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“To the one who who couldn’t change me” – Nayana Nair

The answers I hear
are never the words you speak.

The answers I hear answers are
poorly dubbed clips of proven cruelties and truth
that only a stranger to my pain could utter,
that only you could utter.

It is the thoughtlessness
with which you try to pronounce hope with ease in front of me,
even when you know the names of all the dead ends and dead smiles
where hope has always led me to.

It is the thoughtlessness with which you try to replace
the glowing shards of sad words from my crown
that I have fallen in love with-
my eternal friends who are as unwanted as me.

My crown and its sharpness are just walls for you
and my claims of love for who I am is just an act.

My dark feelings take up more space
than me or you combined
and yet you like to call me small.

Your light
only gives me new shadows to play with
and yet you call me weak.

The color of my eyes and song in my heart
don’t change for your liking
and my love for you doesn’t change.
Yet you call my passions temporary.

While my answers are the ones
that you cannot accept or even see.

My answers exist in a place where I exist
not in a place where you or me would like to be.

I hold onto your hands as much as I try to let go
-that is my answer
Those are the words that you cannot speak.

“Eroding Structures” – Nayana Nair

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I checked my diaries
for the hints of regrets,
for the eroding structures of demands
I once made from life.
I checked my skin for the trace of scars-
the remains of the unreasonable
yet necessary decisions.
The sharp bleeding memory
of the blade,
of the hatred I inflicted on myself.
I checked the outline of my mother’s lips
do they finally approve of what I am.
While I eat all three meals
that were supposed to keep me full,
I wait for the forgiveness that never comes.
The pardon
that my heart
(half eaten by my self loathing)
can never grant.

“Great Escape” – Nayana

Drawing

Even on this side of the mirror,
in the world of shining surfaces
and sharp and dissolving images,
I have found myself
looking for clues of this fabricated world;
of trying to look for a secret trapdoor
and hidden rooms,
for a way out of here.
Not thinking even once what it meant
to be out of this world.
And even if I make it out
that world that my heart can hold
from afar,
can it witstand the touch
of a person made of light and glass?
No great escape.
No new world, no new word,
can make me more real
than the image I am.

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