“Unchanging facts” – Nayana Nair

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All the stories and songs and
in this part of land, at this end of life – they are all about
the boat and its wood, about the shine of its old surface,
the sound of water it carries even as it sits on the dry
dying land, burning for hours and hours.
Hours not measured in the cups of water nor in the shadows
that refuse to fall in spite of all the light,
but hours measured by the cries of gull, the number of sails torn,
the diminishing weight of the men,
and the the silent wrath of all the glorious water.
We ‘the ones rooted to the shores’,
we sing from the shade of generous trees
to ‘the ones who only knew the abundance
of salt and wounds and undying dreams’,
trying to understand their alien love.
We sing of them and their hateful dreams,
of the tears they forced us to swallow because
they couldn’t love us if we wanted to be their shackles,
we narrate these unchanging facts every morning,
we dig a new grave for the same person again and again,
with each hole in earth as empty as the other.

“The step before silence” – Nayana Nair

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The abyss holds a celebration today.
There is a relentless sound
of chatter and song,
of footsteps walking out of sync
heading this way.

This way, this place
where we have always been stuck
a step before the end, a word before silence.
This desolate space,
where we live and breathe
and learn to never rely on lungs or love,
it is a festival here.

The balloons of hope
are learning to fly in this heavier air.
Small innocent hands are sculpting
something better than hell
out of all this fire and light.
So much is possible today.
Anything can be lived.

Today the empty cold sky looks down with envy
at all that should have been unbearable.
Today I look down at myself
and see something lovable in everything
that made my heart crumble once.

“Love is like that for everyone” – Nayana Nair

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I washed my face
and with the water dripping
from my messy bangs onto the dress
that I never planned to ruin
I stared at the ant on the wall.
I listened to the sound of you
falling in love again just across the wall.

I held in the meaning of this
along with my breath.
I blew at the ant wondering
if I can be a force to be reckoned with
a hurricane for someone else.
Maybe not. I felt a sense of camaraderie
with the legs of prey today.
So maybe not today.

Or maybe never.
I feel you would laugh
even if I tried to be one.
I feel a storm. I always feel it at my back
whenever I turn away from you.
I wish I could fear for you, worry about you
in those moments
and not think about the knives
that leave your hand
always to find me. Though you say
you never meant it to be that way.

I fear most – the words of love from your lips,
because they are never for me,
but always said within my earshot
And though you say love is like that for everyone,
but do you really fear the same things as me?
Do you pray to the gods of bathroom ants
for forgetfulness, for survival
as if love is force that will always be against you?

“My love is no longer red” – Nayana Nair

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The green that grows on me,
the love that grows on these walls
all turn around at the sound of a new voice
but they only find death waiting and smiling
coming to take away what now no one wants.

“but the waves run away from me” – Nayana Nair

the trees sway behind me
they tower and droop and die
above the cold parked cars.
i hear the sounds
that i couldn’t till last night
it is music to my ears
and “warnings of ruin” to my mind.
the green monster, the metal carriage,
and their lonely helpless master
face the direction of ocean.
if we were bigger,
if everything before us could melt,
if i could understand distances,
if i could drive
we could have met a love by that ocean,
we could have called ourselves friends
in that molten world,
i could have told them about the human dread of dying,
we could have laughed over it,
and the tree would have held me and my broken and beaten car
in its motherly gaze
and we wouldn’t worry whether this happiness
could heal us or not.

“Well” – Nayana Nair

I left my thirst in your well-
the only way to get rid of it,
get rid of it I must.
For three seasons I filled it up with dirt.
I waited for rains to hide my steps, to hide what I have done.
I built few hills every time you crossed my thought.
I built it with love. I built it with anger.
I built it nonetheless.
I prayed and prayed till I couldn’t see your ghost,
till praying didn’t hurt.
I grew up a little and I grew mad a bit.
The sound of fate now rings louder in my head.
I lay on the ground,
smile at the sun
that cannot reach my heart
at the bottom of your well.

“Under the Blue” – Nayana Nair

The button of self-destruct was never so glorious,
never so definite, never so absolute
until she uttered “end” and it sounded like “home” to me.

I feared looking at the mark of x on my maps
that she had found with great pains.
The blue under the mark looked so harmless even when it was not.

Only when I saw her tears disappear with along with her
in the waters that no one dares to drink,
did I realize that I also had been drowning all along.

“Not So Bad” – Nayana Nair

he sings the most beautiful song.
so beautiful
that the sky becomes a reflection of the heart
that he can barely carry in himself.
the words on his lips
they break, they sound different,
feel different,
they sound like the first cry of a baby-
the violent coming to life.
they run and collide and shatter
against the rough indifferent surface
of this dying world, a not-so-bad world.
he becomes a not-so-bad singer.
as he runs out of breath and love
someone places a coin of gold in his hands.
he means to feel grateful for this compensation,
but all he can do is hold his tongue, hold his tears.
hold his bitterness in himself
and sing another song dreaming, waiting
for an honest reply, a genuine care,
an understanding gaze in return for laying bare his humanness.

“Now playing: the ominous names you are yet to know, yet to resent” – Nayana Nair

I board the train that I could
thinking,
only thinking about the one I couldn’t.
There are only tunnels, only darkness,
no network,
only cold metal that I rest my head
hoping for my fever to come down,
only windows that turn into mirror.

In those momentary mirrors
I always look like someone on life support.
In the crowd that no longer suffocates me
I cling to the wires that fill my ears
with the sound of past, with love that will never come back,
with the love that I will never be,
with everything I can’t bear to talk about nor forget.

Though it pains me to look at myself for more than 2 seconds,
I force myself to withstand my stare.
For if I take my eyes away from me
I end up looking into eyes of strangers
who twist and distort their faces
asking for a reason they can understand
or they end up looking away,
their heart as fragile as mine.

We all act as if we can know each other by a glance,
as if we would prefer to be the backdrop, the wallpaper
than to find eyes that can actually see us,
than to know one more human who is hell bent on proving
the brittleness of our species.
I understand their heart, their fear all too well.
My skin remembers what their heart has forgotten.
Though I don’t think anyone really forgets things like these.

“incoherent” – Nayana Nair

i looked best dressed in incoherent words.
everyone assumed that i am drunk on something.
everyone assumed me to be an artist for that.

any word that left my mouth
was just another way to pronounce self-doubt.
the only way to stay and run away at the same time.

the way i speak,
“you are beautiful” and “i hate you”
sounds the same.
the way i speak
“i want to die” sounds same as “i love you”.
my name sounds same as any other name.

what is the use of having this name
that no one calls.
so i sign the heart of my temporary admirer
with “tear”, “snow”, “goodbye”, “sleep”….
with other sad beautiful words
that cause less hurt than my name.