“When will I ever learn to see a human as a human, nothing more, nothing less” – Nayana Nair

.

A boy covered in white fur,
and a silent dear pet
made of breaking human skin-
they stand together at my horizon.
They float together,
they move into the melting sun.
They melt and become one with
everything I have lost.
They color everything I am yet to lose.

I call out to them
but only wrong names,
only these wretched wrong names
come out of my cursed bleeding mouth.
I call out the names they don’t understand.
No one gets the broken syllables
they stand for in my heart.
“come back my innocence, come back my truth”,
but they won’t hear.
Those words mean nothing to them.
That’s how things should be,
even if it doesn’t make me glad.

My view and my ideas of them are bound to me,
everything false sticks to my skin.
They can’t chase them
out there.
What a thing to be thankful for!
They won’t learn more reasons to hate me.
Reasons I deserve to be hated for.
My own hate is enough for me.
What a contentment have I laughably found now!

“For every map you push into my hands” – Nayana Nair

.

Can we really trust this map?
I don’t.
And I won’t
till you give me
the story of those who made it
or even of those who followed it
blindly, knowingly,
as they sang of their love under their breath,
as they shouted their own name in blizzards,
and found their past stubbornly standing
waiting for the impossible
at the shores that were made to crumble.

Tell me how small fishes nibbled at their tears
as they looked back at the shore, at themselves
they will never return to.
Tell me what happened of them.
Tell me about where they stopped,
where they left their breath lingering.
Print me a book of 300 pages, devoid of observable facts,
for every map you push into my hands.
Give me a glimpse of the heart
of the one whose words I must trust.

And once I see, I swear I won’t hold back.
Even if all I see are tears
I will take only steps forward.
Even if all I hear are dissolving laughter
I would chase their ghosts, I will call out to them.
I will lose myself, lose my voice
in chasing their fates.
I don’t know what’s the point of this
Maybe I just want to wander, maybe I just want to hurt
and smile for someone else
without a hope of getting something similar back.
To see, without being seen.
But I know I can only walk for this.
I can only walk like this.

“with the right words, i can hide my unreasonable yearning for you” – Nayana Nair

.

frozen time, open window

a cry of deer stuck in my throat
along with your name

the white spotless landscape of my heart
breaks again,

the summer keeps evaporating

my real smile surfaces and floats
like a dying fish, waiting for

needy hands, hungry lips,
hot oil, cold plate, and a decent death

the radio that plays on repeat
every song i hate,

the fork that traces the outline of my eyes

this empty life, my clean small bones
lying in the sunlit backyard of your world.

“green branch” – Nayana Nair

.

only the lips of hope,
the planets that break in sunlight,
the dreams that never forget
that they are made with love
but also with vapors that can only dissipate
and lose form eventually, slowly….taking
my form with them
into the void of love.
only this would do. only this i can welcome.
only this i can hold.
only the lips of hope that won’t utter my name,
the hands that won’t let me go,
this violent landscape
with the only green branch in this world.
only those i know to be real.
only that i know to be love.

“The Remaining Beautiful Sculpture” – Nayana Nair

.

The houses are all empty, the roads deserted,
the remaining beautiful sculptures,
in the overgrown lawns of this plastic world,
have no eyes and no intent to save anyone.

Someone tells me my new lines
and I nod and wait for my voice to arrive.
Someone else opens my cage and you are also
somewhat released from your prison.
We walk the small distance of this model road,
revising the conditions of our freedom in our head.

You hold my hand and it feels like nothing.
How perfect. How hollow.
But soon the sun will rise and fill us with light.
Soon it would all be beautiful.
I almost wanted tell you,
“this emptiness is such a beautiful catalyst
for reckless beginnings”. But I guess you already knew.

As we all wait for the sun,
you tell me you have a name and I nodded.
I realized I could not say the same about myself anymore.
I realized much later that you never told what it is, your name.
A name is such a hollow thing, to be filled up by the person only later.
I don’t know the order of importance of things in this world.
So I guess this must be normal.

As the sun came out of hiding, I was filled with words again
and the words that I wrote in that first light was,
we both could write poems that can break worlds.
we could be so much more than this. and maybe we are.
maybe we want to be something less. something simple.
something harmless. but is that even possible?

As I wondered what your real words looked like,
I uttered the words I was told to,

the houses are all empty, the roads deserted,
the remaining beautiful sculptures ,
in the overgrown lawns of this plastic world,
have no eyes and no intent to save anyone.
i won’t save you. i will be just like others.
i will look at you and wonder. i will smile and forget.
i will love and forget.
but i will remember you in your crudest form.
you will exist in my vocabulary like waves and perfumes
and home and roads. but you will remain.
i will make sure of it.

And with all the conviction and gratitude you replied,

that is enough. i can be saved just by that.

I believed you so much in that moment
that I wanted to mean every word I spoke
and maybe that was the moment my love was born
for you.

“Only sad poems spring from my mouth” – Nayana Nair

.

When I think of you in an indefinite future
without me,

when I think of the past, this glowing mixture
of wax and webs, sticking to my eyes,
to my uncertain touch,
to my every new dream and hope for love;

when I cry, when I laugh, when I say even my own name
the mountains of stories, send me back your voice.
They say you will be cited as the reason
for my every my recklessness and my every holding back.

True to the prophesies of love
my skin wilts and dies and eats itself up.
My heart cries and cries and makes jokes about crying.
Nothing makes sense and yet everything is just as it should be.

And now I can call you my everything and
nothing in the same breath
and still know that even if I let your shadow swallows me whole
I can’t ever call all this love.
I won’t ever feel “love” for you again.

Yet only sad poems spring from my mouth,
when I think of you.

“they took my name and handed it back to me” – Nayana Nair

.

Every time
I fell into the void.

Every time
I have been kindly left alone.

Every time
I was allowed to walk in light,
in the world I clearly didn’t belong.

Every time
they took my name and handed it back to me
without poison, without hatred, without tearing it into pieces.

That’s all I have to be happy about.
That is the closest I have felt to love.

“As if out of a dream” – Nayana Nair

.

The leaves flew back to their trees.
The fruits became never eaten, never ripened, never born.
The papers on my desk forgot how to exist for themselves.
For a moment I feared maybe this is how
the past love, the healed hurt returns.
But it wasn’t so.

That day, on that bleak morning
you looked at me
and my heart learned to believe again.
My lips reached out to learn your name.
Your name, as if out of a dream, settled on my shoulders
and told me I can rest.

On that morning, that should have been like the hundred others,
I learnt that in spite of my bitterness and my disappointment
I wanted to believe in this world.
And even in my denial I was waiting for a moment like this.

A moment in which my broken and incomplete heart
is returned to its original state of trust, as if by a miracle,
by your gentle touch of understanding.
I feared calling it love, when I knew that it already was.
No other word would suffice.

“Paintings of springs and fault lines. Sketches of lost mothers.” – Nayana Nair

.

She sings.
An echo, a heartbreak maybe,
something piercing, something invisible,
something not ours-
this is all that we are allowed feel
(as long as we want to feel).

She is everywhere.
She sleeps, buried under the heavy weight
of water and floating globes of life and
drowning boats and oil.
She is everywhere.

Yet her voice outlines every step we take.
Every dying step is a step lost to her name.
Running away is beautiful in this city.
The traces of our writhing, crawling, changing bodies,
painted on every stone, every wall,
doesn’t let us forget the dust of the world
we crushed by our hands,
doesn’t let us forget the word “home”.

All our journeys branch from her heart.
We sit huddled with out feet in water,
with our hands over fires dying out
and talk of her. Always her.

“Home of Blindness” – Nayana Nair

.

I have to sing
and keep singing,
have to keep begging people to dance within my heart,
within the confines of these bricks,
with the parts of me that can’t die
and parts of me that I wish I still was.
I have to keep inventing reasons and occasions
I have to paint every meaning within me
in the boldest loudest colors.

Because the moment it all stops
I will hear the shouts again.
There is no silence in this world.
Outside, everyday
the fearful children of a fearless god
shout his name again and again.
Asking for reason, for rain,
for roses carrying their name.

I also once stood there, in the dark corridors,
on burning roads
asking god to love only me,
to hold my hand, to save me alone.
It is a very dark road,
the one we take to find
the light that will only belong to us.

And there is only this home of blindness
far away from all the crying and ceaseless hoping
where I can use these eyes of mine
for something more than holding and spilling tears,
where I get to sing for the god within the song.
I worship these walls that hold me in my place.
I worship all of your laughs, all the steps the never stop.

But I am still afraid
because tears still come easy to me,
because even this borrowed light whispers the name of one
who I still hope to reach.
The one who should exist somewhere outside these walls.
But I can only be here in this world of his
if I don’t run to him all the time.
I can be his, without falling short or falling apart,
only if I substitute what he has made for what he is.