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“Blue white love” – Nayana Nair

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As I wait for you
in the back seat of your car
almost losing sense of my limbs and my scars
I smile – the sad smile I would never use when I am sober.
I smile thinking,
thankful,
at least I am not crying and waiting
in the trunk of some stranger’s car.
I don’t necessarily love you
but I guess I love your pattern, the predictability of your anger,
the time I have to prepare my skin to shatter.
I think about the times I have been broken
and abandoned by the loves and by the men before you
I think about your anger that I never forget this past.
I think about your hands that I can count on
even when your hands love my pain the most.
I think of your funny jokes, the food you cook in your good mood,
the songs that you hum as you move around the house,
your bluish white wings and your flickering halo
when you are asleep by my side.
I think I can love you a bit after all.

“All the boxes are checked” – Nayana Nair

It hurts a bit more naturally
and less violently,
now that betrayal has a range,
has not one but many faces.
Now I need not figure what I did wrong.

All the boxes are checked:

family, family, friends, not friends,
thank-god-we-were-never-friends friends,
i-am-sad-i-stood-up-for-you friends,
people who marked my skin with their name
to own me
while i slept in their arms
(another golden cup added to collection of people hard to get,
people who won’t die if thrown away or left alone)
loves whom i am tied to,
the ones who demand smile and sometimes a bit more,
always a bit more.

They know the feel of my hand and love how it heals.
They hold my hand in their sleep
in their nightmares, in the storms of passion
that they need a person to aim at.
They break my wrist
in my nighmares, in my awareness of my fruitless love.
When I am at verge of crying,
they tell me to not give them a hard time
and to act like the refuge that I am supposed to be.

So I tell them “I love you”
and this lie hurts a little less everyday
as my heart becomes the stone pedestal
all my loves stand on.

“Last to know” – Nayana Nair

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I regret to tell you this
that the blue sky that you died for
is not longer blue.
It is painting its face with remains
of our greed, with the colors of our wars.
But it is still sort of fair.
It is trying hard not to choose sides,
not to become the flags that unites
only those whose favorite words are
‘future’, ‘safety’,’money’, ‘greatness’,
while they clutch in their hands the fate of people
they don’t identify with-
‘burden’ they call them.
‘Fear’ is another favorite word of theirs.
They don’t speak much of it, but it is most useful
or at least that’s what I have heard
from the ones we are no longer allowed to call out or even mock.
I have lost every bit of my passive aggressiveness.
Life has become more bearable
now that my skin is not broken for making too much noise,
now that we have learnt to hold each other’s tongue
so that we may not lose more friends than we already have.
I regret to tell you
that your dreams will remains dreams
and you might be one of the last to know
how dreams felt in your eyes,
how tomorrow used to change by effort.

“On Erasing Roads” – Nayana Nair

The dead world lives through her.
Her escape is a door left open
for the violence to spread,
or so she always believed.
When she saw someone who reminded her of love,
saw that the fragile bird of happiness
would choose sit by her window and wait for her to sing back,
when all that could make her feel safe and somehow better
smiled at her and asked her name.
She would remember how from her skin and her mind
grew trees of fear every night.
The flood that has left her land
loomed above this forest.
Anytime the cloud would burst,
the past would burst through her smile,
and all would be lost.
Today, tomorrow, day after,
on an afternoon when she would forget about it all,
on a beautiful day like that
she knows she will find sorrow again.
So she stays quiet and writes a softer tragedy
of a girl who could never tell her name
to anyone who chose her hoping for happiness.

“Creature of Claw” – Nayana Nair

How long should I bleed
for the one who holds the knife.

I pluck another flower of kindness
to appease the one who won’t even smile for me.
He looks at it and tells me the tested foolproof ways
to kill this useless plant that grows in me
and cracks his shield.

He tells me he will love me more
if I will cut his skin
instead of making him look as bad as he is,
if I struggle a bit to get back at him
rather than struggle to know him like this.

He says
“i would like us to be peas of the same pod,
i would like us to be the insects with same appetite,
i would like you so so much more,
if you would help me rule this world
that doesn’t listen to me. if you could speak
the same words as i do, words dipped in careless anger
rather than the ones served with pity.
don’t tell me the danger of my dagger
by slicing away your skin. you feel more like an enemy now.
the more you bleed to make me suffer,
to make me give up, the farther you get
from the person i could love.”

How long should I bleed
for the one who holds the knife
to stop him from cutting his own heart.
This will hurt him, he knows,
eventually if not now.
Yet he is becoming a creature of claw with a paper skin,
he is growing a dream
from the horrors he has only read.
The unnatural pauses on his lips,
the look of helplessness in his eyes
makes me wonder if he even knows how to stop.

“the broken-hearted” – Nayana Nair

the broken-hearted know no love
for anything or anyone
that is not the one breaking their heart.
they see through you.
even when they say hello
they almost get your name wrong,
you can tell it from the look in their eyes.
they drink and fill every room with songs
that were not so hard to bear
when they were just noises that radio made.
they tell you in their drunken stupor that no one cares.

they say no one cares
even when you call the cab, drag them home,
hurt your hand in the struggle,
scrape more than skin, lose more than patience,
leave them on a bed not made
for weeks probably, you don’t want to guess or know.
so you close the door, climb down the stairs
shut down the part of mind reserved for them,
but remember how they have been liking and sharing
too many dark poems, how those poems
speak in their voice in your mind.
so you climb back, remove every blade and knife
and realize it is just the beginning.
you feel exhausted by the inexhaustible list of things
that can help end a life,
that can serve as a full stop.

so you sleep on the couch
or pretend to,
till your head hurts from pretending.
now that you want something true
you call your love
and tell him that you don’t know
how to handle this,
how to sleep and yet keep an eye
on the one whom you suspect is waiting,
waiting for you to close your eyes for a second
to make an exit that doesn’t exist.
he tells you that they are beyond hope
at the same time
he forwards articles that could give you hope.
he tells you to sleep tight knowing you won’t.

when you wake up at the sound of tears
being microwaved for breakfast,
you see another day that won’t be right.
you see them trying not to break
yet breaking and abandoning everything around them
so that their hurt can be felt by the world.
they look at you and smile
while they pour another glass
toasting “another drink for the world that doesn’t care,
another drink for the loveless me.”

the broken-hearted know no love
for anything or anyone
that is not the one breaking their heart.

“piano” – Nayana Nair

years from now
i hope my living room
has a space for a lovely piano.
i hope my fingers
would play something beautiful on it.
that here i would smile
and not know of the passing time.
that i would learn to love my walls
as much as the world that stands on the other side.
as my child misses me, cries for me,
tries to keep me alive when i am not,
i hope she feels this music she can’t hear,
i hope she sees the future i couldn’t finish living,
i hope she knows
that my warmth is more than my skin
and my blood running under it.

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