“You look at the sun, the way I look at snow” – Nayana Nair

.

The bruising purple song,
the decay of dear flowers,
the gifts given as settlements
in nasty goodbyes- this morning
you tie these new shadows
on your neck- your neck now hidden,
your neck otherwise always growing
new bones in new odd ways,
your neck otherwise a monster
like the rest of you.
You – otherwise a beautiful
heroic animal of rage,
today you look normal
with your clever violence.
Today you look like the portrait
that you colored red last summer
because it made you sick
to look at a sadness so proud.
You tell me about graphite and fire,
how you could relate a bit more to graphite
if it knew to bleed better, leaving not crumbs
but organs made of earth’s belly. If only fire down there
knew of this surface filled only with examples
and exhibits of mortality,
then we could all cry together, you say.
Your hands softly tosses away
something crucial of you in the melting pool
of men now made more of sun and less of snow.
You dip your cold hand in the furnace of spring
and ask me if I can see it as well. I do.
I see life changing the molecules of my loves
to something neat, something that soon will outgrow me,
something I will now fear tainting.
I see my love,
but I am sure we are not seeing the same thing.

“The Right Way” – Nayana Nair

.

The monsters brought their shadows
as they climbed into my bed
and I gave them stories
that promised to make them human again.
I had talked them into the idea
of change and love and the broken petal
that became a flower overnight
in the embrace of a care so fierce it
that nothing in the world could stay broken
once they knew its warmth;
just liked they talked me into
the ideas of strength and hiding and the stones
that teach the skin of blood, bruise and eventually a strength
so stubborn that it can never be separated
from our bodies, our sorrows, and our will to fight.
But many hours and a sleep and a love later
we still found ourselves staring at the
broken windows of hope,
and the stone of disappointments
melting in the morning light like snow.
Each half of our heart now wouldn’t stop crying
and begging for the other half to change.
Every part of us was now contending with each other
on the monopoly of truth, the right way to love,
and the safe ways to die. Our surety of self was evaporating
faster than ever. We were being broken from inside,
scattered for good, while our skins now knew the same battles
of keep up a form, keeping our reality hidden.
But now we could at least now sit in a room
and look each other in eye and smile,
knowing we could never be separate from each other.
Knowing there is no hell or heaven we would go to alone,
no forgiveness only granted to one.
There was no sin or or grace in this kingdom of cries,
there is no beautiful escape from this knowledge of life.

“It was difficult to believe that I could be loved just as I am. It was odd that we had to be told. ” – Nayana Nair

.

The frame of winter breaks
the snow drips, flows, and climbs
like a relentless silver creeper,
like a god finally on its way
to end the reign and terror of heaven.
Our eyes stare, amazed at the cold white spiders
running across the face of the sky;
the music and the metal dissolving the distant names,
dissolving the knives we decorated our heart with.
We could all feel an equal summer light
embracing our backs silently.

“Weight of Snow” – Nayana Nair

.

The light – yellow, diffused, and scattered – falls here everyday
on the cold marble of my home.
It is winter already, which means there must be places on earth now
where turning on taps is a useless exercise,
where a whole street wakes up early
to remove the snow piling up in them, around them,
snow continues piling far away from their settlements
where there is no need to clear them,
where the weight of snow doesn’t suffocate anyone.
There must be places now where people are forgetting things one by one.
Remembering an unreal ocean of fierce light,
forgetting ever being there.
How many places have I forgotten already?
I move two chairs into the circle of warmth
and wait for the evening cold to reach my skin,
to end this dream.
I stare at the empty chair.
I draw myself sitting there, staring,
as if I cannot live without an empty space beside me.
What was that space once?
It was something warm with skin and heart and voice.
It was light in human form, it was the most beautiful life.
But that empty chair in the sun, has been empty for so long
it couldn’t possibly have been me
who existed when it was something more than that.

“To speak of your love” – Nayana Nair

.

The lights die out one by one.
The dark streets come alive,
I crush the melting remains of abandoned snowballs under my feet,
as you sidestep once again
to let the flower stuck in concrete grow a bit more.
I remember how you called such things ” kindness for my own sake”.
It always makes me laugh
when I look back at my own understanding smile,
as if really knew what it actually meant.

Another cold gust of wind touches me
and reaches you few second later
and I recall why I never liked to walked behind you,
why my heart couldn’t bear to see you any more,
why the excuse of love wasn’t enough for me.
It all comes back to me – all my pathetic emotions,
as you fold a bit more into yourself, your shoulders almost disappearing.

Stopping in your tracks, you let out another sigh,
and just when it seems you might give up and decide to break.
You don’t.
You keep on walking as if nothing can phase you out.

So I don’t follow you,
cause your strength has always broken me more than your tears.
Always when you let me have the right to complain and cry,
I looked at you and begged you not to make me another one of those
who can’t live without your sacrifices,
who can only speak of your love
in terms of the wounds you were ready to accept by their hands.

As I see you walk towards a home I won’t ever know,
a part of me imagined – you turning back, looking at me with those
kind eyes of yours, holding my hand.
I am relieved when you didn’t.
I am fine like this, with this manageable sadness that I feel
when you leave me cold in the same world I abandoned you in.

“Absurdly Simple and Late” – Nayana Nair

.

Things I now remember are mostly
absurdly simple and painful.
Like the last time we met like this,
you had a white suitcase that seemed like your new pet.
It looked at peace with the snow
that was getting on your nerves.
When you smiled
all I could think was
now you cannot bear the weight of your old green bag pack,
now you cannot bear the winters I am part of.
All I could think was
that you are growing old somewhere far without me.
I didn’t know that the next thing I would have to do,
after facing such sad realization,
would be to smile for my sake more than your.

Things I now recognize are
are only those that I don’t know how to fix anymore.
Like today
as I helped you out of your heavy white coat,
as I made the coffee of your liking
I kept staring at your small form
and your frightening transparency.
I looked at the scribbles of black marker
at the corner of suitcase.
I wondered
where were you when you drew that.
At what point of your journey
you could no longer pretend
this was a life of your choosing?
Is your loneliness so overwhelming
that you are not afraid of buying and ruining whites?
Is your loneliness of my making?
Is that why you wear it so dearly?

“I cannot tell the difference”- Nayana Nair

.

“Long time ago” is a dangerous neighborhood.
All its season are holograms of perfect world,
the illusions of rain and snow and sun,
the illusion of hearts still beating under the non-existent skin.
The technician of this a weary magic
lives beside the empty park in the middle of my heart.
He knows the perfect days to make me cry, to make me see.
He invents new people, new details.
Sometime these are fake stand-ins for the what he has lost
in his war against me, all that I intend to forget.
Sometime they are what I failed to realize,
people I didn’t get to love.
Most days I can’t tell the difference
between the words I have forgotten
and the ones I will never hear
again.
This town
has post offices with stamps of words I no longer mean
stuck on its wall.
There cars and houses and roads and rivers
owned by people who will never die.
They all gather on my birthday
in the cemetery of one grave.
They sit on the endless green grass with their picnic baskets,
with the kids I will never have, with the pets I will never keep
and look into the eyes that will never look at me.
They smile knowing something I will never know.

“Even when things are right” – Nayana Nair

“The sky is your canvas”,
the book to all ailments said,
“there is a joy in filling it up with life.”
But as I finished my 157th sketch,
as I finished my 300th one,
as I finished the one with no count attached
(the one I called “the limits that were stronger than me”),
as I write over all that I had drawn,
as the clouds dragged themselves painfully
crawling to some better place,
like everything else in my life
the sky remained unchanged.

And when I lost my hands to fate, to slow corrosion,
to the burden of creation,
to the lady in white who couldn’t even lie that “it won’t hurt”,
to the painful work of making up things that I want,
things that would want me back, or at least won’t walk out,
to the hunch that said something is seriously wrong
with the kind of life I have.

I wished for the man in the sky
to wake up and get to work,
to make me some rain,
to drop an ocean of crystal on this world,
to paint a heaven on this cheap sky of this miserable man.

Because trying on some days, on most days now,
feels like living against the wishes of the world.
I can’t help but break a bit, cry a bit
even when things are right,
because they right only because of my efforts.
Can you give me something that I don’t have to work hard for,
something that was made for me,
something that I can keep.
A thing, a person, a sign
that I can hold in my hand
that tells me that you want me to be happy,
that you want me to smile,
that I am not abandoned after all.

“make me a flower” – Nayana Nair

It snowed all night.
All night I created stars for your eyes.
I bore the weight of the roof
as you slept, cried, ate,
smiled, memorized dial tones,
stared at me like you stare at screens with static,
paused expectantly as you told me the story
about your friend who is filled to brim with sugar
and seems bit odd
when he tries to smile a little bit more always,
filled me with a momentary fear of
whether you saw the corners of my lips tearing up everyday.

I felt again the illusion of love breaking,
its crack trying to find my spine.
Again you ran to me, trying to hold me,
trying to look over all the parts of me
that you don’t understand.

I slept and felt the snow of years settling on me.
I felt your wings fluttering around in my head.
I held the hands of god in my tiny fingers and said with a smile,
“make me a flower, if you can”
“make me something that is beautiful in her eyes”
“give me another sorrow, something simple,
something that can be understood and loved by her”
“let me look at her, without feeling the breaking in my heart”.

“today’s forecast” – Nayana Nair

today’s forecast
told me about rain
that might turn to snow
which might turn to pain in my knees,
it might turn into wishing for summer
(summer is always you lying on couch tired
cursing gods for seasons you hate),
it might move my hands towards the pills
that rarely save anyone needing saving
(i really don’t trust pills
if you are not the one handing them to me).
today’s forecast tells me i should stay in,
stay away from stepping out of myself,
that in my world only minefields of you are remaining.