“And maybe this would be the first time something good comes out of us” – Nayana Nair

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I told her I wanted someone new to blame,
nothing in his old rage-filled brain
has enough flesh to house all this hate.
I told her to leave me
like she has done thousand times before
but this time maybe it she could do it for me.
And maybe this would be the first time
I could really believe her deceit
and learn to hate her for it.
This time she can really mean it
when she says that we’ll be better by this.
And maybe we will finally finally heal
and learn something gentle from ends like these.

“The home I had in me for you, wasn’t much of a home” – Nayana Nair

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The home I had in me for you
stood in silence at the
the slow curve of every approaching road,
it stood with hope
facing the ocean of molten cold dead ends.
It was a beautiful place really,
a place where sleep hunted for eyes,
if only for some consolation, if only to feel alive.
A place of hollow abundance, where one could only pray
for a bit of loneliness as relief.
Morning dreams of lace and scissors,
the shade of some long lost sorrow,
the memory of rain always remaining on the clothes,
the sunlight forever imprinted on your chest,
the light of the-world-lost always clawing its way
to the dead center of your heart.
It was the world of bleeding fabric,
lying on skin like a pet waiting for a tamed life.
It wasn’t really much of a home,
there really wasn’t much space there left – for life,
for you, or even my changed love-filled self to survive.

“Once everything could be salvaged by commonplace miracle” – Nayana Nair

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I would be busy scanning the shelves,
my hands clutching
a carelessly torn paper
that mentions in your clear writing
all that is essential
to nurture tiny special things
like childish loves and high-flying songs.
I would walk down the aisle
to the music of wedding march,
to the noise of tiny wheels ready to dismantle,
unable to find anything to save anyone.
The remedies for a body
that has known the laws of gravity too closely,
the bottles that can hold happiness gifted by visiting dreams,
the stickers of cracks to be pasted on the dams holding us back-
they are no longer sold here.
Like a typical maid running out of a ball,
with no prince, no magic, no new fate tailing her shadow
with my back adorned by lights of structures
that now only sell numbness
and the promise of easy breaking down,
I face the streets that are oblivious to their own dissolving.
I face your absence once more
to remind myself why nothing works anymore.

“Welcome me as you’ve always done” – Nayana Nair

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Your frail arms,
the waves and curtains of your skin,
these carved brackets hugging your smile-
give them to me.
Place a shadow of such blessings
on the weary crown of my future.
Tell me the story about
your bent bow, about your magnificent spine
that sings stories about the lost string,
about the vanishing tear-stained targets.
Teach me how to grow.
Teach me how to live.
Welcome me
as you always did
with your overflowing love
and your running out time.
Tell me how to love this world
even as I leave. Teach me how to love
this eventual inevitable fallout of elements
that make up my body and mind.
Hold me tighter in your sleep,
leave me a bit more of you,
so that I won’t be starved,
so that I don’t grow bitter,
till the time we meet in our new skins.
Even there I will carry in me
the grace of the life you have lived.
Welcome me when I come to you again.

“The snow continues to pile as our breath struggles to remember life” – Nayana Nair

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The walls gave birth to new ghosts
and the chill in our lungs
grew as a garden of hyacinth.
Whatever remained of our suns
was now dying with us.
“Give in to the end with grace”
said a detached cold voice on screen.

So in my remaining breaths
I tried to write something wise about life
but somehow it all came back
to those few names
repeated again and again,
it somehow came back to not wanting to die.

I looked at her across the room
as she ran her fingers through the spread of cards
with a smile that still brushed against my heart
like a butterfly with one wing of metal
and other made of light.
It doesn’t make sense that this all has to end.

Someone out there in the snow
continued to sing about heartbreaks
and the glory of this release
and yet what wouldn’t I give
only to feel another despair of love
if that is how she could live a little more in me.

“The list only grows longer” – Nayana Nair

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I light lamps, sow seeds of lighthouses
in gratitude for this weak flesh
that can build itself anew, in spite of the nights
when all the warmth in the world evades it.
I chant the names that don’t belong on my lips
with boundless grace and bitterness and longing
and not die from the memory of having lived.
I sit content and complete
knowing my breaking cannot forever stay in me.
I smile with relief,
knowing nothing would hurt as it should, as it does.
I write another poem of love,
knowing nothing I love will be loved well enough.
I look back at our old odd selves and find the heart to smile
knowing that the list of “beasts and wonders extinct” – only grows longer.

“the bridges float on the horizons we have lost” – Nayana Nair

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the bird of possibility, decorated with arrows,
sits on our broken shoulders
and asks us what we see there
there – where we are not

there?

there…

something fragile still sleeps in us

our hands reach out to always find a sure warmth

something made of feathers hugs us back

a gentle sun kisses our wearied eyelids

and yet the dream doesn’t dissolve in your hand

“i dreamt of you today” – Nayana Nair

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i dreamt of you today.
today i was a lost child
digging through the mist
with my fragile bleeding lonely fingers
for the name of the one i love,
the one i didn’t get to love enough. this name,
seated in the golden shrine of autumns, was nothing like
the name i remembered. the rust was eating away its mass,
the reality was tinkering with its gravity. holding it now,
felt very close to embracing an illusion.
light and time pass right through it
as if they are illuminating and revering
something
that never was.
i am starting to forget, i realize.

“Don’t cry. Tomorrow I will try again.” – Nayana Nair

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The stones are in full bloom this morning
the heavy branches, my heavy arms,
this remaining bark hiding my old skin
invites new birds to make few homes in me.
The rivers born in the last frozen quarter of calendar
they fall, like leaves,
like pieces of heaven – the shrunken oranges
greeting the tarred roads as the old anxieties
swim to my surface, to greet me with a forgotten word.
My body gets to know ground in new ways.
My blood gets to know another skin.
The arm of a stranger, an unwanted breeze
holds me hostage and tells me to flower gently for once.
My skin gets to know rain in new ways.
Maybe tomorrow I could be born
without the morning storm of sadness.
There is always a tomorrow to try again.

“Unchanging facts” – Nayana Nair

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All the stories and songs and
in this part of land, at this end of life – they are all about
the boat and its wood, about the shine of its old surface,
the sound of water it carries even as it sits on the dry
dying land, burning for hours and hours.
Hours not measured in the cups of water nor in the shadows
that refuse to fall in spite of all the light,
but hours measured by the cries of gull, the number of sails torn,
the diminishing weight of the men,
and the the silent wrath of all the glorious water.
We ‘the ones rooted to the shores’,
we sing from the shade of generous trees
to ‘the ones who only knew the abundance
of salt and wounds and undying dreams’,
trying to understand their alien love.
We sing of them and their hateful dreams,
of the tears they forced us to swallow because
they couldn’t love us if we wanted to be their shackles,
we narrate these unchanging facts every morning,
we dig a new grave for the same person again and again,
with each hole in earth as empty as the other.