“The best way to disappear” – Nayana Nair

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My emptiness is finally put to use.
The fishes swim in me –
the luminous disfigured creatures of depth
and the beautiful dying ones of light,
fill me up one by one.

I teach them songs of sorrow.
I hold them in my endless embrace
singing them back to life
and in return they let me feel like someone
who can protect, love, and shield.
They let me feel things no human ever could.

Even though I hate to be seen
I smile as my body is put on display.
My skin, the strongest glass.
My skin, the weakest beams.
The shallowest of oceans I become.

Humans hold hands, hold themselves
as they stand before me.
They find possibilities, mysteries, awe
in all that I hold inside,
in all that isn’t me.

“don’t ask me. i don’t know what’s my problem just like you.” – Nayana Nair

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i would wake up
and find myself again in another room
with another stranger (obviously broken)
and i would try to remember the night before,
the season before, the feelings before
i ended up here. i fail to recall the pain that drew me here,
i fail to remove this person from the mess of all the words
that has been said to me before. before is now a continuum.
and “you”, “me”, and “us” and “we”
are just terms that point nowhere, to nothing
but they carry too many people inside, the seams of these words
are always coming apart, there is too much weight to these light words,
they leave our shoulders and heart broken.
how lovely it would be to be singular again.
how simple everything could be.
but everything tends to flow, tends to merge,
tends to find roots every time it taste defeat, it finds ground.
it is still somehow good. though good is maybe a relative term.
but then everything is relative, even us. me and you are different
only when we are placed far apart in time and space.
as i drown diaries and memories in the waters
of the forests that you used to visit, i find myself
walking as you, sharing your skin of fear,
speaking the broken language of your dreams.
as you, i end up drowning a lot more, losing a lot many
things than i had planned to. it doesn’t hurt, honestly,
when that happens. a lot of things should hurt
but they don’t. and i feel that is my tragedy. i used to feel every loss
even of others and i loved it. and now because i feel nothing
i have taken up jobs on the excavation sites of pain of strangers
that are dying from numbness. my presence seems to help,
at least diverts attention. the “too much” about me helps everyone but me.
i have an excess of blood, an excess of heart
however implausible that might seem. but it is so. i have learnt that
after numerous burnings and denial. all that breathes,
all that seems to be made of magic and speaks in voice of thunder,
anything that we don’t understand
we have burned them enough. we are burning too much of ourselves.
but that is not my problem. at least not my only problem.
i have never had a definable problem. but we can talk as if they are,
as if everyone can be broken down into components
of their loss and yearnings and lacks,
their playlist and bookshelves and friend list,
the people we hate and love and can’t stop to obsess about-
the people we are dying to forget and living in remembrance of.
we sound so noble tonight when we talk like this .

as if we are above the shallow plains of life.
i will forget your name though, and you will also forget
or at least would want to forget a lot about me
that is a totally different type of shallow, isn’t it.
we have shared so much and we will hate ourselves for it.

“How to guard the doors and fail miserably” – Nayana Nair

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It is not the night that brings in the monsters.
They are just creatures, just nature-
that exist outside the door that you are guarding.

They come in because this world is theirs as well.
They come in because they can,
just like how you can go out.
This is the fair deal you don’t want to exist.

At least they do not look for you,
they do not mark your picture
and throw darts at it.
I love them for that,
for the lack of vicious premeditation,
the lack of fun in their delivery of hurt.

The river of pills that flows into my window
has nothing to do with them.
The hurt that keeps you awake,
the nails that slowly make marks
on the surface of your eyes

this ruined place, this brokenness
are always the gifts of the ones
who look like us.
This has nothing to do with the monsters.
This has nothing to do with nights.

But has knowing such things ever helped.
The days are just as frightful as nights.
Now anything that looks like me,
and everything that doesn’t –
they are possible ends of me.

Now I must either run away from everything
or must end up loving them all, forgiving them all –
this broken temple of knowledge, this fake shallow sacred unions,
these glorious wretched feelings that won’t let me remain me.
How far should I run. How foolishly should I love.
How do I decide.

“Becoming Precious” – Nayana Nair

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Their torn ends, their disappearing body,
the plastic wings at the corner of
the shallow pockets (that were actually good for nothing)
now look like a teardrop determined to stand till the very end.
Isn’t it all so ridiculous,
laughable, and sad?
The blue that never dies – doesn’t it fill you with anger
at the unfair paces each component of this world moves?
The half alive part of everything cursing the other broken half
for taking them down as well.
Isn’t it a bit too noisy here to miss or accept anything?

(Or am I the only one?)

All the treasures are now at the pawn shops,
and the bottom shelves
of the rooms and houses, countries, and identities abandoned,
in the words that belong to pseudo names and ‘anonymous’,
in the trash cans of people who swear never to love you again.
They lie deleted and dumped under the bridges
whose shadow rubs your back
as you try to vomit out the leftover love eating your heart.

While everything to be thrown away is always there
in the cupboard,
in the handbags, on the sofa, in your phone
talking up extra space,
waiting for you to forget them, get fed up of them,
waiting for you to throw them away,
so that they can haunt you,
so they can be your another true love.
Till they are your sole teardrop when it all ends.

“something must be wrong with me, to think of you still now” – Nayana Nair

i cried again today
– a silent sob
hidden behind the highest volume of television.
yesterday i found my grief 
for a second in the fading of another song.
it lasted for a second-
my glace, my hopeless glance
at your retreating figure
and my fruitless love left in its wake.
a shallow love clenching my heart.

“What I Remember (27)” – Nayana Nair

i think this suits me most-
to lose myself
and yet look okay.
god gave me a face that always looks okay
even when i don’t want it to.
(there have been only handful of days
when i want to look as miserable i am.)

i wonder how it feels
to say
“do i look broken today yet?
“i cried all night”.
i have never cried at nights.
i have never skipped a meal for my sorrow.
i feed my heart too much fats
and instant unhealthy happiness.
i cut down my green trees
and kill few birds, make a fresh trap
that smiles through my gaping wound.

i live life the only way i can.
look okay cause all parts of me are
still working fine.
god gave me a heart that doesn’t break
the conventional way.
i walk this world fearing this heart
the most.

“your desire would burn away” – Nayana Nair

i read this on a torn sheet of paper
that was lying, waiting (possibly for me?)
in that empty hall, that on a normal day has never known empty.
and being who i am, this again had to be an easy answer from a higher power.
being who i was i believed that the confusion in my mind
rocked every throne in heaven.
so again i assumed as i said i never would,
that these must be the words that could solve me.
never mind the context, never mind the book or it’s title.
there is so much missing and this paper still remains
it might mean something,
it must mean something,
everything had to mean something for me to somehow go on.
it said “your desire would burn away,
the moment you let it have your words”
so i uttered your name with the place you have in my heart.
i mustered up enough courage to speak of the place i wanted in you.
it sounded dubious and shallow.
it sounded so much like me
that i thanked myself for not saying it to you.
i made a clean tear through that piece of paper
for being too right and being too wrong
and walked away wanting now to become a better vessel,
the person on whose lips these words would really sound the way they felt
i walked away waiting for my mind and your heart
to become good enough for those feelings.

nothing burns away.

“Before I Forget You”- Nayana Nair

I wanted to write something about you,
before I start forgetting-
who you were,
who i was with you,
how we lived,
and how we learned how to not live,
how we felt the extremes of helplessness,
with each other.

But I do not want to be the only voice actor
in this otherwise silent movie.
I could never read your lips.
I never moved mine.
But it should have been enough.
You convinced me that I would be enough for you.

But as I suspected you knew too little of yourself.
As I knew, my love also had limitations.
We hated what we saw in each other.
So you covered your eyes with anger,
I covered mine with fear.
And all we did for years is to sing to each other
about the loneliness that we had gifted each other.

If only we could give up on ourselves earlier,
we may not have suffered so bad,
we might not have hated each other so much.

I wish what we had was something shallow.
But it was not, our wounds are proof of that.

Lets just say that we would live on just fine
and try to believe in that as long as we can.

“Shopping in the HATE section” – Nayana Nair

should i thank you
for becoming the faceless stranger
that i dread the most?

you are the new voice inside my head.
less of a voice, more of a threat.

how should i make you happy?
how can i shut you up?-
is all i think about.
i want to grow up
and grow out of this mind
that can’t take even this shallow critique.
but i can’t.
how can I confront you
when you may actually be correct about me?

what should i do?
remain a nothing till your attention shifts?
learn to cry without being bashed for my weakness?

but at least I am glad I am not your type,
that I am not the excuse
you would use to pull someone else down.

so goodbye “the embodiment of my self-doubt”
thank you giving me another grief to write about,
for speaking your mind and taking away my voice.

“New Fact” – Nayana Nair

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All that you don’t know of,
all that I fear
stands behind the door,
waiting for the right time to ring the bell,
to call you out for a moment
so that it can tell you about
the mistake that has been made.
“All-that-you-do-not-know-of-yet”
has brought you someone with deeper love and better heart
and shows her off as they new discovery, the new fact,
discusses with you how to go on about correcting
all the text, all the promises, and all the future plans.
I look at her, looking at you
and I see what I must have looked like
when once I found your door
and was happy to find my rightful place.
While you nod your head along
thinking, considering
how to tell me that I need to get going
that there is not much space for misunderstandings
and no time for crying over what must be done.
Yesterday, I loved you.
Yesterday, you loved me back.
Today, my depth are the new shallow.
Today, you can only give me as much attention as
a passing cloud in the sky.