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“Red Gates” – Nayana Nair

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I drowned the flowers
one by one.
The poison of beauty
now runs through the rivers
on this land,
they fill his backyard
in every season of rain.
A child with his smile
drowns another boat of dreams,
the flood is a field of paper,
the flood is all that is left of me.
She stares into me,
waiting for a reflection to surface.
She walks into me
to see where I end.

She tells me about the boy
she can’t love and the boy
she can’t blame
as I dissolve and submerge
the red gates of her house,
the garden of forgiveness,
her school shoes, all roads to her friend
who doesn’t smile back anymore,
the spoons that remind her of hunger
for farthest worlds and people.

She asks me how deep will be this pain
of losing herself, how long she would have to smile
through this hate.
I flow into her heart,
wondering, if there
I could turn back to the flower I was,
if the end of my hate could be
the end of her pain.
If I could be her answer of hope.

“my eyes miss everything” – Nayana Nair

i try not to think
about the places that are lost
and evaporated
only leaving clouds of colorless memories
floating on my not so blue sky

places that are lost
not only to me
but to this world
now no one will ever know the sweetness
of the light that was never beautiful enough
to be captured and framed
light that is only beautiful only in its death
beautiful only when it rises up without a reason
on the surface of our eyes

how my eyes miss seeing everything
that now cannot be seen
my eyes wake up from the dream of yesterday
into this new day that i must write
feeling that again i have lost something,
something meaningful in that dream
that will never return to me
a dream that i have no right to dream again

i try not to think about such losses
losses with name or reason or heartache
but no matter how much try
some days that is all i can think about

“Not So Bad” – Nayana Nair

he sings the most beautiful song.
so beautiful
that the sky becomes a reflection of the heart
that he can barely carry in himself.
the words on his lips
they break, they sound different,
feel different,
they sound like the first cry of a baby-
the violent coming to life.
they run and collide and shatter
against the rough indifferent surface
of this dying world, a not-so-bad world.
he becomes a not-so-bad singer.
as he runs out of breath and love
someone places a coin of gold in his hands.
he means to feel grateful for this compensation,
but all he can do is hold his tongue, hold his tears.
hold his bitterness in himself
and sing another song dreaming, waiting
for an honest reply, a genuine care,
an understanding gaze in return for laying bare his humanness.

“why am i hurt by your hopes?” – Nayana Nair

i thought…
i wanted…
i am always looking for…
i am nothing without…

must i fill these sentences?
is it compulsory
to tell you where it hurts and why?

the pencil bends and breaks
in my hand, but my voice won’t crack.
i think a bit of my cruelty shows
through everything that i do.

“have you ever wanted to be a person like me?”
when i ask you this, you avoid my eyes.
the often-spoken-and-never-meant words
surface on your lips,
“i love you for who you are, i want nothing more”
sadly followed by
“it is not too late to change”

“Sweet Nothings” – Nayana Nair

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i crawl into another embrace,
scratch the surface of my fake love
to find something true.
hopes.
hopes.
is this what they call hope?
it must be.

the coffee turns cold as my story ends.
again i am wearing a skin i have stolen.
the one breathing beside me
has a knack for sad stories recited by happy girls,
of being a knight to one he doesn’t have to save.

me,
i love drowning the world in sadness
(the only way i can take anyone’s breath away)
i love leaving loose ends,
leaving people behind-
i call it the fear of being left behind.
i have a list of similar innocent motivation
for every mess i make, for the mess i have become.

when he leaves
i throw away the coffee he never drinks.
i get over my urge to be seen for what i am.
i dip my fingers into another color
that he might like, or at least remember.

“Another season that pretends to be spring” – Nayana Nair

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“love”

you utter this word so often
with a sadness that sounds bigger than this word,
bigger that whatever it may have given you at one time.

is this the sadness that you are trying to burn away?
does it hurt when it also burns a part of you as well,
turning whatever is left into charred surface?

is it convenient ?
to have a heart that looks nothing like it.
to mute her voice just to keep her face in your mind.
to feel her lips, her words in your every kiss.
to freeze yourself with a love that won’t breathe anymore.

“I am sad, bitter, and in love” – Nayana Nair

I look at you and I see myself.
I see my weakness, that is you.
I see my failure, that is you.
But if I put it like this
it may seem that you are
just another darkness in my life,
but you are not.
There is a reason that even when my mouth recites
sad stories and bitter words about you
my eyes, my heart only looks for you.
There is a kindness in you
a love in you, for me,
that surfaces, even when you try to hide it.

In your imperfections
I see the imperfections of my own love,
how I cannot love all of you
even when I want to.
I wish sometimes
I was not this person that I am.
Sometimes I wish you were a little less lovely,
a little less lovable.
Maybe then it would have been easier,
been okay,
to walk over this love
that I cannot let go of now.

“Muddy Eyes” – Nayana Nair

How much of the sorrow
that floats on the surface of my muddy eyes
are actually the remains from broken bonds?
How much of it
are the soaked and decomposing paper planes of love
that never made it to my heart.
I write down again
all the things I must not forget,
everything that neutralizes my mistakes,
brings them down to the scale of what others have done.
I make it through this life
by remembering only those who told me
that I worthy of love in spite of selfishness.
Conveniently erasing the moments when they were proved wrong,
erasing how I walked over their hearts
when they no longer loved me,
when they saw that I may need love
but won’t be changed by it or for it.

“Thin” – Nayana Nair

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So much has to painted over with the surface of
acceptability,
yet the paint that always wears thin.

“Hiding” – Nayana Nair

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The noise of the crumpled tissues walked upon
fills me up again.
Without the colors of reasons or pain
that once made it unbearable,
I envy that me who could be so passionately
sad for the someone else
or even for myself.
Now the the rivers of concern run beneath the surface of my heart
almost lost, in hiding.
(Or am I the one in hiding.)

And now I can finally be almost happy in life.

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