“You look at the sun, the way I look at snow” – Nayana Nair

.

The bruising purple song,
the decay of dear flowers,
the gifts given as settlements
in nasty goodbyes- this morning
you tie these new shadows
on your neck- your neck now hidden,
your neck otherwise always growing
new bones in new odd ways,
your neck otherwise a monster
like the rest of you.
You – otherwise a beautiful
heroic animal of rage,
today you look normal
with your clever violence.
Today you look like the portrait
that you colored red last summer
because it made you sick
to look at a sadness so proud.
You tell me about graphite and fire,
how you could relate a bit more to graphite
if it knew to bleed better, leaving not crumbs
but organs made of earth’s belly. If only fire down there
knew of this surface filled only with examples
and exhibits of mortality,
then we could all cry together, you say.
Your hands softly tosses away
something crucial of you in the melting pool
of men now made more of sun and less of snow.
You dip your cold hand in the furnace of spring
and ask me if I can see it as well. I do.
I see life changing the molecules of my loves
to something neat, something that soon will outgrow me,
something I will now fear tainting.
I see my love,
but I am sure we are not seeing the same thing.

“Always Spring” – Nayana Nair

.

There is mercy in shadows,
there is healing in light,
and in the darkness?
There is always something in darkness
but we never know what.
Only there I can invent, imagine
and pretend.
Pretend
that this is my heart,
these are my people,
these noises that scare me
are of ghosts,
here I can see their teary eyes
Pretend
that the one coming towards me is
a kind monster,
that the bleeding has stopped
that outside is spring,
is a life better and wider than this
Outside is always spring
till I don’t open the windows,
till I don’t look out.
What a sad fragile relief this darkness is.
A never-ending cycle of hope and pain.

“even if you become my story, my only story, as the rest of me dissolves” – Nayana Nair

.

Even if this moment casts me to hell*,
even if this is a seed of hurt
that will soon be my new skin,
as long as your spirit embraces me
there would be only spring,
there would only be morning birds,
and silent roads filled with your sweet footsteps.

“You took my lonely heart to your lonelier world” – Nayana Nair

.

You took my breaking hand and told me stories
of a world where humans can be built again,
where all that darkness
that has seeped into me, into you
can be cast away with a kiss
and mornings with warm breakfast, a hunger of two.
You placed your old sweaters beside mine
and that dark cupboard became a symbol
of an enticing spring that would never end.

Within all that beauty and warmth
how was I to know
that you were meaning to leave,
willing yourself to make that exit,
even when you welcomed me into your arms.
How was I to know that this darkness in you, in me
would continue to only grow in new directions
making us fear not the breaking,
but our breaking to be seen by each other.

I remember you waking up early
and trying to put the clothes of “forever”,
ironing out the new folds in your skin
so you can continue to love this life made of dreams.
I remember you placing my name
on your tongue, in the body of your thirst in a whisper
and then crying silently
knowing you cannot love this anymore.

Yet I kept my eyes closed
thinking of springs, and sweaters,
and a home filled with two of everything.
I kept my eyes closed giving you time
enough to find the strength and the numbness
to embody the person you were long ago.
I feel your weight at the edge of the bed,
I feel your sigh
and your hands still filled with care
thoughtlessly placed on me.
Love is so beautiful, isn’t it,
even in its end.

“changing light bulbs” – Nayana Nair

.

this tiny sun,
this lovely creation
how it shines, and how it dies.
it flickers like a dying trapped firefly.
it raises a lightning on our pages
that we have spread out to dream on.
we pull and drag a tiny sleeping tree
that we never sit on
and find a way to rests it against the sky-
this sky that is almost always falling down.
i climb without looking back
for i know you are holding my ground.
as another cloud rushes past my cheeks,
as i pluck another proof of death ,
i feel your fingers lingering on my ankles.
i feel the first storm of spring in my mind.
i look down at you and smile
and you smile back
as you take the dead orb
and sad prophesies from my hands
and hand me a new sun,
the one that you brought on your way back from work
just because you saw me look at the fading light with worry last night.
my tiny sun, how can you love me like that?
you look at me and give a tiny clap
the moment i am done placing the sun back in the sky,
you look at me as if i invented life.
even if you are mistaken,
it is beautiful though
to see you wearing your silly delicate beliefs
only for me to see.

“Forgetting” – Nayana Nair

.

Is forgetting something like

descending down the the narrow white steps
and finding myself knee deep
in the coolest spring on the hottest day of year.
An year that I feel I am yet to live,
a temperature that feels a bit too familiar.

Is forgetting something like

looking back at the steps and trying to recall
where I am from, trying to recreate the horrors or happiness
that I am running from,
Wondering if I was actually running.
A part of me begging me to go back,
a part that keeps saying that where I came from
was the only place I ever wanted to belong to.

Is forgetting something like

being brought back to the year,
that I am trying to avoid looking at,
by the receding cold water,
to see my feet run
after the blue shadow, the floating leaves,
the place no summer can reach.

Is forgetting something like

reaching a place
far away from the narrow, broken stairs to past,
but also a place where no springs, no summer exist.
In such a place without symbolisms and signs
I keep finding
another pitiful deity of broken and beautiful hope.

Is forgetting something like

finding faith, loving again, blindly believing.
To close my eyes, to the me that I am now,
just to hear myself running down the stairs,
just to feel the water find my feet again.

“Without a reason, in this world” – Nayana Nair

.

I sat in the shade of a tree that had no fruit,
no yellow buds, no promise of any spring.

Some broken ants with their broken sense of direction
crawled to me, and stared at me
as if their answers lay in my broken being.

My being, they say, are just colors-
the brightest colors of everlasting longings.
They say I am not even a half of a being,
so I cannot wish to complete or be completed
as long as I am me.

But now that I have stopped waiting,
stopped begging for a use in this world,
I feel that it is okay to exist like this.

I feel I can look back at the ants,
at the ones I can never complete
and tell them I don’t have their answers.
I feel I can tell them my truth
without wanting to “not exist”.

“Saving only December” – Nayana Nair

.

All the spring’s color
have been molten and poured
into the broken casts of summer.
They seep into ground, into autumn leaves
that falls in every space between you and me.
They sing something for us again
as we shiver and stop ourselves from giving in,
as you hold back from saying every word
that can fix me (at least for now).
I google how to kill feelings
that don’t let me eat or speak or smile.
I bite my lips trying to bury the words
that would shine in your colors, if you were to look at me.
If you were to look at me, you would be only sad
to know how unchangeable my heart is.

You tear sheet after sheet, rip them out of calendar
and hand them to me.
We burn 11 months, saving only December, because you never know.
There is a knock on our door, someone who is lost
brings in the chilled wind, the fine dust of snow,
and voices celebrating something we will never understand.
I wait for you to come back and to settle into your warm sleep.
I sit at the foot of the sofa, and think about
the one time I dreamt of death.
I was looking out of window waiting for you
and you came back with new pair of eyes that never settled on me,
and when I was almost about to cry
you moved towards me with a dying sparrow in your trembling hands.
It lay on its side with its soft violent gasp for breath
that were perfectly in sync with mine.

“Half of my Winters” – Nayana Nair

.

I wanted to play this winter song
on the brightest day of spring.
Maybe at least in that way
I will be able to mourn for something
that I should have been happy to leave behind.
But the snowflakes in me
drift into the world
and become butterflies of someone else’s heart.
All my songs now belong to sun,
they belong to scent of summer fruits,
they fall as unpredicted rain
on the windows I closed just in time.
Anyway, I had to learn this sooner or later.
How can I keep believing in my own feelings,
on the things that were supposed to never change, never melt
after losing half of my winters to the green winds of change.
As I place all my “old dreams that don’t suit the new me”
away from my reach,
I wonder if the only way to save the dignity of my old sincerity
is to lock it way from my own skeptical, mocking eyes?

“I never have to wonder, I never have to break” – Nayana Nair

.

In the shade of a fruitless spring-less tree
as I tried to recall and write down
all the phone numbers I once knew by heart,
I looked at the sky
and laughed for thinking too highly
of myself and thinking too little about my heart.
That is the last thing I remember
before I was possessed.

Oddly I always remember this point of contrast
marked by the last tear I actually cried.
Whatever now had made home in me
convinced me
that I could be complete even if I stay as who I am,
that I could stand in this world
witnessing beauty, love, companionship, faith, life
and be happy
even if it could do nothing for me, even if they were not mine.

Someone, who couldn’t possibly have been me,
lived my life in my place from that moment,
and I never had to wonder again
if I am allowed to live like this.
I never picked up another paper I threw in the trash.
I now never tried to play the role of the one with bigger heart.
I was finally free of hope, of love, of being myself.
Now it was the work of whoever wanted this body,
whoever wanted my life.