“A leaking instrument of love” – Nayana Nair

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Some part of her
has taken root here.
In this forsaken place,
she flowers and spills
the soft resilient petals of sun
on the dissolving roads,
on the floods of blue.
She lays her soft claim
on the wings of unnamed birds,
on the broken shrines,
on the leaking instrument of word,
on this throat
that knows her name
to be the only god
capable of a love so tender
that she becomes the holy wind
in this sail of a skin,
this skin that heals and breaks
and blooms with blood, only to
become, only to remain
as the last trace of an impossible embrace.

“Welcome me as you’ve always done” – Nayana Nair

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Your frail arms,
the waves and curtains of your skin,
these carved brackets hugging your smile-
give them to me.
Place a shadow of such blessings
on the weary crown of my future.
Tell me the story about
your bent bow, about your magnificent spine
that sings stories about the lost string,
about the vanishing tear-stained targets.
Teach me how to grow.
Teach me how to live.
Welcome me
as you always did
with your overflowing love
and your running out time.
Tell me how to love this world
even as I leave. Teach me how to love
this eventual inevitable fallout of elements
that make up my body and mind.
Hold me tighter in your sleep,
leave me a bit more of you,
so that I won’t be starved,
so that I don’t grow bitter,
till the time we meet in our new skins.
Even there I will carry in me
the grace of the life you have lived.
Welcome me when I come to you again.

“The Right Way” – Nayana Nair

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The monsters brought their shadows
as they climbed into my bed
and I gave them stories
that promised to make them human again.
I had talked them into the idea
of change and love and the broken petal
that became a flower overnight
in the embrace of a care so fierce it
that nothing in the world could stay broken
once they knew its warmth;
just liked they talked me into
the ideas of strength and hiding and the stones
that teach the skin of blood, bruise and eventually a strength
so stubborn that it can never be separated
from our bodies, our sorrows, and our will to fight.
But many hours and a sleep and a love later
we still found ourselves staring at the
broken windows of hope,
and the stone of disappointments
melting in the morning light like snow.
Each half of our heart now wouldn’t stop crying
and begging for the other half to change.
Every part of us was now contending with each other
on the monopoly of truth, the right way to love,
and the safe ways to die. Our surety of self was evaporating
faster than ever. We were being broken from inside,
scattered for good, while our skins now knew the same battles
of keep up a form, keeping our reality hidden.
But now we could at least now sit in a room
and look each other in eye and smile,
knowing we could never be separate from each other.
Knowing there is no hell or heaven we would go to alone,
no forgiveness only granted to one.
There was no sin or or grace in this kingdom of cries,
there is no beautiful escape from this knowledge of life.

“And everything is a miracle because you love me” – Nayana Nair

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A summer comes alive,
a branch flowers
at the touch of my hand.
My hands that were just held by you
they find all dead things,
all dark corners of life.
There is so much of life in these hands
that are now desired by you.
There is so much that can now
be brought back to life,
so much that can stop hurting.
There is no way to stop all this warmth
from spilling out of me anyway.
This world, this path of ruins,
this history of us,
existed for this moment maybe
so that we may learn the texture of hope
in each other’s skin,
so that we may see the rebirth of light
in each other’s eyes.

“There is still something similar to a heart in him” – Nayana Nair

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There was once
something similar to a heart
trapped under his breathing flesh.
You remember that stage of wood –
the house of stories in skin,
that used to be hidden away
at the end of a road so narrow
that one could reach its door on knees.
His heart was that place
before it found a new real way to sing of ends.
Do you remember
the night of immense light three years ago-
the night of mad faith,
the burning of glazed wood,
the men who could only speak of hauntings,
of the cold breeze that lived under their skin
as they sought truth and reality
by burning the rest away.
He still repeats those words in his sleep,
those songs that are not really his,
the songs that should have never
been put to words.
Forgive him
or better ignore him,
for he is not entirely here.
A part of him is still burning somewhere.
A part of him is still trying
to survive the death of his world.

“framing our dreams in the living room of my life without you” – Nayana Nair

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and hope shall play
on the beaches that you drew.
it will run
along the cold melting lands,
holding your hands,
smiling with lips
that curve like mine,
that opens like yours.
a song shall arrive in the air
a laughter, a tear will arrive in our hearts
again to knock, again to let in life.
we will look at our skin
that breaks in the same design
and we will rejoice.
we smile about something
that was once insufferable.
we will hold each other
laughing about how
nothing can make us
let go, nothing can make us
give up on this.

“the eyes they can’t stop looking into” – Nayana Nair

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the dirt on my clothes-
the white muslin
and the brown
chewed words,
the earth dripping.
its spots, that i dare not touch,
they seep in,
seep into the revolting blanks in me.
the tireless cutters of trees,
the sleepless lumberjacks in me,
look up at my skin and its new ink
they stop
and breathe in some understanding.
they choke on it, they sleep on it
they carve it
on everything they have destroyed.
they have new gods again.
gods that they will never pray to
nor please. the gods
they can’t ever leave.

“By holding you back” – Nayana Nair

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And what do I desire
when I plant my body
in the path of storm,
when I place my hand
on your ailing nerve.

The ideas of gaining,
of becoming, of light –
the unholy invasive light
claiming all my hiding spots,
why do they seem to not matter.

The slow definite end
that I looked forward to,
whose hopes I relied on
to just breathe,
why does it seem hateful
when you are the one
moving towards it.

When my skin knows every surface
your struggling hands have grazed,
when I know sometimes
one cannot just go on,
why do I feel this all is unfair
when you are the one
who yearns to dissolve.

“even if you become my story, my only story, as the rest of me dissolves” – Nayana Nair

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Even if this moment casts me to hell*,
even if this is a seed of hurt
that will soon be my new skin,
as long as your spirit embraces me
there would be only spring,
there would only be morning birds,
and silent roads filled with your sweet footsteps.

“The best way to disappear” – Nayana Nair

.

My emptiness is finally put to use.
The fishes swim in me –
the luminous disfigured creatures of depth
and the beautiful dying ones of light,
fill me up one by one.

I teach them songs of sorrow.
I hold them in my endless embrace
singing them back to life
and in return they let me feel like someone
who can protect, love, and shield.
They let me feel things no human ever could.

Even though I hate to be seen
I smile as my body is put on display.
My skin, the strongest glass.
My skin, the weakest beams.
The shallowest of oceans I become.

Humans hold hands, hold themselves
as they stand before me.
They find possibilities, mysteries, awe
in all that I hold inside,
in all that isn’t me.