“Unchanging facts” – Nayana Nair

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All the stories and songs and
in this part of land, at this end of life – they are all about
the boat and its wood, about the shine of its old surface,
the sound of water it carries even as it sits on the dry
dying land, burning for hours and hours.
Hours not measured in the cups of water nor in the shadows
that refuse to fall in spite of all the light,
but hours measured by the cries of gull, the number of sails torn,
the diminishing weight of the men,
and the the silent wrath of all the glorious water.
We ‘the ones rooted to the shores’,
we sing from the shade of generous trees
to ‘the ones who only knew the abundance
of salt and wounds and undying dreams’,
trying to understand their alien love.
We sing of them and their hateful dreams,
of the tears they forced us to swallow because
they couldn’t love us if we wanted to be their shackles,
we narrate these unchanging facts every morning,
we dig a new grave for the same person again and again,
with each hole in earth as empty as the other.

“the open doors don’t mean much now” – Nayana Nair

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the towers
are open to the public now.
the crowd can now crow
and row and climb
to the better views-
a softer light,
a smaller distant world,
the illusions of gods
growing on our own earthly skin.
this radiance
was supposed to mean something else,
something more, something new though.
but these deafening footsteps,
this meaningless chatter,
these houses now growing like shrooms,
the clothes now drying on every step,
the resurgence of life and the blooming bruise,
the grass growing, the herds living
and dying in the shade of the tower-
they only make me cry.
even in their most wretched moments
they still remain things i can’t have.
the singular monument of hope
and its playground of chaos
and me, the only child
who doesn’t belong,
looks up at the promised sky,
feeling a new hollowness creeping.
feeling myself break
for the same old things in new ways.

“I look at you and wonder how much of all this you understand” – Nayana Nair

.

The metal bubbles.
The knives and the rust reach
our softest tissue, our dearest happiness.
My skin, like his, is torn and sewed up.
A new design forced into our veins.
A new love written.
Something old and precious bleeds.
Something soft leaves our hold,
leaves our hands, our dreams cold.
The blessings, the gentle shade,
the sun showers –
all a memory too unreal to be trusted now.
Soon we will speak of love
and not mean each other.

“Without a reason, in this world” – Nayana Nair

.

I sat in the shade of a tree that had no fruit,
no yellow buds, no promise of any spring.

Some broken ants with their broken sense of direction
crawled to me, and stared at me
as if their answers lay in my broken being.

My being, they say, are just colors-
the brightest colors of everlasting longings.
They say I am not even a half of a being,
so I cannot wish to complete or be completed
as long as I am me.

But now that I have stopped waiting,
stopped begging for a use in this world,
I feel that it is okay to exist like this.

I feel I can look back at the ants,
at the ones I can never complete
and tell them I don’t have their answers.
I feel I can tell them my truth
without wanting to “not exist”.

“I never have to wonder, I never have to break” – Nayana Nair

.

In the shade of a fruitless spring-less tree
as I tried to recall and write down
all the phone numbers I once knew by heart,
I looked at the sky
and laughed for thinking too highly
of myself and thinking too little about my heart.
That is the last thing I remember
before I was possessed.

Oddly I always remember this point of contrast
marked by the last tear I actually cried.
Whatever now had made home in me
convinced me
that I could be complete even if I stay as who I am,
that I could stand in this world
witnessing beauty, love, companionship, faith, life
and be happy
even if it could do nothing for me, even if they were not mine.

Someone, who couldn’t possibly have been me,
lived my life in my place from that moment,
and I never had to wonder again
if I am allowed to live like this.
I never picked up another paper I threw in the trash.
I now never tried to play the role of the one with bigger heart.
I was finally free of hope, of love, of being myself.
Now it was the work of whoever wanted this body,
whoever wanted my life.

“Black Pond” – Nayana Nair

As I climb,
my steps remembered the shoes I once had
the ones that didn’t hurt so much
and how hands of mine that hacked through them
just to become my own person,
some sort of grown-up.
I climbed over the yellow soft dress
and the light that it caught
just to get this, this body that looks held together
but is not
(this body knows only how to fall apart),
just to get few more shadows that ruin my beautiful wrist
with their persistent passion.
They claw through me, to see how I am made,
how I look and speak once I break.
A stranger once left me at the bottom of a black pond
and called it love just so that I won’t cry
and in return I called him my love
just for few breaths, just for my life.
I climbed over the right to mean the word “love” thereafter
and the dream of knowing a heart other than mine.
I breathe as if I have sinned
yet I walk like I am happiness and determination in flesh.
I cling to all the bitter bits of this world
as if they would ultimately save me.
I climb over, get over, and forget
so easily, so bitterly
that each feeling of mine is just a shade
of resentment.

“The Empty Half of Everything” – Nayana Nair

I am trying to live
as if you didn’t happen.
But your are the lone dream
that I have grown for years.
I cannot help but look
for your shade.

“The wind is picking up” – Nayana Nair

The wind is picking up.
The white sand unlike water
sinks everything too slowly.
And so the shade less trees of eucalyptus
become shadows that I learn to love.
They become compass that knows no direction,
but just piece this world to hold,
the silent assurance
that I am not yet lost, though my eyes can’t tell.

***

The wind is picking up.
In the middle of this small storm,
my careful hands writing the date on black board
suddenly realize the need to be held.
And so I fold and create a crease
on another part of my face-
the part that shows my heart too easily.
Someone yells out my name
and unknowingly they moor me to another violence,
another need that I don’t want to carry in me.

“Escape Plan” – Nayana Nair

the doll with black buttons eyes – i can be that,
if you also don’t mind being one.
we can sit under the shade of broken wooden chair.
we can call this air-conditioned room our world.
the ring on your finger will longer fit you,
these bruises will finally leave your life.
we can wear dresses that carry no scent of rain.
and we will stay forever as girls without love,
girls without heartaches to cure.

“from where i stand, you are the only star” – Nayana Nair

Now that we have buried all the clocks,
a day passes only when our eyes meet again,
night comes only when we say goodbye.
And when I walk away from the shade of her smile,
I think that I am forgetting something,
something that would have made me sad.
But her name, her words have grown
ferociously, violently
on whatever I once was.
So it doesn’t matter I guess
what kind of person I was
till I can continue to be the person she loves.