“Unchanging facts” – Nayana Nair

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All the stories and songs and
in this part of land, at this end of life – they are all about
the boat and its wood, about the shine of its old surface,
the sound of water it carries even as it sits on the dry
dying land, burning for hours and hours.
Hours not measured in the cups of water nor in the shadows
that refuse to fall in spite of all the light,
but hours measured by the cries of gull, the number of sails torn,
the diminishing weight of the men,
and the the silent wrath of all the glorious water.
We ‘the ones rooted to the shores’,
we sing from the shade of generous trees
to ‘the ones who only knew the abundance
of salt and wounds and undying dreams’,
trying to understand their alien love.
We sing of them and their hateful dreams,
of the tears they forced us to swallow because
they couldn’t love us if we wanted to be their shackles,
we narrate these unchanging facts every morning,
we dig a new grave for the same person again and again,
with each hole in earth as empty as the other.

“The Right Way” – Nayana Nair

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The monsters brought their shadows
as they climbed into my bed
and I gave them stories
that promised to make them human again.
I had talked them into the idea
of change and love and the broken petal
that became a flower overnight
in the embrace of a care so fierce it
that nothing in the world could stay broken
once they knew its warmth
;
just liked they talked me into
the ideas of strength and hiding and the stones
that teach the skin of blood, bruise and eventually a strength
so stubborn that it can never be separated
from our bodies, our sorrows, and our will to fight
.
But many hours and a sleep and a love later
we still found ourselves staring at the
broken windows of hope,
and the stone of disappointments
melting in the morning light like snow.
Each half of our heart now wouldn’t stop crying
and begging for the other half to change.
Every part of us was now contending with each other
on the monopoly of truth, the right way to love,
and the safe ways to die. Our surety of self was evaporating
faster than ever. We were being broken from inside,
scattered for good, while our skins now knew the same battles
of keep up a form, keeping our reality hidden.
But now we could at least now sit in a room
and look each other in eye and smile,
knowing we could never be separate from each other.
Knowing there is no hell or heaven we would go to alone,
no forgiveness only granted to one.
There was no sin or or grace in this kingdom of cries,
there is no beautiful escape from this knowledge of life.

“the door opens, and i let in whatever comes in, whatever comes back” – Nayana Nair

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a rose sits at the center of the table.

the surface of wood is sinking,
going under, losing the feeling of its own legs.

everything that i pick up from the world
(the alien objects with the scent of decaying lemon)

their destination is this – this piece of furniture.
everything in this one room life can trace its origin back,

back to a person who is not me. i have been gifted life
and the tools to live. i have been gifted the recipes-

the best way to mix, bake, boil, and burn. every surface of rest
speaks and has a face, their face. their face frowns

at the taste of food i make and my inability to eat. the three meals i cook
never reach my stomach. i can only hope for sleep after these

pointless rituals of remembrance. hunger
is the last thing on my mind. on the mornings when i wake up

with eyes open for a change, i see the clutter for what it is. i see
the shrine and offerings and gods of past. i feel i am not really praying

but begging them to come back. “how to revive a god, how to be looked at again”
these are the thoughts that flood in me

every time an offering is rejected, every time the room remains dead.
the door opens only for me, only by me. a rose again breathes its last

in my hand. there is life i realize. there is life everywhere. but also
there is the end to it. both cannot be had at will.

the wait for both is never without pain.

“Feeding life” – Nayana Nair

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The crumbles of the day are out of my hand.
They fly towards the birds
who now only know how to sit and wait.

It is morning
and the birds have been dragged
to these grounds of freedom
again.
Again they have been given this abundance of sky,
again they will realize only the abundance of their own fear.

I color their feathers with the dyes of attention.
A friend of mine force feeds them something
that tastes very similar to the sweetness of a tender care.
But they cry and choke and try to wriggle out of his torn hands.
They are much more gentle on me.
My tears never dry,
so they are afraid of me in more softer ways.

I stupidly burn words and meanings into everything we do.
I move my hands on their feathers,
over this soft life that sees me as another bother.
I feel him smile as a kiss of blood blooms on his cheeks
as a beak stills, as they stare back at him.
They wait for him to stop smiling.
They wait for his love
to be withered by their tests of violence.
They wait for a long time.

It is evening.
It is again a moment of miracles
that never quite happen till they actually do.
We wait something to take flight.
We wait for life to find its legs.
We wait for a long time.

“You took my lonely heart to your lonelier world” – Nayana Nair

.

You took my breaking hand and told me stories
of a world where humans can be built again,
where all that darkness
that has seeped into me, into you
can be cast away with a kiss
and mornings with warm breakfast, a hunger of two.
You placed your old sweaters beside mine
and that dark cupboard became a symbol
of an enticing spring that would never end.

Within all that beauty and warmth
how was I to know
that you were meaning to leave,
willing yourself to make that exit,
even when you welcomed me into your arms.
How was I to know that this darkness in you, in me
would continue to only grow in new directions
making us fear not the breaking,
but our breaking to be seen by each other.

I remember you waking up early
and trying to put the clothes of “forever”,
ironing out the new folds in your skin
so you can continue to love this life made of dreams.
I remember you placing my name
on your tongue, in the body of your thirst in a whisper
and then crying silently
knowing you cannot love this anymore.

Yet I kept my eyes closed
thinking of springs, and sweaters,
and a home filled with two of everything.
I kept my eyes closed giving you time
enough to find the strength and the numbness
to embody the person you were long ago.
I feel your weight at the edge of the bed,
I feel your sigh
and your hands still filled with care
thoughtlessly placed on me.
Love is so beautiful, isn’t it,
even in its end.

“I think of you” – Nayana Nair

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On this new morning, as this new cold finds my old bones,
I think of you.

Today when your name surfaces on the silent lake
I do not row towards it, I do not push it down.

I stare and breathe as the water moves
you and me.

I stare, without making my knuckles red,
without holding onto you or myself.

The mist of time and the storms of words-not-meant
they rise and settle and we part,

just as we rehearsed,
just as we have performed a thousand times in life.

I look back and see only a sunrise of a color you’d like.
I float a thank you, a broken oar towards you,

a hope for your life and some peace for mine.
All that I have loved has been eaten away by time.

Your body, your mind is now broken
into thousand scattered restless dots of dust

so when I think of you, in my mind
you are the life of the light. So unlike your presence in my life.

You remain that even as I lose my grasp
over the meaning and texture of love.

I forget what we were really like.
So I often get to miss you. You often make me smile.

“Shifting places” – Nayana Nair

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Somewhere far away, in the early hours
a window cracks by the shrieks of a woman.

Let’s wait, let it end, it will be nothing,
it will end up like all the other things made up in my mind.

It will end, it will end –
I chant under my breath.

But it doesn’t end.
Wave after wave, it rushes towards me, to the doors of reality.

And in response something in me cries back, something in me knocks back hard.
Now all I can think is – “I must run. If I run I can reach there.

If I run fast enough there will be little blood lost,
a little mind saved. If I run, I can make it in time before the worse begins.”

But the roads keep disappearing, the houses shift places, everyone laughs a little louder
as I move forward only to be yanked back and pulled down.

There is someone far away waiting for my help
and her flesh is just as weak as mine. Her throat must be sore, her heart must ache.

I wait and cry for an eternity
before I hear everyone walk away. Before I hear hope approaching.

Hope sounds like
wheels of a bicycle and the broken whistle of a kid.

It sounds like “are you alright? aren’t you cold?”
It looks with puzzled eyes at my clothes that are somewhat not right.

It tells me universal facts like
“if you lie there either cold will kill you or a oncoming truck”

Hope tells me I am not dead yet.
I hope she is alive as well.

“As if out of a dream” – Nayana Nair

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The leaves flew back to their trees.
The fruits became never eaten, never ripened, never born.
The papers on my desk forgot how to exist for themselves.
For a moment I feared maybe this is how
the past love, the healed hurt returns.
But it wasn’t so.

That day, on that bleak morning
you looked at me
and my heart learned to believe again.
My lips reached out to learn your name.
Your name, as if out of a dream, settled on my shoulders
and told me I can rest.

On that morning, that should have been like the hundred others,
I learnt that in spite of my bitterness and my disappointment
I wanted to believe in this world.
And even in my denial I was waiting for a moment like this.

A moment in which my broken and incomplete heart
is returned to its original state of trust, as if by a miracle,
by your gentle touch of understanding.
I feared calling it love, when I knew that it already was.
No other word would suffice.

“Winter on my cheek” – Nayana Nair

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He lived in the cracks
of the window I could never close.
The sun and the wind, the winter on my cheeks
were all him.
It was a reminder of the mornings
when he held the hands of his softer feelings,
when he silently took the path to brokenness
and named that day after me.
It was the reminder of his kiss
that would make me look away, make me look awkward,
make me do everything almost wrong but with innocence-
everything that made him smile.
I would step on his shadow
and before I apologized, he would step on mine.
He would call it dancing
cause there was no better word for that.
I would smile back forgetting myself

It was a beautiful word.
It was a moment that answered the question
that I never knew how to ask.

“Crutch” – Nayana Nair

I let your hand become my crutch.
I let your feelings for me
become a means of my own validation.
I let “love” slip
from my mind.
Being the center
of your tiny universe
has ruined me, has undone my heart.
You are too close, too close to be seen
or to be cared for.
Each morning your face reminds me
how you are become one step closer
to achieving invisibility in my eyes.
“i cannot imagine not being your everything”
is not the same as “i love you”.
I wonder if you know that.
I wonder if you know
that this difference
of what I feel
and what I should
is killing anything humane left in me.