“The door opens slowly” – Nayana Nair

I turned another corner
and walked into another house
that I knew nothing about.
The owner, the god of this land stood there
outside in the garden
telling a child how to create more beautiful loops,
how to somersault,
how to find more worms, more of everything.
An adult placed like a talisman
that couldn’t keep me
or what I bring with me away.
He didn’t even notice the grave that I carried in me,
the open pits in ground awaiting more bodies.

I walked to the front door and rang the bell
thinking, wondering what must I not be seeing
in the person I see as a fool.
I wonder if the graves in him didn’t love him back as well.
The door opens slowly and I wait.
I let my willingness to wait announce to her that it is me.
She makes me a wait a bit more-
that is the nature of game we are caught in.

Seconds and hours I spend on her couch,
waiting for the commotion outside to end,
for “the happy family on a sunday morning” to end.
She has four brother
and an almost sister that they never talk about.
She reminds me this a few more times
so that on the mental map of belonging and similarities
I find this unnamed sister closer to my role.

They rush in like a flood, like a rain gone wrong-
all these bodies that I am not supposed to see.
“They are perfect”, I thought to myself.
I thought of my mother, the anger in my home,
the counting of countless miseries,
the coarse harsh words that filled my eyes, then filled my mouth,
the gentle sunsets that drown only dreams.
“They are perfect”, I think, “for someone living in the same world as me”.

She tells them about my scholarships, about my fragile upbringing,
about the art that runs in me.
She tells them all about the things that they like.
For today she has made them into me.
I smile and say a little too less.
I smile as if I mean no harm.

But I know
I am here.
I am here and there is no escape
from the fact that eventually
I will sit in this room with my love
and with a glitter pen running out of ink.
I will draw, deepen the cracks that I already see.

Such is my nature.
Such are the songs that I live on repeat.

“Blue white love” – Nayana Nair

As I wait for you
in the back seat of your car
almost losing sense of my limbs and my scars
I smile – the sad smile I would never use when I am sober.
I smile thinking,
thankful,
at least I am not crying and waiting
in the trunk of some stranger’s car.
I don’t necessarily love you
but I guess I love your pattern, the predictability of your anger,
the time I have to prepare my skin to shatter.
I think about the times I have been broken
and abandoned by the loves and by the men before you.
I think about your anger that I never lets me forget this past.
I think about your hands that I can count on
even when your hands love my pain the most.
I think of your funny jokes, the food you cook in your good mood,
the songs that you hum as you move around the house,
your bluish white wings and your flickering halo
when you are asleep by my side.
I think I can love you a bit after all.

“the darkness that she sings for me” – Nayana Nair

i am in love
with the woman who sings and
becomes the background
of my every night.

i like to listen to her voice
as she takes my every second
keeps it out of my reach,
teaches me some really suspicious ways
to keep myself safe from the her demons.

she glows in the darkness that she sews
only for me,
for me to hold her hand the way
she will never be held,
the way i will never be held.

i hate to cry,
i have cried for a long time
for people who called me their option
when i was out of earshot
my tears are cheap, now all they do
is make me feel equally cheap
but the tears i shed for her life are beautiful
the tears i shed for her (who feels like me)
stops me from taking pills i don’t need.

another lover of hers sat opposite me few days ago.
she looked so much like her.
it made me wonder if i looked like her as well.
i wonder she knows her lovers are running amok
in the world that she paints with her pain.
i wonder if she knows that we are catching all her fears,
staying away from guys who speak like her ex,
staying away from the patterns she has pointed out.

i wonder if she knows
that we tell strangers “she sings well, she writes well”
when we want say
“she made me embrace the woman in me
that i have been trying to kill for a long long time.
she stood in my moonlight
counting all the daggers that make her bleed every day,
the same daggers that i fear to acknowledge,
telling me about the exact number of days it takes to collapse again,
about the face, her heart, and her womb that are for anyone’s taking,
about her rage, her mind, and her will that she was allowed to keep.
how she wanted to give up last night.
how giving up can become a concept of life every easily
but she didn’t want that,
because she didn’t want to be
the sad pathetic corpse of the woman
that the world said she would eventually be.”

i am in love with the woman
who wants me to be more than a silent background.

“maintain my world” – Nayana Nair

and this sad premise is not a commentary
on how rotten the world is
but an observation
that we have a pattern that is hard to break.

that people often misinterpret the habit of one thing
as a proof of its superiority over everything else in world.

that words can move your heart,
sometimes for worse.
it can move you towards hatred, towards fear
towards anger that is not your own.

that the wish to be right
makes us forget how to wear someone else’s shoes
or their color or their nationality or their body.
a body that is no longer their own – now that
they are just a sack of blood, a sacrifice
to please our personal gods – our thirst of power
and the “better world” that no one else wants.

this sad premise is not a commentary
on how rotten the world is
for i do not have the courage to write the worst
or to imagine how i am right now walking
over faceless nameless beings to maintain my world
just like you.

“Lead me to the same place” – Nayana Nair

The laments shimmer in the borrowed beauty
of words someone else made.
The pattern my words dance in
were laid out by someone else.
They lead me to the same place
where they have led the people before me-
not to change or relief.
I don’t think anyone whose steps I am following
was looking for that either.
But only for a way to look at pain
and see the beauty of the heart that endures it.
Not to find answers or reasons,
but the assurance that life can be lived
even without that.