
monetization of education, competing in a rigged world,
oppression of lives and loves of minority, hate crimes,…

I scoffed at some:
the collapse of society in the hands of socially withdrawn,
collapse of economy in the hands of those who want and do less,
the unfeeling and unapologetic generation that seems to love depression,
women whose learning and thinking too much only breaks families,…

“this is the cause worth dying for”-
I suddenly became afraid of that feeling.

As I read all the absurd causes I couldn’t agree with.
As I read and became exasperated at the words of those
who were convinced that they knew better
even as they killed and killed and killed
and got addicted to seeing blood dissolving in oceans.
I realized
how dangerous this feeling could be.

“this is what to means to change the world.
to change the world
is to walk over everything I don’t want to see”
My sense of urgency hated me for thinking this.
It recited every quote about silence of good men.
But all I could now see was the line that I must not cross,
the words I must not say, the knife that I must never hold-
no matter the cause.