“And everything is a miracle because you love me” – Nayana Nair

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A summer comes alive,
a branch flowers
at the touch of my hand.
My hands that were just held by you
they find all dead things,
all dark corners of life.
There is so much of life in these hands
that are now desired by you.
There is so much that can now
be brought back to life,
so much that can stop hurting.
There is no way to stop all this warmth
from spilling out of me anyway.
This world, this path of ruins,
this history of us,
existed for this moment maybe
so that we may learn the texture of hope
in each other’s skin,
so that we may see the rebirth of light
in each other’s eyes.

“Love can only be a safe haven, if we keep this distance” – Nayana Nair

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There is a kind of spell
that doesn’t let love sink into my heart.
It keeps it all suspended
between the layers
of admiration and disbelief,
of trust and that nagging doubt
that I don’t really want to think about.

Like so many, I also believed
that this love-
the shining weakness of my heart,
is safe in the growing cavity of my chest.
That, if the world doesn’t touch me
and I do my part, and never reach out
as well,
then this will be my own small forever.

It will never be hollow
till I don’t test its reality.
It will okay, till I endure
the mocking laughter in my mind
and never think about anything else.
After all, how can I lose a feeling of my making
in a world where only I exist.

But in a world where only I exist
there is also nothing to distract me,
nothing to make me forget the imaginary nature
of my meaning,
nothing else can prevent the ripping apart,
nothing to support the falling structures.
And as I guessed, as I always knew
without ever wanting to admit –
it is just one another thing
incapable of being an eternal something.

This afterimage of another soul
that I try to indulge in,
couldn’t have been anything more than this anyway.
From here, this distance,
from where I can be seen favorably and loved deeply,
this distance
where I can summon in me the spirit of sacrifice
for the idea of this one pure love that I must protect at all cost,
this distance
that gives me a chance at love.

This distance also means
that love never touches
the rocks that my tears have turned into.
It also means that
in hiding everything vicious,
I have also hidden everything that could be me.

Somehow I have learnt to be okay with the fact
that this smile that I get, the kindness I receive
is because the weed that grows on me looks more beautiful
than I can ever be.
I have already dissolved in the earth
to sustain this beautiful face that I am determined
to be remembered for.
It is too late for sincerity.
Now even my hopes have been poisoned.

“Only sad poems spring from my mouth” – Nayana Nair

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When I think of you in an indefinite future
without me,

when I think of the past, this glowing mixture
of wax and webs, sticking to my eyes,
to my uncertain touch,
to my every new dream and hope for love;

when I cry, when I laugh, when I say even my own name
the mountains of stories, send me back your voice.
They say you will be cited as the reason
for my every my recklessness and my every holding back.

True to the prophesies of love
my skin wilts and dies and eats itself up.
My heart cries and cries and makes jokes about crying.
Nothing makes sense and yet everything is just as it should be.

And now I can call you my everything and
nothing in the same breath
and still know that even if I let your shadow swallow me whole
I can’t ever call all this love.
I won’t ever feel “love” for you again.

Yet only sad poems spring from my mouth,
when I think of you.

“now it is my turn” – Nayana Nair

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her touch – always a procession
of feelings that won’t leave her heart,
of everything she doesn’t have or even want words for.

i hold back her hand and it all quiets down-
the waves, the death, the crashing planes,
and the flying roofs.
the cities in her mind grow silent.
they- the tiny inhabitants, the ugly parasites
in her heart,
they look at me as if i am an enemy,
and yet smile at me, as if i am one of them.

they wait for her to smile at this, which she does.
she tells me she is fine. in the same tone
in which i use to tell her the same lie.
she leans in and touches my cheeks.
now it is my turn to go silent.
now my cities and their helpless monsters wait
to see where she leads this madness to.

“I’m all for sad feelings. I’m all about hard love.” – Nayana Nair

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All I could do
was to wait
for the stone of doubt
and my rippled heart
to settle.

But my surface never knows peace
the veins of leaves, the claws of birds,
they touch me and demand an expression
and I play along. I give way to them.

I am learning giving way, giving in
is what people call love.
And the core of what I am, therefore,
doesn’t believe in love.

The tired core of me would have probably
believed in love if it was not so easy to get,
a love that was never a win-win situation,
that demanded a bit more hurt,
that asked me to see someone outside of myself.

“Breathing Cities and Statues” – Nayana Nair

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When I try to imagine,
to recall the face of another human being.

I always see them standing opposite me
with an expressionless face, holding out their hand.

When they are ghosts of pasts,
they are breathing cities of peculiarities and possibilities.
I feel they were waiting for my hand to touch theirs.
I feel as if they have saved up their last smile for that moment.
The steps I couldn’t take, can now never take,
they look so easy, so worth it, so worth keeping as regrets.

But I never learn
because
when they are reflections of present,
they are breathing statues
and frozen hearts that couldn’t possibly beat.
I know that this hand is not for me,
that I have extinguished the smile on that face
just by being myself, just by existing.

Only the warm breath of passing time
can make me miss the world that could have been.
Only on the streets I cannot walk
grow my trees of faith.

But even then, even for the past
I barely feel any love.
What I feel is something similar to
the relief in the things that won’t change.
The pull I feel is for the trust that can never be broken,
my heart that I never had to give out,
the hand of every stranger that remained innocent thereby.

“Waiting for the fireworks to end” – Nayana Nair

In her loudest, happiest voice
she told me about
one of her near-death loves,
how she wished her skin
would stop keeping her alive.
She laughed at how we both
always find something awfully painful or ugly in common,
how we should probably never call each other
just to remind each other of the spite
that lives in our blood.

I moved her lackluster glass of
fake green mojito by an inch towards her
and looked past her
at the couple who sat closest to the sky.
The wind that touched them called out to me again,
reminded me about my trembling legs
and my heart that didn’t want to give up yesterday.

I told her about the fall – my bad decision,
my backing out again at the last minute-
another really bad decision.
I told her someone needs to lock me up
before I take any more decision
as I showed her my new skinned knee
and told her in detail about
all parts of me that were filled with pain even now
only because of that one moment
in which I wanted to live more than anything.

She walked towards the the railing
decorated with hearts that won’t light
and found herself a seat, placing her elbow
carefully away from the mess that
the ones in love left behind.
She waited for me to follow her as I always do.

I stood behind her and felt a fear
very similar to mine swimming in her mind.
I wanted to tell her, it will get better.
but I couldn’t. I wanted to believe in this,
in this hope for better;
if not for me, at least for her.
And I knew she had nothing to say now
because her throat was also crowded by the words
she doesn’t believe. We are painfully alike
even in our search for hope, even when we are searching it
for each other.

“What I Remember (26)” – Nayana Nair

I covered up myself up-
hiding the pieces,
hiding the glue,
hiding the knife close to my heart.
There is too little time
and so much to be disposed,
so much has to be kept at the bottom of the stairs,
under the sheets,
under the hand that cupped my face
so that no one could say with certainty
whether I am laughing or crying or thinking
about the hands that will never touch my face again
or wondering why I can’t move away
or keep away from mines and alligators
and magma and my fearful heart and dark wells
and palaces that never sink or get ruined
completely and green roads of past and red
destinations in my hands and love for colors
that will not love me back and following the one
with tearful eyes and the thoughts of some end,
any end.
All this extravagance,
so that no one could see my see through my real feelings
being eaten up by imaginary words and scenarios.

“name my heart” – Nayana Nair

i draw a white light
on another perfect window
with my broken hand

the clouds have gathered
for me
my blue stream must be dying inside

i speak my softest tongue
i lift my wounds
to show my untainted heart

stay on the waves in my eyes
touch the only vein in my body
that knows how to hope, i beg

but they drift away
before i name my heart after them
they drift away not wanting to be mine

the sky is clear again
i try not to cry, as i draw the lightning
that no clouds can gift my heart.

“Picnic” – Nayana Nair

On a spread of fake smiling suns
and the unreasonably happy flowers in pink,
I kissed your smile
without wondering
what it meant for me in the long run.
Without knowing if you would want me back
the way I do.

And when you held on to me
I didn’t know how to stop my violent tears
or how to let you know
how your embrace
is the only thing that feels honest
to my worn out heart
or how precious this honest touch, this simple love
is to a person like me.