“How to guard the doors and fail miserably” – Nayana Nair

.

It is not the night that brings in the monsters.
They are just creatures, just nature-
that exist outside the door that you are guarding.

They come in because this world is theirs as well.
They come in because they can,
just like how you can go out.
This is the fair deal you don’t want to exist.

At least they do not look for you,
they do not mark your picture
and throw darts at it.
I love them for that,
for the lack of vicious premeditation,
the lack of fun in their delivery of hurt.

The river of pills that flows into my window
has nothing to do with them.
The hurt that keeps you awake,
the nails that slowly make marks
on the surface of your eyes

this ruined place, this brokenness
are always the gifts of the ones
who look like us.
This has nothing to do with the monsters.
This has nothing to do with nights.

But has knowing such things ever helped.
The days are just as frightful as nights.
Now anything that looks like me,
and everything that doesn’t –
they are possible ends of me.

Now I must either run away from everything
or must end up loving them all, forgiving them all –
this broken temple of knowledge, this fake shallow sacred unions,
these glorious wretched feelings that won’t let me remain me.
How far should I run. How foolishly should I love.
How do I decide.

“I hope for them to not see and not know”- Nayana Nair

.

The river rises,
another flood is here
and I haven’t yet learnt to swim.
My friends are again at my door.
They knock, then they start crying.
They tell me about the happiness I can’t see,
they try to predict what you
would have wanted me to be,
and all I can do is laugh at it all.

My laugh, it must be as frightening to them as my tears now.
For even as they send me pics of kittens and quotes,
and stories saved from fire, stories filled with hope,
I hear their panic from the other side.
They know that just taking your name
had undone the strength
they tried to feed me for months.

And since now they can’t breathe
everytime I close my door, everytime I refuse to speak –
I am another hell to them.
And since I can’t let them break over me –
they are another pillow pressing on my face.

I hope for them to let me own my sadness.
I hope for them to not see and not know my pain.
But they do, they feel so much of me
that I have to open the door,
that I have to let them hold my hands.

I tell them that I’ll live no matter what
and they still tell me that it is not enough-
they want me to be who I was.
I can only smile at their cruel hopes for me.

“Surface” – Nayana Nair

.

I want to write of things I don’t know of.
About the feelings I never had,
the bodies that never surfaced
in the rivers that exist only on the grounds
of treasure-less maps,
the feelings I spoke of but never ever actually felt
as if it happened to me.
My love was like everyone else’s,
so much that I was acutely aware of their borrowed nature.
I want to write of things I don’t know of,
about a love that is truly mine, a feeling that is not plagiarized.
When you casually say “you don’t know anything of love”
I don’t want to feel guilty, like I always do.

“Named after stars” – Nayana Nair

.

And if we are to delete, to remove,
to erase and whiten the papers
that are not a part of our hearts anymore,
then hand me the forms you want burned,
the words you wish you never heard,
and I’ll help you with your share of forgetting,
just like how you helped me memorize my own name once.

If we are to walk through the burning towns,
that we created with our own hands, which we named after stars,
to find something that is not poisoned by our time together,
then I’ll do the walking for you.

In a room filled with light
I imagine myself breaking apart, it will happen for sure,
but it doesn’t pain me yet.
But I fear the tears that will find your eyes,
the marks of flowing rivers, the civilization of sorrow
settling and flourishing on your face,
if you were to fall in love with something that is already lost.

I fear your loving nature.
I fear your heart to work for the impossible.
I fear you might see our past and mistake it for our future.
If you try to protect me even in our end,
I fear I will be left with no way out.

“How do you want to be saved?” – Nayana Nair

.

I crawled to the window
in my dress torn by the claws and cries
of people who live in my nightmares.
They like clean living rooms, dark courtyards,
and cars with slashed tires sitting in their garage.
They have
“broken hearts” written down in forms as their identity
and broken chandeliers swept under their bed.
They crouch down and look at me
as the broken lights shine red,
as I see myself bleed beautiful rivers,
as my silent scream become winds, become ripples,
becomes the face that will forever make me cry.
They smile and ask me
“What do you wish? How do you want to be saved?”
while someone else burns the bed that I am crushed under
and asks me “Is this the what the warmth felt like in your mind?”
They drag me out into a forest,
where under the brightest tree of hope,
they stuff darkness into my throat, into my mind
and ask me “Do you still feel empty?”
They are unreal and of unsound mind.
They tell me living in me makes them so.
They wave goodbye to me with a smile,
offering me a sweet candy
for my silence and understanding
It is raining when I open my eyes.
I breathe in the world
where bleeding and burning is irreversible,
where it would lead to an end of some kind.
I crawl to the window
in my torn dress and my exhausted skin
and find myself staring
at people who used live in my nightmares,
people who look more real that the living me.
People who now own more than just my dreams.

“Hand-painted walls” – Nayana Nair

.

The answer to your question-
the truth you always ask and wonder about
is there
somewhere inside me.
But inside me are many other things
that I have not been able to find till now.
And I would have probably invited you in
and asked you to help me a bit
if you were not better than me in every sense.
Just saying this makes me feel so cheap.
It makes me the person I am always trying to hide
and inside me things are a bigger mess.
There is a river of hatred and an ocean of guilt,
the walls of past that I paint over and over
but things just keep looking worse.
And though you hope to find a sky of love there,
though you hope to find a true love or a true end,
I would rather not be loved for the possibility of who I can be,
I would rather not be looked at closely,
or loved a bit more than I deserve.
And what I deserve is a piece of cake
that keeps getting smaller and smaller every day;
a cake I dare not eat, or even want .
I am afraid in my shrinking world,
there is no place for you
or anything called truth.

“I cannot tell the difference”- Nayana Nair

.

“Long time ago” is a dangerous neighborhood.
All its season are holograms of perfect world,
the illusions of rain and snow and sun,
the illusion of hearts still beating under the non-existent skin.
The technician of this a weary magic
lives beside the empty park in the middle of my heart.
He knows the perfect days to make me cry, to make me see.
He invents new people, new details.
Sometime these are fake stand-ins for the what he has lost
in his war against me, all that I intend to forget.
Sometime they are what I failed to realize,
people I didn’t get to love.
Most days I can’t tell the difference
between the words I have forgotten
and the ones I will never hear
again.
This town
has post offices with stamps of words I no longer mean
stuck on its wall.
There cars and houses and roads and rivers
owned by people who will never die.
They all gather on my birthday
in the cemetery of one grave.
They sit on the endless green grass with their picnic baskets,
with the kids I will never have, with the pets I will never keep
and look into the eyes that will never look at me.
They smile knowing something I will never know.

“River of light” – Nayana Nair

.

There are universes
spinning around us
and they will see
how we break down.
They will not know our names
just like we don’t know theirs.
And when they come for us
falling onto our beautiful blue home,
falling into our storming seas and falling heights,
we will still believe that this beauty will save us
and in some ways it will.
In some ways it won’t.

But for today
the universe around us
inspires us to love, fill our hearts
again and again,
it cradle us tonight,
carries us from one unbearable moment to anohter
through the tunnels of serene silence,
through the river of light.

If this all is an apology for what is to come,
just like the offerings of the sad heart before it broke me once,
then maybe we don’t deserve this kindness,
maybe we are given, gifted, cared for a bit too much
in the name of the eventual end that is waiting for us far ahead.

“Dry Rivers” – Nayana Nair

.

The river is finally running dry.
I heard someone rejoicing to hear this.
What is a river without it’s water?
I am told it is money, it is development,
it is more money.

Another colony, dozens of businesses springs up.
There is nothing to be sad anymore.
I walk on the roads trying to trace
the skeleton of what is lost.

Now, I know the names of few more rivers
that are nowhere to be seen on maps.

The numbers of such ghost keep increasing.

There is a language that no one cares for.
There is a city that forces everyone to leave.
There are words that don’t sound fancy anymore.
There is an accent that needs to be exorcised from tongues-
the identity of what we are is a secret,
something we can be killed for.

But it is the season, the world
where rivers dry out beautifully,
where aches turn into anger, into revenge,
into art, into denials,
into search for something new.
But rarely does it turns into tears.

How is it we have so much to lose,
so much that is already lost
and yet have so little to grieve about.

“Red Gates” – Nayana Nair

I drowned the flowers
one by one.
The poison of beauty
now runs through the rivers
on this land,
they fill his backyard
in every season of rain.
A child with his smile
drowns another boat of dreams,
the flood is a field of paper,
the flood is all that is left of me.
She stares into me,
waiting for a reflection to surface.
She walks into me
to see where I end.

She tells me about the boy
she can’t love and the boy
she can’t blame
as I dissolve and submerge
the red gates of her house,
the garden of forgiveness,
her school shoes, all roads to her friend
who doesn’t smile back anymore,
the spoons that remind her of hunger
for farthest worlds and people.

She asks me how deep will be this pain
of losing herself, how long she would have to smile
through this hate.
I flow into her heart,
wondering, if there
I could turn back to the flower I was,
if the end of my hate could be
the end of her pain.
If I could be her answer of hope.