“Dry Rivers” – Nayana Nair

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The river is finally running dry.
I heard someone rejoicing to hear this.
What is a river without it’s water?
I am told it is money, it is development,
it is more money.

Another colony, dozens of businesses springs up.
There is nothing to be sad anymore.
I walk on the roads trying to trace
the skeleton of what is lost.

Now, I know the names of few more rivers
that are nowhere to be seen on maps.

The numbers of such ghost keep increasing.

There is a language that no one cares for.
There is a city that forces everyone to leave.
There are words that don’t sound fancy anymore.
There is an accent that needs to be exorcised from tongues-
the identity of what we are is a secret,
something we can be killed for.

But it is the season, the world
where rivers dry out beautifully,
where aches turn into anger, into revenge,
into art, into denials,
into search for something new.
But rarely does it turns into tears.

How is it we have so much to lose,
so much that is already lost
and yet have so little to grieve about.

“Last to know” – Nayana Nair

I regret to tell you this
that the blue sky that you died for
is not longer blue.
It is painting its face with remains
of our greed, with the colors of our wars.
But it is still sort of fair.
It is trying hard not to choose sides,
not to become the flags that unites
only those whose favorite words are
‘future’, ‘safety’,’money’, ‘greatness’,
while they clutch in their hands the fate of people
they don’t identify with-
‘burden’ they call them.
‘Fear’ is another favorite word of theirs.
They don’t speak much of it, but it is most useful
or at least that’s what I have heard
from the ones we are no longer allowed to call out or even mock.
I have lost every bit of my passive aggressiveness.
Life has become more bearable
now that my skin is not broken for making too much noise,
now that we have learnt to hold each other’s tongue
so that we may not lose more friends than we already have.
I regret to tell you
that your dreams will remains dreams
and you might be one of the last to know
how dreams felt in your eyes,
how tomorrow used to change by effort.

“5 mins away” – Nayana Nair

As she places her coffee cup on the table,
her eyes sting and ribs hurt
to see the beautiful vase of her life
dearly holding onto the oldest withered flowers of her life.
Flowers were not meant to do this,
she knew.
She also knew
she need not be like this,
things need not be this way.
The market is just 5 minutes away.
When she has enough money to buy new gardens
why lament on handful of roses,
why think about people she can now never love.
But the decision to forget or remember
was never in her hands.
And now she cannot step out and face the world –
the same world who witnessed her pride and confidence
in another human whose faults she refused to see till the end,
the one she called her love.
She felt she owed answers to every one-
for loving the wrong one,
for loving the wrong way,
for seeking a new love,
for saying yes to someone better than her,
for her dissatisfaction
that eats through every heart she tries to love.
She didn’t want to go out and apologize
for wanting.

“Inviting the Gray Life” – Nayana Nair

My memories of deprivation,
of yearning
are placed in,
are shot
with the background of
aesthetic picturesque urban structures,
with the clear skies
that only peace or money can paint.

***

How sad
that I feel the need to break down
in grander messed up place and time-
to make this loss real,
to make myself real,
to shed this one tear
that my body refuses to part with.

“Pocket” – Nayana Nair

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There are pockets in my shirt
where I occasionally find
some money I forgot to spend,
some scribbled paper
which seemed important
but was not.
I find ghost of your hands,
your fingerprints,
that I forgot to wash away.