“The way complete beings find breaking” – Nayana Nair

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You look at me
and I look at you
the way broken things look at the hands of an angry god,
the way complete beings look down
at things that can never be their equal.

You and me, we take turns,
learning to feel pain, to give pain
reaching for the light in each other’s eyes,
making copies of each others memories
and spilling the ink on the originals.

You and me –
we are children left alone unsupervised with this steel instrument of love.
We now know of the blood and bone within our skin, thanks to this blade.
We now know how to keep distance when nothing keeps up apart.

When we lose our color, our teeth of milk and cruelty,
when the blade loses its shine
and looks like any other rust of this world,

only then we know the pain
of having walked past a life we could have had,

the journeys we could have walked,
the meaning we carried in our selves for each other sake,
the meaning we never looked up
, never cared for.

“as if nightmares are fiction” – Nayana Nair

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let’s break those darn mirrors.
lets not peek through the hands of fear.
let’s not see the monsters of sorrow.
remember not
where they walked and where they hide.
close your eyes and wait.

for what?

for the end.

there is an end?

there always is.

there are
ends that pierce through our our shoulder blades
and the blinds of our ribs.
it is actually beautiful to see how
heart melts away too easily, stops too easily
loses it way too easily.

also

there are
ends that make broken mirrors magnificent,
that smell like our mother,
that find our mouths at the dead of the night
and breathe in their last breath into our collapsing lungs.

it is sad to see how
our helplessness asks sacrifice from others
how we go back to sleep,
as if nightmares, once they end, are only fiction.
how we realize only after hours and years, wake up too late to notice
the blue hands, that once seeked us in storms,
decaying under the sunshine of the most beautiful day of our lives.

and what do you do then?

close your eyes and wait.

for what?

for the end

there is an end? even after this?

there always is
but maybe not the one we want.

“Weight of Snow” – Nayana Nair

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The light – yellow, diffused, and scattered – falls here everyday
on the cold marble of my home.
It is winter already, which means there must be places on earth now
where turning on taps is a useless exercise,
where a whole street wakes up early
to remove the snow piling up in them, around them,
snow continues piling far away from their settlements
where there is no need to clear them,
where the weight of snow doesn’t suffocate anyone.
There must be places now where people are forgetting things one by one.
Remembering an unreal ocean of fierce light,
forgetting ever being there.
How many places have I forgotten already?
I move two chairs into the circle of warmth
and wait for the evening cold to reach my skin,
to end this dream.
I stare at the empty chair.
I draw myself sitting there, staring,
as if I cannot live without an empty space beside me.
What was that space once?
It was something warm with skin and heart and voice.
It was light in human form, it was the most beautiful life.
But that empty chair in the sun, has been empty for so long
it couldn’t possibly have been me
who existed when it was something more than that.

“Paintings of springs and fault lines. Sketches of lost mothers.” – Nayana Nair

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She sings.
An echo, a heartbreak maybe,
something piercing, something invisible,
something not ours-
this is all that we are allowed feel
(as long as we want to feel).

She is everywhere.
She sleeps, buried under the heavy weight
of water and floating globes of life and
drowning boats and oil.
She is everywhere.

Yet her voice outlines every step we take.
Every dying step is a step lost to her name.
Running away is beautiful in this city.
The traces of our writhing, crawling, changing bodies,
painted on every stone, every wall,
doesn’t let us forget the dust of the world
we crushed by our hands,
doesn’t let us forget the word “home”.

All our journeys branch from her heart.
We sit huddled with out feet in water,
with our hands over fires dying out
and talk of her. Always her.

“Breathing Cities and Statues” – Nayana Nair

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When I try to imagine,
to recall the face of another human being.

I always see them standing opposite me
with an expressionless face, holding out their hand.

When they are ghosts of pasts,
they are breathing cities of peculiarities and possibilities.
I feel they were waiting for my hand to touch theirs.
I feel as if they have saved up their last smile for that moment.
The steps I couldn’t take, can now never take,
they look so easy, so worth it, so worth keeping as regrets.

But I never learn
because
when they are reflections of present,
they are breathing statues
and frozen hearts that couldn’t possibly beat.
I know that this hand is not for me,
that I have extinguished the smile on that face
just by being myself, just by existing.

Only the warm breath of passing time
can make me miss the world that could have been.
Only on the streets I cannot walk
grow my trees of faith.

But even then, even for the past
I barely feel any love.
What I feel is something similar to
the relief in the things that won’t change.
The pull I feel is for the trust that can never be broken,
my heart that I never had to give out,
the hand of every stranger that remained innocent thereby.

“Towards that lesser life” – Nayana Nair

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Once I was told
by my own shattering image
that I would learn to laugh at this moment.

It was not a pleasant sentence to hear.

It reminded me of all the sentences
that are manufactured in the factories of peace.
you will forget this bruise.
you will forget those words.
you will forget this love.
you will forget this face.
forgetting is what you really want.
far away from every “here” is the place you want to be.

It reminded me of all the meaningless words that were born
everyday in the mouths of strangers –
words that awkwardly held me not knowing who I am
or why I must be consoled
but convinced something in me should be put to sleep
before it learnt to cry in the audible ranges of pain.

There are too many words in this place.
Too little heart.
There are too many people who look like they have known pains
that I might never have.
But they are the same ones who want to bury things
that are only broken.
So I am going to run
towards every “here” out there,
towards that lesser life filled with loss.
A life where things that are lost are allowed to matter.

“Home of Blindness” – Nayana Nair

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I have to sing
and keep singing,
have to keep begging people to dance within my heart,
within the confines of these bricks,
with the parts of me that can’t die
and parts of me that I wish I still was.
I have to keep inventing reasons and occasions
I have to paint every meaning within me
in the boldest loudest colors.

Because the moment it all stops
I will hear the shouts again.
There is no silence in this world.
Outside, everyday
the fearful children of a fearless god
shout his name again and again.
Asking for reason, for rain,
for roses carrying their name.

I also once stood there, in the dark corridors,
on burning roads
asking god to love only me,
to hold my hand, to save me alone.
It is a very dark road,
the one we take to find
the light that will only belong to us.

And there is only this home of blindness
far away from all the crying and ceaseless hoping
where I can use these eyes of mine
for something more than holding and spilling tears,
where I get to sing for the god within the song.
I worship these walls that hold me in my place.
I worship all of your laughs, all the steps the never stop.

But I am still afraid
because tears still come easy to me,
because even this borrowed light whispers the name of one
who I still hope to reach.
The one who should exist somewhere outside these walls.
But I can only be here in this world of his
if I don’t run to him all the time.
I can be his, without falling short or falling apart,
only if I substitute what he has made for what he is.

“Something is wrong with our core” – Nayana Nair

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At my core is a sickness-
something hideous and wanting attention,
always wanting attention,
your attention.

Your attention
is like a net that catches everything of sea
including me, but there is no one there
on that broken boat of your body, to pull you or me
out of these cold waters.

Outside these cold waters
our dreams are running on pavements of romance.
They run on our feets, they smile with our teeth
but then you fold yourself around me
and in a shiverng language remind me
that they don’t have our hearts
and maybe that’s why they have been spared our fate.

“Dreams come true” – Nayana Nair

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sometimes i dream of emptiness – it looks festive and grand,
it looks like people rushing in
with their wants and talks about wants

and talks about not having their name in any list of wants
and talks about wants that they saw the other say
that they just couldn’t wrap their heads around

and talks about wants that didn’t last that long
and talks about wants that don’t seem to die
and someone wanting to burn some wants
cause they just can’t stand them, cause they just can’t stand
a world that is not filled with their lookalikes

and someone wanting to become a 24×7 monsoon,
so that such an anarchic want can never see any fruit

and then 100 people enter a room which only has room for 10
they are torn between killing other 90 or making the room bigger
by bulldozing the rooms around,

some have already started to eat less and breathe less
and want less so that they take up less space, cause nothing seems to be working,

they sometimes talk about wanting back the past, wanting back the limbs and heart
that, they realized too late, won’t grow back

and the room is now bigger where 100 people are now 10000 people
and the other rooms and other worlds
are now floors the people with better and certified normal wants walk upon

and some keep digging for the ones that are buried, for the ones that still can be saved,
they keep getting arrested and get locked up in cells that have always room for more

and things like that just keep happening-
hurtful things, beautiful hurtful things, ugly hurtful things.

and my eyes see only wants and hurts
and i am not sure
if it is a good thing or a bad thing
that i can’t see another human in sight.

“But it also means…” – Nayana Nair

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I guess now I am the cruel one-
the one people fear to love.
This scenario was meant to be sad,
but it isn’t somehow.
(Why do the worst cases taste so bland to me
when finally they arrive?)

I guess it makes me relieved, if not happy,
to feel loneliness more often than feeling distance.
No one knocks at my door,
and I can’t help but smile
knowing it also means no would leave me.
No one would leave me in love, leave me in pieces,
leave me hating myself again.
(Why do my hopes sound like running away
even if I am facing life in every way I can,
the only way I am allowed to,
the only way forward that doesn’t require
sacrificing myself again?)