“Forgetting” – Nayana Nair

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Is forgetting something like

descending down the the narrow white steps
and finding myself knee deep
in the coolest spring on the hottest day of year.
An year that I feel I am yet to live,
a temperature that feels a bit too familiar.

Is forgetting something like

looking back at the steps and trying to recall
where I am from, trying to recreate the horrors or happiness
that I am running from,
Wondering if I was actually running.
A part of me begging me to go back,
a part that keeps saying that where I came from
was the only place I ever wanted to belong to.

Is forgetting something like

being brought back to the year,
that I am trying to avoid looking at,
by the receding cold water,
to see my feet run
after the blue shadow, the floating leaves,
the place no summer can reach.

Is forgetting something like

reaching a place
far away from the narrow broken stairs to past,
but also a place where no springs, no summer exist.
In such a place without symbolisms and signs
I keep finding
another pitiful deity of broken and beautiful hope.

Is forgetting something like

finding faith, loving again, blindly believing.
To close my eyes, to the me that I am now,
just to hear myself running down the stairs,
just to feel the water find my feet again.

“What I Remember (26)” – Nayana Nair

I covered up myself up-
hiding the pieces,
hiding the glue,
hiding the knife close to my heart.
There is too little time
and so much to be disposed,
so much has to be kept at the bottom of the stairs,
under the sheets,
under the hand that cupped my face
so that no one could say with certainty
whether I am laughing or crying or thinking
about the hands that will never touch my face again
or wondering why I can’t move away
or keep away from mines and alligators
and magma and my fearful heart and dark wells
and palaces that never sink or get ruined
completely and green roads of past and red
destinations in my hands and love for colors
that will not love me back and following the one
with tearful eyes and the thoughts of some end,
any end.
All this extravagance,
so that no one could see my see through my real feelings
being eaten up by imaginary words and scenarios.

“Stuck in my heart” – Nayana Nair

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I sat on the stairs
long after they stopped shouting.
As the shout and anger
made room for themselves
in our lives.
As muted cries
became muted sighs.
I would look at the sky
and see no stars,
but only the tears
that pooled my eyes.
For long, a portion of time
got stuck in my heart
to remind of how lonely a child could be
in spite of having all.

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“Frail Thread” – Nayana Nair

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These lines that
connect to my heart,
pass through landscapes
devoid of human presence.
This frail thread
passes through valley of flowers
that have no color.
Through balconies overlooking
desolate streets and
sky crowded with stars.
Through stairs leading to floors
that no one visits.
Through the branches of old trees
broken in the storms.
Through abandoned toys in locked rooms
with no owners.
Through the warm sheets
where I rest with my dreams.
and bring loneliness of the world
that lies beside me,
while I wonder
why do I feel so hollow inside.

“Co-exist” – Nayana Nair

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While the rest of the rooms
were sleeping in cold,
cradling the mere humans
who could only do so much
as to ignore the present,
dreaming of summers,
that which in their deepest heart
they had no much love for either.
But mind has always been
a place to escape to,
when we were not escaping from problems
but from our self.

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I sat at
the dark narrow stairs,
that led to nowhere particular,
that were almost always flooded with light.
I was lucky to have had that.
To have a place where
the fresh rays of cold sun
and my warm agitated heart
coud co-exit,
without destroying each other.
I could only do so much
as to forget myself and my life
feel what cold is,
to know I was (un)lucky to have this.
To have so much comforts
that I cannot complain of my pain.
But irrespective of these comforts
I would still rot away.