“Something Simple” – Nayana Nair

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The evening melts into my drink.
“I must burn something of myself here.
I must burn to remember this, to remember her.”,
I keep repeating this to myself as I stand beside the dying fire.
Suddenly my teeth ache for something cold to sink into.
I remember the orange color that used to spread on my tongue
as I drowned myself in the glass bottles of artificial citrus,
running away from the summer that I had waited for.

I walk away from the fireplace,
putting a bit more distance
from the monster that ruled the mantle,
relived to have found something simple to talk about.
I sit beside her and speak in my human voice.
I tell her of this small thought,
this small honest flaw of mine she can play with.

She asks “was that how your childhood was like?”
I could have answered “that’s how my life is and will be”,
but it was more easy to ask “what color was your tongue then?”
She recites from memory a poem.
A poem on the beauty of transparent things,
on the cruelty of everything
that own you without leaving stains,
without giving you a chance to scrub them out of your soul.
She smiled and thus handed me something
that I can consider hers for a while.

“Painting water lilies” – Nayana Nair

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There was a lot of burning that day, I remember.
The black skies still cling
to the corner of my eyes.
But I don’t know fire as intimately as you do.
When I flip through your notebooks,
I only find essays made of water.
The color from my nails seep into the page.
They find the most fragile words,
the true and weak words,
words with a faint crack
similar in the shape
to the one that adorns your heart.
My nails, my cheeks become pale
as all my colors flow out of me,
as if by some urgent need,
to bloom over these words, over you,
to aid you in your hiding,
to shield you silently.

“No other reason” – Nayana Nair

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There is an empty blue seat on the bus.
You can always find them – the empty seats,
they swim in abundance in front of your eyes
when you have nowhere to go,
no hurry, no person to reach.
But to find them as you rush in and push past
the people you don’t know
holding the warmest hand in this world
is a miracle I guess.

But today is not the day for a miracle.
At least no old miracles are to arrive.
The buses they rush past
as if they have never known me,
to be fair I don’t remember
the buses like I remember people;
to be fair roads are meant for the rush.
But the cars don’t mean you,
the slow bicycles don’t mean you;
the buses that keep arriving,
the last seat always empty-
to be honest, even they don’t mean you.
You are just dragged as an additional part
as an extension to a feeling that once made me whole.

You are added as an afterthought.
I only look for you in this world
when I have no place to go, no one to blame,
when no other reason comes to my mind
for the reason my heart has grown cold,
for my eyes seeking rain,
when I see people sit back and look out
from the window that once framed us as one.
Without feelings, without missing anything,
I think of you only to fill that space.

“I am far away from giving up” – Nayana Nair

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Some kinds of love are made of flesh,
that can be killed eventually
however long it must take.
Forever does not exist for everyone.
But all that exists only in the kingdom of decay,
all that refuses to leave this flesh
as the knife of time cuts deeper and deeper,
those stubborn ones who only tend
to the roots of hopeless dreams
it was probably them, who thought up this scheme
of wanting a thing like this.
This fragile cloud of “forever” that will rain any day
and yet will rise from our tears and fill our skies again.
I am sad to say I am too weak to stray away from those skies.
I am yet to learn how to sever
the wants of my gods from my flesh.

“I hope you are as stupid as me” – Nayana Nair

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It takes an eternity.
It takes the courage of fighting
thousand bloodless wars.
It takes the the cruelty
of scratching through my own wounded skin,
breaking my own ribs that were made to protect
the soft things that keeps me alive.
It takes stupidity and few seconds
for my fingers to reach your lips.

You look up. Your gaze says something
that I do not understand.
Such beautiful hopes and possible disasters
come alive in your face.
My fear comes to the surface of my eyes
swimming in the black oil
glistening and waiting to burn.

“how it pained to part. how beautiful it is to meet.” – Nayana Nair

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the eyes made of glass stare at us
with its kind open clutches held out.
the eyes made of forgetfulness
and remembrance in equal measure –
they are beautiful.
they sing of the most beautiful fear,
the most hurting hope.
and we sing back.
me and my brothers –
we sing like we have never known death
as we hand over our hidden skin folded in half.

folded in half, we sleep in its arm
and we invent love, invent warmth,
invent meaning.
we hear it breathing.
we hear our lung collapse.
we have brought something to life again.
this machine of fear and ends –
it breathes, it tears up and cries.
i feel an ocean flowing into my eyes.
the suffocation ends.
and just like that there is
nothing of us left with us.

somewhere we will open our eyes
and stare at lips that sing of giving,
we will feel our hollow insides echo
with the memory of our own lightest steps
we will look
at the saddest sweetest children of this world
and we’ll know ourselves through it again.
we will know of the ocean in us
when it leaves our eyes.
and just like that we will be all that
we couldn’t bear to live as.

“Morph” – Nayana Nair

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That feeling
when something of this world
rushes past you
and you are nothing else for that moment
but the afterimage of what has gone by,
something that definitely was
unlike your own self
that never appears but only haunts.

I don’t know how people cope
with that overwhelming storm
of knowing
the worlds that you can morph into
and all the things
that maybe you always were.

When you become a floating hat and its silent river,
when you become the knob of the radio,
the glass feeling the air before the snow,
the shredded corners of a letter that weeps,
the loudspeaker at the corner of the road
with its abundance of sound and silence,
the sundress peeled away,
the flow of time and fate.

I don’t know what to make of this.
I sit on tables filled with people
who know a thing or two about life
and they talk
as if they have always been their skin,
as if no one can be anything else
but themselves.
So I become the table feeling the soft elbows
pushing down some loneliness with its weight.
I become the napkin held in a fist.

I am now the sky looking down at me
and now the child that I lost long ago.
I am breaking and being taken over
by all the beautiful lonely things.
I feel I was probably made for this.

“i will come to see you again” – Nayana Nair

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and when i come to meet you
there are oranges buried in snow
and grenades in fruit bowls.
there is your smile that is locked
in a room filled with flammables
your new bedroom
you tell me as you turn away.
i take steps towards this ruined shrine
and a ghost, wearing all the dead roses of our world,
holds a spear of your name against my chest.
i step back and follow your cold body
through the corridors buried in rain.
you stop suddenly and say something
but miss it as i rush into you,
through you,
through the fragile wall and doors
of another breaking dream
and i am here again, alive and distraught
under this comfortless ceiling of reality.

“I can bear truth only when it is a figment of my imagination” – Nayana Nair

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Had I climbed up that mountain
I would have probably seen farther than anyone else.
There would have been roads
that clearly go somewhere.
There would have been an eroding edge
to this globe of loud wrecking dreams.
There would have been a faint hint
of a beautiful eye crying behind a rising cloud.
I would have looked down and searched
and in not finding myself
I would have been happy for a while.
But in a moment that is spelled
with the same frustrated relief
as finding my glasses at the most obvious place,
a peace in me would also have come to an end.
There is the roof where I wrote my life in chalk,
relying on the rain which never came.
There would be a shadow of trees, a group of animals
who refuse to call themselves by a collective noun
and they would have looked happier (probably).
There would have been a monument of marble,
the last pride and plague of ego,
taken down by the masses who moved like landslides.
I would have definitely looked for you.
After all it is what I have done most of my life.
And I would have seen you building yourself again
with your broken tools and shining blueprints.
I won’t know if you were sad or happy
and you won’t know that it mattered to me.
It would have been such a perfect distance to look at you.
A perfect distance to exist with relation to world.
But I won’t climb up there.
Just as I know so much of all that I have never seen,
I also know there is not a particle of me
that has a taste for truth.

“You took my lonely heart to your lonelier world” – Nayana Nair

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You took my breaking hand and told me stories
of a world where humans can be built again,
where all that darkness
that has seeped into me, into you
can be cast away with a kiss
and mornings with warm breakfast, a hunger of two.
You placed your old sweaters beside mine
and that dark cupboard became a symbol
of an enticing spring that would never end.

Within all that beauty and warmth
how was I to know
that you were meaning to leave,
willing yourself to make that exit,
even when you welcomed me into your arms.
How was I to know that this darkness in you, in me
would continue to only grow in new directions
making us fear not the breaking,
but our breaking to be seen by each other.

I remember you waking up early
and trying to put the clothes of “forever”,
ironing out the new folds in your skin
so you can continue to love this life made of dreams.
I remember you placing my name
on your tongue, in the body of your thirst in a whisper
and then crying silently
knowing you cannot love this anymore.

Yet I kept my eyes closed
thinking of springs, and sweaters,
and a home filled with two of everything.
I kept my eyes closed giving you time
enough to find the strength and the numbness
to embody the person you were long ago.
I feel your weight at the edge of the bed,
I feel your sigh
and your hands still filled with care
thoughtlessly placed on me.
Love is so beautiful, isn’t it,
even in its end.