“How do you want to be saved?” – Nayana Nair

.

I crawled to the window
in my dress torn by the claws and cries
of people who live in my nightmares.
They like clean living rooms, dark courtyards,
and cars with slashed tires sitting in their garage.
They have
“broken hearts” written down in forms as their identity
and broken chandeliers swept under their bed.
They crouch down and look at me
as the broken lights shine red,
as I see myself bleed beautiful rivers,
as my silent scream become winds, become ripples,
becomes the face that will forever make me cry.
They smile and ask me
“What do you wish? How do you want to be saved?”
while someone else burns the bed that I am crushed under
and asks me “Is this the what the warmth felt like in your mind?”
They drag me out into a forest,
where under the brightest tree of hope,
they stuff darkness into my throat, into my mind
and ask me “Do you still feel empty?”
They are unreal and of unsound mind.
They tell me living in me makes them so.
They wave goodbye to me with a smile,
offering me a sweet candy
for my silence and understanding
It is raining when I open my eyes.
I breathe in the world
where bleeding and burning is irreversible,
where it would lead to an end of some kind.
I crawl to the window
in my torn dress and my exhausted skin
and find myself staring
at people who used live in my nightmares,
people who look more real that the living me.
People who now own more than just my dreams.

“Winter on my cheek” – Nayana Nair

.

He lived in the cracks
of the window I could never close.
The sun and the wind, the winter on my cheeks
were all him.
It was a reminder of the mornings
when he held the hands of his softer feelings,
when he silently took the path to brokenness
and named that day after me.
It was the reminder of his kiss
that would make me look away, make me look awkward,
make me do everything almost wrong but with innocence-
everything that made him smile.
I would step on his shadow
and before I apologized, he would step on mine.
He would call it dancing
cause there was no better word for that.
I would smile back forgetting myself

It was a beautiful word.
It was a moment that answered the question
that I never knew how to ask.

“The poem on tides and moons and you” – Nayana Nair

.

On a staircase of stars
I sit with a cold drink clenched within my shivering hand
and nod back to the goodbye of another stranger.

I don’t remember him
but I know the lies I might have told him about me,
and the truth that he might have got to know eventually.

“What do you think? What would he remember me for?”, I say,
“But anyway someone knows me,
is this enough to prove that I am present in my life”.

“Is it lonely there?”, someone asks from within me.
I think it is probably you.
And because it is you, I need not answer.

I don’t want to seek you in the skies.
So I sit staring at the world that starts across the street,
where I pretend you are. Where I pretend you will always be now.

I sit outside a palace of brokenness that is not mine.
My sorrows are not so glorious.
It all belongs to a guy who will soon be my friend of some sort.

Unlike me he is happy now,
but he cannot bring to dismatle this grandest part of his life.
He wants a sad lover in front of the corpse of his love. Even if it can’t be him.

In the silence of his beautiful grave,
everyone gathered again and listened to the poem that no longer moves his heart
and we cried in his place.

It was a poem on tides and moons,
on something no one wanted to call love
but something they still couldn’t stop talking about.

It was something like thinking about you.
It was something like being asked “is it lonely there?” by your ghost.
It was like wanting to answer “does it even matter to you?”

It was like wanting to answer “It is a pain you won’t have to ever know.”

“Melting a Rose” – Nayana Nair

In rooms like these
my hollowness becomes real.

It becomes an ant that won’t stop walking
with its tiny feet across the span of my hands,
a felling that won’t rest.

It feels like the rain
that falls and fills everything before me.
Leaving me alone. Alone to think of you.

And I.
again I find in you

a hope?
a reason to run away?

hope

I wrap your moonlight around me.
I melt this rose of tears.

I melt myself and my shields
so that you can see me as I see you.

In rooms like these,
with your hope in me

I can’t help but close my eyes

and dream of finding me in front of you
holding onto my heart

and you finally smiling back.

a reason to run away

I look at my bleeding hopes,
unlike you I have not yet learnt
how to not hurt.

So I bleed silently, fearing
I might be the wrong answer,

fearing the regrets that you might discover
the hurt you might know

due to the imperfections that I collect
and fill myself with.

Every time I dream of you
the rose in my heart melts a little more.

The melting drops burn my eyes.
There is only pain in the place where you used to be.

“in the light that smiles nonetheless” – Nayana Nair

that’s where my anger lives

on the mud stains of a size 7 shoes
swimming on the white floor of my small apartment.

in the plants uprooted, in the marigolds strewn
and trampled on, in the light that smiles nonetheless.

on the streets where lives my fear – that finds me
and almost kills me, every time i hear footsteps behind me.

on the patronizing attitudes that i dutifully respond with gratefulness.
on the potential dangers, the possibilities of violence that every intimacy invites.
on the things i say yes to with a breaking heart.

in the mirror that only prizes my delicate frame and my weak wrist,
that tells me i would at least beautiful in the missing posters,
in the files housed in grim police stations,
in the videos and photos i would never get to know of (if i am lucky)

in the speeches that tell me i am safe
in the compartments and corners made for me.
soundproof corners where either
i would finally end up believing the facade, the lie of a safe world
or where i would learn how to stay silent to be spared the worst.

that’s where my anger lives

“The thought of losing you” – Nayana Nair

Today you are silent
and you don’t care.
You have changed
without changing anything about you.
You don’t want to be concerned with
should-be or could-be
as all that matters is what is.
what-is is a fact that needs no forgiveness
from what-didn’t-come-to-be.
You beg me not drag you down
into the waters of the past, “They are ugly
they are hard, they are things that we can’t have.”
is all you say about the life we once had.
what-didn’t-come-to-be is an ocean I must swim alone,
an ocean that just grows and grows deeper and wider
cause I can’t seem to stop hoping from you.

In the forms of “Renewal and Hope”,
in the forms of “Happy Married Life Again?”,
you fill the reason as “wandering and its joys”.
So I burn up all such papers
where you won’t look me in the eye
and tell me the truth
or at least some believable lie.
I burn away this life
where you wander in every direction but mine.
Where I am not wrong for you,
you just don’t want me to be the right.
“It scares me”, you once said, “the thought of losing you.”
How well you have grown, how far you have strayed
from your words, from yourself, and from everything
that you once happily called fate.

“My grief has my face” – Nayana Nair

My grief has my face.
My grief has only questions in her eyes-
questions that require me to cry
and accept the cruel face of the love I have got.
My grief instead gets my silent embrace,
my refusal to choose better, for her sake or mine.
My grief has my face
and my heart that only knows defeat
and only in defeat has found comfort of love that cannot live in me.

“Nothing to do with love” – Nayana Nair

I want this sadness that dissolves in me,
that never goes away,
never stands apart from me,
never looks me in the face with questions
or even answers.
I am ready to take vow with this heartbreak
as long as it feels like you,
promises eventually to replace you,
as long as my love is greater than you.
I do nor have to miss you,
call you, beg you,
force myself to forgive you,
hate you silently,
or practice breaking with grace.
I do not have to do things
that have nothing to with love
as long my sadness is mine alone.
I can bear this and more
as long as I remember my genuine heart
and not you.

“the darkness that she sings for me” – Nayana Nair

i am in love
with the woman who sings and
becomes the background
of my every night.

i like to listen to her voice
as she takes my every second
keeps it out of my reach,
teaches me some really suspicious ways
to keep myself safe from the her demons.

she glows in the darkness that she sews
only for me,
for me to hold her hand the way
she will never be held,
the way i will never be held.

i hate to cry,
i have cried for a long time
for people who called me their option
when i was out of earshot
my tears are cheap, now all they do
is make me feel equally cheap
but the tears i shed for her life are beautiful
the tears i shed for her (who feels like me)
stops me from taking pills i don’t need.

another lover of hers sat opposite me few days ago.
she looked so much like her.
it made me wonder if i looked like her as well.
i wonder she knows her lovers are running amok
in the world that she paints with her pain.
i wonder if she knows that we are catching all her fears,
staying away from guys who speak like her ex,
staying away from the patterns she has pointed out.

i wonder if she knows
that we tell strangers “she sings well, she writes well”
when we want say
“she made me embrace the woman in me
that i have been trying to kill for a long long time.
she stood in my moonlight
counting all the daggers that make her bleed every day,
the same daggers that i fear to acknowledge,
telling me about the exact number of days it takes to collapse again,
about the face, her heart, and her womb that are for anyone’s taking,
about her rage, her mind, and her will that she was allowed to keep.
how she wanted to give up last night.
how giving up can become a concept of life every easily
but she didn’t want that,
because she didn’t want to be
the sad pathetic corpse of the woman
that the world said she would eventually be.”

i am in love with the woman
who wants me to be more than a silent background.

“Threadbare belief” – Nayana Nair

Have we crossed the bridge yet?
The one you promised
is just a heartbreak away.
The one which would crumble
once I cross it.

I imagine the threadbare braided ropes
ready to untie and become one with my past.
I imagine having to do nothing with
how I have lived so far.
It is such a relief to think it is possible.

But the more I walk through your silent forest
the more my suspicions grow-
that there was never a way out of this from the beginning,
that there is no running away.