“The way complete beings find breaking” – Nayana Nair

.

You look at me
and I look at you
the way broken things look at the hands of an angry god,
the way complete beings look down
at things that can never be their equal.

You and me, we take turns,
learning to feel pain, to give pain
reaching for the light in each other’s eyes,
making copies of each others memories
and spilling the ink on the originals.

You and me –
we are children left alone unsupervised with this steel instrument of love.
We now know of the blood and bone within our skin, thanks to this blade.
We now know how to keep distance when nothing keeps up apart.

When we lose our color, our teeth of milk and cruelty,
when the blade loses its shine
and looks like any other rust of this world,

only then we know the pain
of having walked past a life we could have had,

the journeys we could have walked,
the meaning we carried in our selves for each other sake,
the meaning we never looked up
, never cared for.

“Weight of Snow” – Nayana Nair

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The light – yellow, diffused, and scattered – falls here everyday
on the cold marble of my home.
It is winter already, which means there must be places on earth now
where turning on taps is a useless exercise,
where a whole street wakes up early
to remove the snow piling up in them, around them,
snow continues piling far away from their settlements
where there is no need to clear them,
where the weight of snow doesn’t suffocate anyone.
There must be places now where people are forgetting things one by one.
Remembering an unreal ocean of fierce light,
forgetting ever being there.
How many places have I forgotten already?
I move two chairs into the circle of warmth
and wait for the evening cold to reach my skin,
to end this dream.
I stare at the empty chair.
I draw myself sitting there, staring,
as if I cannot live without an empty space beside me.
What was that space once?
It was something warm with skin and heart and voice.
It was light in human form, it was the most beautiful life.
But that empty chair in the sun, has been empty for so long
it couldn’t possibly have been me
who existed when it was something more than that.

“a piece of writing…that should have been me, but is not” – Nayana Nair

.

I look out of windows of places that I want to escape
and only after 24 hours, only after 12 years
in a poem about crows, in an essay about public school,
in a story, in a ruin not mine
do I find the space to figure out, to sketch
what I would have thought of, if I allowed myself to think.
If I allowed myself to feel, what I would have loved,
what I would have gladly run away from.
The lives that I couldn’t start, the roles I couldn’t end
they leave my skin and become the masks they always were.
I carefully place these masks
on the words that have nothing to do with me
My words
they only hold the mould
that were too painful for me to confirm to or accept.

“and soon it will be time” – Nayana Nair

.

in her two storey house
my doll sleeps on her silk sheets
with a knife resting beside her.
it shines
as if newly delivered and never used,
as if sharpened hundred times,
as if it has known the pain of blood every night,
every night cleaned
under the deafening noise of running tap water.
the metal mixes with her fears, with her trembling hands.
something again slips from her grasp.
and now it is time for tears,
and it will be soon time
for cycles of search and paranoia.
there is a time for every madness in her mind.
there is always a calm wait
before she reaches the next stage of hopelessness.
there is always a party hosted at the dead end of her lives
where she takes another drink,
and finds hands filled with warmth
and eyes that like the color of her healing skin,
the burned tips of her tongue, and her swallowed words equally.
but someone utters the wrong word,
looks at her the wrong way,
leaves the taps water, filled with smell of blood,
running in her mind again,
and again she lunges for the
the knife that fits in her hand better than any hope
and again she ends the song of her lover,
again she wakes up alone.

“How do you want to be saved?” – Nayana Nair

.

I crawled to the window
in my dress torn by the claws and cries
of people who live in my nightmares.
They like clean living rooms, dark courtyards,
and cars with slashed tires sitting in their garage.
They have
“broken hearts” written down in forms as their identity
and broken chandeliers swept under their bed.
They crouch down and look at me
as the broken lights shine red,
as I see myself bleed beautiful rivers,
as my silent scream become winds, become ripples,
becomes the face that will forever make me cry.
They smile and ask me
“What do you wish? How do you want to be saved?”
while someone else burns the bed that I am crushed under
and asks me “Is this the what the warmth felt like in your mind?”
They drag me out into a forest,
where under the brightest tree of hope,
they stuff darkness into my throat, into my mind
and ask me “Do you still feel empty?”
They are unreal and of unsound mind.
They tell me living in me makes them so.
They wave goodbye to me with a smile,
offering me a sweet candy
for my silence and understanding
It is raining when I open my eyes.
I breathe in the world
where bleeding and burning is irreversible,
where it would lead to an end of some kind.
I crawl to the window
in my torn dress and my exhausted skin
and find myself staring
at people who used live in my nightmares,
people who look more real that the living me.
People who now own more than just my dreams.

“But because I feared losing anything more, I chose only kind empty words” – Nayana Nair

.

I wanted to tell him
“You have not lost much.

For sunsets you missed
are not even there in the hearts of those
who saw it everyday.

They walked past it,
shut their windows tight,
and sat in their darkest caves
trying to run away from what you want so deeply.”

I almost said to him
that even though it hurts,
it is a hurt I would like to have-
to yearn for the things that never happened.

That unlike him I yearned for things
that I walked over and killed.
Things that I can still see and hear
in my dreams, telling me, showing me
all the marks of my hatred on their skin, on their hearts.
I cry for them, look for them,
seek forgiveness from them when I am awake.
I dread them when they find me in sleep.

I almost confessed to him
that being the maker of caves, a lover of sunsets,
being the one who filled half the world and half the hearts
with a blindness even I can’t cure,
maybe I shouldn’t be his savior,
maybe I shouldn’t be relied upon for answers.

“Pamphlets” – Nayana Nair

.

In the age of breaking,
all my classmates
swarmed to the dead pools in summer.
They ironed their skin with the heat I couldn’t bear.
With a smudged color on their lips,
their never resting pupils,
the pamphlets of their anxious laughter
that they passed to each other,
the crumpled remains they walked upon
they looked like imitations of greek statues
and love stories gone wrong.
They looked like people who joke about drowning and dying
and the love that killed them in their sleep.
“They are too young to know about love and pain”
someone said on TV,
even as we built an ugliest everlasting fire
out of the promises the world couldn’t keep.

“Earphones” – Nayana Nair

.

I cannot paint

your silhouette moving through the rain toward me-
all the blue that lingered in the light rain, on my skin, in the wait for you.

The color that fills my mind when I recall
how your cold hands met mine, my frozen shivering love hungry hands,
and nothing was cold anymore,
nothing was insufferable,
as long as you and me stayed like this,
accepting the ache that comes with staying.

The song, the familiar and strange tune, that became beautiful
by the time it played for 35th time, by the time our cola lost its fizz,
by the time the untouched food looked comforting,
by the time I found that knowing you and your everything
was as painful and liberating as putting myself into words.

The tension
of the stretched earphones between our head and our aching necks,
a moment of sadness, of a great love, of a great end
played itself before us again and we promised ourselves- we won’t ever be there.
And yet as you mocked the world for its weakness
I cried for the same weakness you and me hid in ourselves.

The cold wind that went through me, as you walked past me,
my pride- ground and powdered, spilling out of me,
blinding and confusing people around me,
making me look desperate, pitiful, and empty
as I chased you through streets where we were never supposed to be.

I cannot draw them, so I write.
I write
how we stood together
in every room,
on every patch of earth
for the longest time
and saw within our reach
something that was beautiful and fragile
and no one’s to keep
as long as we saw each other only,
as long as we could smile at what we saw.

I remember you as you stayed still,
breathing carefully
as we let fate make something out of us.
I remember your eyes
asking me with a smile to confirm the reality of what we had,
of what we are.

I wonder how you remember me now.
Now that we are living our lives trying only to prove
that we have lost nothing of ourselves in losing each other.

“Photographs of Unmade Bed” – Nayana Nair

#1
Today I am fixated on the the houses far ahead, the colors on those countless walls that are yet to be carried away by the winds. Today I am fixated on the wrong choice of shoes, the red sore blooming on the fingers of my feet. Today I am filling my eyes with all that I refuse to see otherwise. I like days like these. They give me the proof of life outside of me, proof that I am part of this world. Days like these let me know that even if there is nowhere I particularly have to go, my feet are sore from walking and the roads are bit weathered. So it must mean something. Slowly I am changing the world, just as the world is changing me. So it must mean something. These are the days I realize that I do not just look at the world, but kiss the world while hating it in my heart. That world doesn’t just disown me, but it keeps looking at my childhood photographs when no one is looking. It all must mean something.

#2
My bed sinks a bit more everyday. It feels as if every day I am carrying, dragging another new person into my uncomfortable sleep, to my messy life. There is no blood, or signs of resistance, so it must a deal of mutual benefit. I hope so. I wake with only my skin, with only my dry eyes. So again it must have been someone I mistook as you. Someone who knows how to keep their end of promise, someone who doesn’t look back at the weight they are leaving behind in my new scented sheets. With you there was warmth and suffocation and never-ending want to be something more. With you there were eyes that stared at me as if I am a road you are forced to walk on. With you there were things I couldn’t be and shouldn’t be. Without you, there is me and my imagination that draws you body full of life on the photographs taken of unmade med and undecided mind. What do I want really?

#3
The one love? The truest kind? The rarest kind? The kind that is made of eternities? The kind that is hellbent on making that big change? I sort of had that. “I had that love” would be my answer, only when I am asked to keep my answer short, which I am often asked.
In the answers of 500-1000 word limit, in the answer where 10 marks are at stake, in the answers only you would have asked – I wanted my only love to be true somehow, no matter what it took. Do you know what that means? It means there are hazy days, holding lies close to heart, illusion that I fed with my own blood that make appearance in this answer. The answer involves knowing everything that is wrong, knowing everything that shouldn’t be, knowing the end that I won’t have. The answer involves cutting short my words, even when there is no need to, even when you are here and you are listening. The answer is pretend that was true, the tears that I didn’t hate as much as I should, the person I liked a bit more than I should have. Always wondering if love would feel like love if it was not me and you standing on both of its end.

#4
There is soaring in the skies. There is running away to the ends of earth. There are, of course, moons, and sun, and stars for taking. There is a wish list for every age we failed to love properly. There are your past loves, there are my past pains to talk about till late night. There are things to eat and relish and complain and things we will never make the way we should, things we will throw away even though they turned out well. There are stories we will make up because we can, because they are fun. There are stories that will tell thousand times even though we won’t be believed. There are night we see only each other, there are nights we realize the pain of not being loved. There are permutations and combinations that I was always poor calculating, that you were never interested in. There is a day like this where we have nothing in our pockets to count on, no possibility, no scenario that could bring us and place us together in this life. This is the only day that I didn’t want to arrive at.

#5
You are only as dangerous as much as I let you be. If I let you be a mistake, you are just a humiliating past to be erased. If I let you be the friend that should have remained a friend, you are just a human among thousand others, a human I dealt with with immature idea of carpe diem, with a stupidity I once called honesty. If I let you be the reason of my happiness, you become the reason I should never smile again. If I let you be the incarnation of all that destroys, you become the plague in my heart that will not end till I die, till I give myself up. The more I let you be within the scope of my life, the more I regret letting you in. I never try to think of you as someone I associated the word love with. That word lets you become my breaking heart, my lungs devoid anything capable of giving life, my mind slowing down and stuck at the worst part of my life.
So when I think of you, I think of you as the result of taking the idea of selflessness, of selfishness, of wanting to be part of this world, of taking “it all must mean something” a bit too far.
Because irrespective of what you might have been for me. Now you are only as dangerous, as important as I let you be.

“That poem doesn’t exist in this world” – Nayana Nair

Outside my body, outside myself
I feel
I can be the the girl
who walks to a stranger, smiles and asks his name,
who keeps her name in her mouth,
and doesn’t throw it away
along with the chewing gum in the nearest trash can.

Would she hold his hand?
I think she would.
But even then
would she be reminded of the the poem she wrote in seventh grade
the ugliness of people dripping from their hands
at nights, holding my breath,
crushing my 27 teeth under an unwanted kiss,
promising to kill me next time
“.
Probably not.
That poem doesn’t exist in this world,
let’s keep reminding ourselves that.

So yes, she holds this stranger
a bit more closer than she would have deemed wise
if she saw it how I would
and she would make promises- the kind lovers makes
before they know what love is.
He will ask about her life
and she will have no sad story to tell.
So she would talk about the recent window shopping-
the things she can’t have and things she can’t get
and she will not be talking in metaphors for once.

For once the one she wants to love
wouldn’t be obsessed with the wounds on her skin
to love, to treasure, to poke, to mock, to dig down further,
to own and to burn.
He will probably say something sweet about her smile
or maybe something boring about his work
and she would smile a bit more in either case.
Because she can smile here, in this world, in front of him,
without having to think about what his each word might hide,
what she is over-looking, what will be the tiny details
that will come back to hurt her, what will be the undoing of her heart.
She will smile cause she won’t have learned to be hate people beforehand,
she wouldn’t have learned to love a bit too late.

She would tell him that he is lovely,
and the blush in his cheeks will make her heart skip
and she would love him for loving him
and not because she is looking for an easy fix to her faltering mind.