“You look at the sun, the way I look at snow” – Nayana Nair

.

The bruising purple song,
the decay of dear flowers,
the gifts given as settlements
in nasty goodbyes- this morning
you tie these new shadows
on your neck- your neck now hidden,
your neck otherwise always growing
new bones in new odd ways,
your neck otherwise a monster
like the rest of you.
You – otherwise a beautiful
heroic animal of rage,
today you look normal
with your clever violence.
Today you look like the portrait
that you colored red last summer
because it made you sick
to look at a sadness so proud.
You tell me about graphite and fire,
how you could relate a bit more to graphite
if it knew to bleed better, leaving not crumbs
but organs made of earth’s belly. If only fire down there
knew of this surface filled only with examples
and exhibits of mortality,
then we could all cry together, you say.
Your hands softly tosses away
something crucial of you in the melting pool
of men now made more of sun and less of snow.
You dip your cold hand in the furnace of spring
and ask me if I can see it as well. I do.
I see life changing the molecules of my loves
to something neat, something that soon will outgrow me,
something I will now fear tainting.
I see my love,
but I am sure we are not seeing the same thing.

“The Right Way” – Nayana Nair

.

The monsters brought their shadows
as they climbed into my bed
and I gave them stories
that promised to make them human again.
I had talked them into the idea
of change and love and the broken petal
that became a flower overnight
in the embrace of a care so fierce it
that nothing in the world could stay broken
once they knew its warmth;
just liked they talked me into
the ideas of strength and hiding and the stones
that teach the skin of blood, bruise and eventually a strength
so stubborn that it can never be separated
from our bodies, our sorrows, and our will to fight.
But many hours and a sleep and a love later
we still found ourselves staring at the
broken windows of hope,
and the stone of disappointments
melting in the morning light like snow.
Each half of our heart now wouldn’t stop crying
and begging for the other half to change.
Every part of us was now contending with each other
on the monopoly of truth, the right way to love,
and the safe ways to die. Our surety of self was evaporating
faster than ever. We were being broken from inside,
scattered for good, while our skins now knew the same battles
of keep up a form, keeping our reality hidden.
But now we could at least now sit in a room
and look each other in eye and smile,
knowing we could never be separate from each other.
Knowing there is no hell or heaven we would go to alone,
no forgiveness only granted to one.
There was no sin or or grace in this kingdom of cries,
there is no beautiful escape from this knowledge of life.

“Something Simple” – Nayana Nair

.

The evening melts into my drink.
“I must burn something of myself here.
I must burn to remember this, to remember her.”,
I keep repeating this to myself as I stand beside the dying fire.
Suddenly my teeth ache for something cold to sink into.
I remember the orange color that used to spread on my tongue
as I drowned myself in the glass bottles of artificial citrus,
running away from the summer that I had waited for.

I walk away from the fireplace,
putting a bit more distance
from the monster that ruled the mantle,
relived to have found something simple to talk about.
I sit beside her and speak in my human voice.
I tell her of this small thought,
this small honest flaw of mine she can play with.

She asks “was that how your childhood was like?”
I could have answered “that’s how my life is and will be”,
but it was more easy to ask “what color was your tongue then?”
She recites from memory a poem.
A poem on the beauty of transparent things,
on the cruelty of everything
that own you without leaving stains,
without giving you a chance to scrub them out of your soul.
She smiled and thus handed me something
that I can consider hers for a while.

“how it pained to part. how beautiful it is to meet.” – Nayana Nair

.

the eyes made of glass stare at us
with its kind open clutches held out.
the eyes made of forgetfulness
and remembrance in equal measure –
they are beautiful.
they sing of the most beautiful fear,
the most hurting hope.
and we sing back.
me and my brothers –
we sing like we have never known death
as we hand over our hidden skin folded in half.

folded in half, we sleep in its arm
and we invent love, invent warmth,
invent meaning.
we hear it breathing.
we hear our lung collapse.
we have brought something to life again.
this machine of fear and ends –
it breathes, it tears up and cries.
i feel an ocean flowing into my eyes.
the suffocation ends.
and just like that there is
nothing of us left with us.

somewhere we will open our eyes
and stare at lips that sing of giving,
we will feel our hollow insides echo
with the memory of our own lightest steps
we will look
at the saddest sweetest children of this world
and we’ll know ourselves through it again.
we will know of the ocean in us
when it leaves our eyes.
and just like that we will be all that
we couldn’t bear to live as.

“Mechanisms” – Nayana Nair

.

I have a thing about ends-
I cannot do it,
it has to be done to me.
It must happen.
Things must continue
till they rot and bleed.
First in places where no one can see
and then in places where no one can look away from.
And words must be said – cruel words.
They must be said by someone, but it won’t be me.

I rush up to the jar of those colorful wrong words
and choose first, all the words
that seem like hope but they aren’t,
while purposefully leaving behind
in the hand of others only those words
that seem like rage, but it is not,
it is more of helplessness,
but I do not tell them that.
So now, in my tears they see
the new monsters that they are made of,
the monster I can’t bear to be.

Even as they become problems
that they never wanted to be,
I must remain good, I must remain kind.
I must remain the one that held on.
I must save my illusions at any cost.
I won’t give the excuse of my weakness, of my broken heart,
of the fragile thread from which my existence is suspended,
of how I am already clawed open and torn apart by life,
or how I would rather at the end of it
want someone to hate than to mourn things that died
with all the good parts of me.
Or how I have always loved everything a bit too much.
I won’t give the excuses even I cannot believe in.

I refuse to give up
with spite and with malice even
because how can I ever walk towards any goodness in world again
knowing the feeling of the dying pulse of a miracle under my hands.
I am ready to suffer. I am ready to break every heart including mine.
I am ready to paint this world with monsters and be the evil one
but I refuse to do that killing.

“Our breath finally rests and dreams” – Nayana Nair

.

on the sunlit lips
my breath finally rests
and death is what i bring
to you and to myself.
what do you wish to kill?
there is an ocean
filled with marvels and horrors
inside you and me.
there are voices and monsters.
there are mutated versions of us
hiding from the light of our eyes,
hiding in the caves,
hiding in the breath of mermaids.
hiding, always hiding in most beautiful places,
guarding the breathing corpses of us,
killing our worlds with our every breath.
this is their power over us.
this is the say we will never get to have.
but today, what do you wish to kill?
hold this poison.
hold my hand.
tell me what you dream of.
tell me of something that can be begun
only by finding a end.
tell me a story that only starts with us.

“How to guard the doors and fail miserably” – Nayana Nair

.

It is not the night that brings in the monsters.
They are just creatures, just nature-
that exist outside the door that you are guarding.

They come in because this world is theirs as well.
They come in because they can,
just like how you can go out.
This is the fair deal you don’t want to exist.

At least they do not look for you,
they do not mark your picture
and throw darts at it.
I love them for that,
for the lack of vicious premeditation,
the lack of fun in their delivery of hurt.

The river of pills that flows into my window
has nothing to do with them.
The hurt that keeps you awake,
the nails that slowly make marks
on the surface of your eyes

this ruined place, this brokenness
are always the gifts of the ones
who look like us.
This has nothing to do with the monsters.
This has nothing to do with nights.

But has knowing such things ever helped.
The days are just as frightful as nights.
Now anything that looks like me,
and everything that doesn’t –
they are possible ends of me.

Now I must either run away from everything
or must end up loving them all, forgiving them all –
this broken temple of knowledge, this fake shallow sacred unions,
these glorious wretched feelings that won’t let me remain me.
How far should I run. How foolishly should I love.
How do I decide.

“as if nightmares are fiction” – Nayana Nair

.

let’s break those darn mirrors.
lets not peek through the hands of fear.
let’s not see the monsters of sorrow.
remember not
where they walked and where they hide.
close your eyes and wait.

for what?

for the end.

there is an end?

there always is.

there are
ends that pierce through our our shoulder blades
and the blinds of our ribs.
it is actually beautiful to see how
heart melts away too easily, stops too easily
loses it way too easily.

also

there are
ends that make broken mirrors magnificent,
that smell like our mother,
that find our mouths at the dead of the night
and breathe in their last breath into our collapsing lungs.

it is sad to see how
our helplessness asks sacrifice from others
how we go back to sleep,
as if nightmares, once they end, are only fiction.
how we realize only after hours and years, wake up too late to notice
the blue hands, that once seeked us in storms,
decaying under the sunshine of the most beautiful day of our lives.

and what do you do then?

close your eyes and wait.

for what?

for the end

there is an end? even after this?

there always is
but maybe not the one we want.

“Personal Sun. Personal Shadow.” – Nayana Nair

.

the green pastures
the white fences
the perfect fake loving gaze
the debts of kindness
the half that never completes itself for once
the ornamental lackings of my being
the personal sun, the privilege to look away
and never know the heart of one who can’t
the greed such that I can’t stop receiving
the ideals that I can live without,
ideals that are already falling short
to accommodate
my monstrous growth, my falls from grace,

All these,
everything that I say I don’t need
is also
all that I cannot give back.

It is easier for me
to live,
to be kind,
to understand,
to love
with a life of hypocrisy,
with a guilt weighing down my heart,
with the smile that I can get only because
the world is unfair.

It is easier for me to smile
at the knife stuck in my back.
It is easier to forgive
when I cannot forget my own blood stained hands,
my own reckless selfish heart.

“Sitting in dark” – Nayana Nair

.

I come in the dark hours of my mood
and switch on the lights of empty cubicles.
49 switches
and yet nothing works on me.

I walk past
the empty seats
seats that belong to people
I see everyday,
I smile to everyday,
who have never seen my smile in reality.

For few hours
I can be happy again.
I am free
to be alone,
to be miserable,
to be able to curse myself
but not being confused by the presence
of these people,
who are there for me
but not only for me,
but for everyone.
And not always,
but only when it suits them.

It is better that I am alone
because I don’t know
how to be thankful to them
without being bitter,
how to voice out the emptiness that flows into me
every moment I spend with them
and not feel hatred for the kind of person my words paint me to be,
how to wait for them with eager heart
when their kind words only remind me of monsters
that force their way into my life.

It is better that I am alone
It would have been better
if I could wear these feelings with ease,
without waiting for something to change.