“They were once alive. Only this they are sure of.” – Nayana Nair

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The bodies that were burning
on soft stakes of light last night,
are now moving again.
though unfamiliar with the lightness of cheerless air,
though stranger to the tune of fire in this new land
they move with their heavy hands,
with the spoils of life spilling out of their mouths
with a spectacle hidden under their ribs
They move across the silent narrow fields of blooming coal,
under the gray aging bones of the the fruitless godly plants,
their ears ever aware, ever desperate
for the ringing of a spark,
for the burning, for life to begin.

“Don’t cry. Tomorrow I will try again.” – Nayana Nair

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The stones are in full bloom this morning
the heavy branches, my heavy arms,
this remaining bark hiding my old skin
invites new birds to make few homes in me.
The rivers born in the last frozen quarter of calendar
they fall, like leaves,
like pieces of heaven – the shrunken oranges
greeting the tarred roads as the old anxieties
swim to my surface, to greet me with a forgotten word.
My body gets to know ground in new ways.
My blood gets to know another skin.
The arm of a stranger, an unwanted breeze
holds me hostage and tells me to flower gently for once.
My skin gets to know rain in new ways.
Maybe tomorrow I could be born
without the morning storm of sadness.
There is always a tomorrow to try again.

“This ground that we stand upon” – Nayana Nair

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Dear &^%$,

Have you found a way
to leave everything
that you call your ground-
your ground of anger,
of rusting armour of indifference,
of the trauma the heartless giants planted in your heart,
the compass that shows all the wrong directions
and always takes you to the nearest cliff, again and again.
Have you found a way to be better, to live better?
I haven’t yet.

Yesterday I listened to a stranger talk for hours
about how it can be done,
how it will end when we want it to.
It made me wonder if maybe we are not yet ready
for this groundless life.
Maybe that is our only issue.

All that can save us is so temporary, so transient.
Yet the thing that ruins us, is ours to keep-
not like the sun, but like the demon that needs our skin to live.
I wonder if we just need to be needed that badly.
Is that why we choose to cry than to change?
Is that why we choose to hold onto the wave that is drowning us-
just because it is here, because it is ours till it kills us.
Among many other things I also wonder what made us like this.
To be honest I am afraid to know.

What are you afraid of today?
Do let me know.

Yours,
$%^&

“Breathing Cities and Statues” – Nayana Nair

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When I try to imagine,
to recall the face of another human being.

I always see them standing opposite me
with an expressionless face, holding out their hand.

When they are ghosts of pasts,
they are breathing cities of peculiarities and possibilities.
I feel they were waiting for my hand to touch theirs.
I feel as if they have saved up their last smile for that moment.
The steps I couldn’t take, can now never take,
they look so easy, so worth it, so worth keeping as regrets.

But I never learn
because
when they are reflections of present,
they are breathing statues
and frozen hearts that couldn’t possibly beat.
I know that this hand is not for me,
that I have extinguished the smile on that face
just by being myself, just by existing.

Only the warm breath of passing time
can make me miss the world that could have been.
Only on the streets I cannot walk
grow my trees of faith.

But even then, even for the past
I barely feel any love.
What I feel is something similar to
the relief in the things that won’t change.
The pull I feel is for the trust that can never be broken,
my heart that I never had to give out,
the hand of every stranger that remained innocent thereby.

“More Dearer” – Nayana Nair

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A face looks out of me-
that damned face of love that never gives up.
It writes down histories, and diaries,
and fears of people it wants to heal.
It never speaks aloud the hopes of gentle gaze
it secretly wants out of them.
It wants a lot many things out of them to name a few, I guess.
Just how it wants a bit too much out of me.

It wants me to learn new tricks to entertain, new specs to list out
just in case my heart isn’t enough.
It wants me to stay close, and speak sweeter
and hold people more dearer.
It wants me to walk back to offer smile
to the ones who didn’t want to be held dearer, at least not by me.

It wants them to know how they will always dazzle
even if they fall short of their own expectation,
even if they find a love whose meaning won’t have a place for me.

I hate being the one losing sleep and respect and my ability to
function like a person with one heart
or have even one complete part of me left for myself.

But I love that love hungry being in me.
I love the intense truth it knows about itself.
I love how, when I cannot fall asleep,
it crawls out of me and sits by my side
to tell me about the another stranger who once made me smile
just by existing, even if their existence was not for me,
even when I exist just fine without them.

“If I Keep Walking” – Nayana Nair

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From wherever it may be,
if I keep walking straight
and try not to think of the destination,
eventually I feel the pavement turn to dust.
Slowly, stones dating to the oldest dates
in the recorded history of my life
start appearing one by one.

They sprout new mouths, they learn new words,
they grow into roads, into pillars,
into gateways, and into the walls of the places
where I am no longer welcome.
The fabric of present, my strange choice of words,
my skin that doesn’t belong to this time
all such things make me an alien, make me a pitiful stranger
in a place I know more than myself.

My laughter lives in those places,
with people who can’t find their way to me,
just like I can’t find my way to them.
I hold onto the walls when my tears start killing me,
I tell myself, it will be fine, if I just keep walking.
I tell myself, I will eventually remember my way out of this moment,
as I always have.

But now I can’t. I don’t want to. Maybe I am not meant to.
Maybe the answer lies in never forgetting,
maybe that’s the love I am meant to have.
Maybe waiting is the answer that will suit my weak heart,
since pretending can only get me this far.

I sit on the benches of deserted parks with my bloodless heart,
and I imagine melting here in this imaginary sun.
I feel happiness might have been something like that,
but I can’t remember it, even though it was once mine.

“The poem on tides and moons and you” – Nayana Nair

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On a staircase of stars
I sit with a cold drink clenched within my shivering hand
and nod back to the goodbye of another stranger.

I don’t remember him
but I know the lies I might have told him about me,
and the truth that he might have got to know eventually.

“What do you think? What would he remember me for?”, I say,
“But anyway someone knows me,
is this enough to prove that I am present in my life”.

“Is it lonely there?”, someone asks from within me.
I think it is probably you.
And because it is you, I need not answer.

I don’t want to seek you in the skies.
So I sit staring at the world that starts across the street,
where I pretend you are. Where I pretend you will always be now.

I sit outside a palace of brokenness that is not mine.
My sorrows are not so glorious.
It all belongs to a guy who will soon be my friend of some sort.

Unlike me he is happy now,
but he cannot bring to dismatle this grandest part of his life.
He wants a sad lover in front of the corpse of his love. Even if it can’t be him.

In the silence of his beautiful grave,
everyone gathered again and listened to the poem that no longer moves his heart
and we cried in his place.

It was a poem on tides and moons,
on something no one wanted to call love
but something they still couldn’t stop talking about.

It was something like thinking about you.
It was something like being asked “is it lonely there?” by your ghost.
It was like wanting to answer “does it even matter to you?”

It was like wanting to answer “It is a pain you won’t have to ever know.”

“Any time now” – Nayana Nair

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“Irrespective of what has happened, I know happiness.
I do not remember the sadness as vividly
as those sentimental singers do. I don’t know the pain
that lasts eternities. I know of a happiness that cannot be lost.”
This is what I say when I meet my past.
This is what I say when I step into the world
where the past doesn’t pass by like it should.

I say this
because I cannot say
I am afraid of
because once___________________________
and till now it haunts me.

When___________________________________,
I have to strain myself, I have to forget myself.
Before someone tells me “This is life. Get used to this.”,
before they tell me about “the worst that can happen”,
I have to get out of my body,
I have to hide my remaining self in the corners I won’t fit.

I have to force myself not to throw up
as ___________________________________
_______________________________________,
as I see from far away
my body smile at all that is wrong.

I smile on my walk to the main road, I smile on my ride back home.
I hum a little joyful song as I close the door,
the same damn song I have hidden behind all this time.
On my warm bed, I lie facing myself
waiting for the tears
that should have arrived by now.
I wait for the breaking to happen,
so that I can put myself back,
so that I can suck out this poison again.

But the tears, the breaking, the moment of honesty,
the crying without knowing why
doesn’t happen.
And I realize, I fear that now ______________
has become a part of me, a natural pain.
Now
there is no way I can claim the body of the one
I cannot recognize.

I look at ceiling and hold onto the tremor of this stranger’s heart
that should have been me.
In those restless heartbeats, there is hope, there is fear,
there is anger, there is a me that has to say meaningless words
like “a happiness that cannot be lost” to soothe this world,
so that it won’t take away anything more of me.

“I looked for you” – Nayana Nair

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In the orange forest of drowning suns
I saw your face in the light going out first.
I stood with my empty nets, on a boat, with oars
that won’t budge, won’t sail away from your closing eyes.
I played this only memory I had of you
throughout my journey back.
When my feet found a ground to breathe again,
you had already grown bigger, sadder, scarier,
sorrier presence in my life.

Through my dinner that night,
I thought up names you may have had,
the people you may have loved,
the heartaches you thought would never end.
I thought of how easily things end,
how nothing in our heart
can save our heart from this lonely end.
Were you thankful or sad that you had to know this,
to share this realization
with a stranger made of cold eyes and numb limbs?

That night I looked for your body in every ocean I had in me.
I don’t know what was the point of this search
but I knew I had to do something about you,
that my feet had to walk distances because of you,
that something in me must hurt more than it did now.
That finally I had to die with you,
to know what I don’t know now,
to know even a fraction of your pain.
I was sad and relieved that my need to know you
ended there – with that thought,
with the steps I cannot take.

“That poem doesn’t exist in this world” – Nayana Nair

Outside my body, outside myself
I feel
I can be the the girl
who walks to a stranger, smiles and asks his name,
who keeps her name in her mouth,
and doesn’t throw it away
along with the chewing gum in the nearest trash can.

Would she hold his hand?
I think she would.
But even then
would she be reminded of the the poem she wrote in seventh grade
“the ugliness of people dripping from their hands
at nights, holding my breath,
crushing my 27 teeth under an unwanted kiss,
promising to kill me next time“.
Probably not.
That poem doesn’t exist in this world,
let’s keep reminding ourselves that.

So yes, she holds this stranger
a bit more closer than she would have deemed wise
if she saw it how I would
and she would make promises- the kind lovers makes
before they know what love is.
He will ask about her life
and she will have no sad story to tell.
So she would talk about the recent window shopping-
the things she can’t have and things she can’t get
and she will not be talking in metaphors for once.

For once the one she wants to love
wouldn’t be obsessed with the wounds on her skin
to love, to treasure, to poke, to mock, to dig down further,
to own and to burn.
He will probably say something sweet about her smile
or maybe something boring about his work
and she would smile a bit more in either case.
Because she can smile here, in this world, in front of him,
without having to think about what his each word might hide,
what she is over-looking, what will be the tiny details
that will come back to hurt her, what will be the undoing of her heart.
She will smile cause she won’t have learned to be hate people beforehand,
she wouldn’t have learned to love a bit too late.

She would tell him that he is lovely,
and the blush in his cheeks will make her heart skip
and she would love him for loving him
and not because she is looking for an easy fix to her faltering mind.