“Goodbye to all the warm things” – Nayana Nair

.

The white curtain, the whistling wind
doesn’t vanish,
no matter how many times
I close my eyes.

The chill under my feet
slowly turns into the ice within my bones.
The hope within my heart
blinds me a bit more.

For every step I take
another cold molecule of my sense of self
breaks away from me.
Every step is an unavoidable mistake.

All warm things are now resting
in the rooms of past-
the melting summer and the stickiness left by
the kiss of ice cream at the corner of my lips,

the one tree that I burnt for three winters,
the big windows, the big dreams
that almost burnt a hole in my heart
as I wrote down hollow words recited by my teachers,

the warmth on my skin
as your eyes fell on me,
that whole minute for which you were
the closest star to earth, my new sun.

But every step is an unavoidable mistake.
Every step is a goodbye.
Every sun that my eyes create, falls
too easily from its branch.

No matter how many times
I close my eyes.
it doesn’t vanish-
this world that now I can no longer love.

The light that will never fall on you
is the light I will never see.
Isn’t it beautiful – this cold
that takes me a bit closer to you, even if like this.

“Without a reason, in this world” – Nayana Nair

.

I sat in the shade of a tree that had no fruit,
no yellow buds, no promise of any spring.

Some broken ants with their broken sense of direction
crawled to me, and stared at me
as if their answers lay in my broken being.

My being, they say, are just colors-
the brightest colors of everlasting longings.
They say I am not even a half of a being,
so I cannot wish to complete or be completed
as long as I am me.

But now that I have stopped waiting,
stopped begging for a use in this world,
I feel that it is okay to exist like this.

I feel I can look back at the ants,
at the ones I can never complete
and tell them I don’t have their answers.
I feel I can tell them my truth
without wanting to “not exist”.

“How do you want to be saved?” – Nayana Nair

.

I crawled to the window
in my dress torn by the claws and cries
of people who live in my nightmares.
They like clean living rooms, dark courtyards,
and cars with slashed tires sitting in their garage.
They have
“broken hearts” written down in forms as their identity
and broken chandeliers swept under their bed.
They crouch down and look at me
as the broken lights shine red,
as I see myself bleed beautiful rivers,
as my silent scream become winds, become ripples,
becomes the face that will forever make me cry.
They smile and ask me
“What do you wish? How do you want to be saved?”
while someone else burns the bed that I am crushed under
and asks me “Is this the what the warmth felt like in your mind?”
They drag me out into a forest,
where under the brightest tree of hope,
they stuff darkness into my throat, into my mind
and ask me “Do you still feel empty?”
They are unreal and of unsound mind.
They tell me living in me makes them so.
They wave goodbye to me with a smile,
offering me a sweet candy
for my silence and understanding
It is raining when I open my eyes.
I breathe in the world
where bleeding and burning is irreversible,
where it would lead to an end of some kind.
I crawl to the window
in my torn dress and my exhausted skin
and find myself staring
at people who used live in my nightmares,
people who look more real that the living me.
People who now own more than just my dreams.

“The Light of White Tulips” – Nayana Nair

.

From the lowest branch
of the falling tree
I looked up
and heard someone laugh.

I have been reborn thousand times after that
but still
as I walk on the charcoal roads
lined with white tulips
that never light up,
as my foot slips
I hear that laugh again.

I hear it
when I cook food
and end up staring a bit too long at the flame,
when the smoke that kills, coats everything
that fills my stomach.

It is stuck in my heart, the violence of the end.
The bluest sky, the sweetest wind,
the flying songs, and my muffled cries-
crystallized as one.
One tiny map, that tells no directions,
forever stuck in the corner of my eye.

It plays like a record, plays hide and seek.
It is a play that ends
with the stories breaking into me.

“On the Road to Spring” – Nayana Nair

The trees that flower
may extend their hands to the pitiful us
and ask us to walk with them,
learn a bit more about beginnings,
about the ends that we must eventually be.

Tell me, in those moments of hope
am I allowed to want?
What should I do with the people
I have abandoned, about the things
I can’t be forgiven for?

On the new roads,
am I allowed to keep the heart that I once had?
How do I grow up into someone
who doesn’t have to put effort to be kind,
who can smile without guilt?
Do I even deserve that?

“but the waves run away from me” – Nayana Nair

the trees sway behind me
they tower and droop and die
above the cold parked cars.
i hear the sounds
that i couldn’t till last night
it is music to my ears
and “warnings of ruin” to my mind.
the green monster, the metal carriage,
and their lonely helpless master
face the direction of ocean.
if we were bigger,
if everything before us could melt,
if i could understand distances,
if i could drive
we could have met a love by that ocean,
we could have called ourselves friends
in that molten world,
i could have told them about the human dread of dying,
we could have laughed over it,
and the tree would have held me and my broken and beaten car
in its motherly gaze
and we wouldn’t worry whether this happiness
could heal us or not.

“On Erasing Roads” – Nayana Nair

The dead world lives through her.
Her escape is a door left open
for the violence to spread,
or so she always believed.
When she saw someone who reminded her of love,
saw that the fragile bird of happiness
would choose sit by her window and wait for her to sing back,
when all that could make her feel safe and somehow better
smiled at her and asked her name.
She would remember how from her skin and her mind
grew trees of fear every night.
The flood that has left her land
loomed above this forest.
Anytime the cloud would burst,
the past would burst through her smile,
and all would be lost.
Today, tomorrow, day after,
on an afternoon when she would forget about it all,
on a beautiful day like that
she knows she will find sorrow again.
So she stays quiet and writes a softer tragedy
of a girl who could never tell her name
to anyone who chose her hoping for happiness.

“Sandstorm” – Nayana Nair

The sandstorm is just another setting
for this story to continue.
There are no trees in our desert
that could be broken.
There are only lights that learn to flicker,
there is only skin that knows what this wind carries,
there are only roads that will drown.

With half closed eyes you walk out
to search for what you have left behind.
With half closed door I wait for you to return.
I find another quote in another book
foretelling the loveless life that will continue henceforth.
Another book, another friend I must burn
for speaking the truth, for wanting my best.

I am destined to die on the night of a full moon
without a reason, without a witness,
with a piece of broken mirror becoming a new part of my body-
another prophesy that I wish you had not gifted me.

Three fairies sleep in our bed,
who do not yet know the violence of your broken heart.
I hope you get what you cry for,
I hope you forget our names,
I hope this storm saves us from every moon, every sky.
I hope this storm saves us from you.

“The wind is picking up” – Nayana Nair

The wind is picking up.
The white sand unlike water
sinks everything too slowly.
And so the shade less trees of eucalyptus
become shadows that I learn to love.
They become compass that knows no direction,
but just piece this world to hold,
the silent assurance
that I am not yet lost, though my eyes can’t tell.

***

The wind is picking up.
In the middle of this small storm,
my careful hands writing the date on black board
suddenly realize the need to be held.
And so I fold and create a crease
on another part of my face-
the part that shows my heart too easily.
Someone yells out my name
and unknowingly they moor me to another violence,
another need that I don’t want to carry in me.

“a proper life” – Nayana Nair

the metal melts on my tongue.
this must be the fever that everyone warned me against.
now i will never know how to die properly.

i used up every drop i could find on this planet
to make the broken trees in me grow.
and there are so many,
so many skeletons with stunted growth.

i read we need not only the sun, but also the leaves, the green
to make something that can fill our stomach.
that light by itself can only gift hope .
how long can one live on hope?
just long enough to hate everyone
who has a piece fleshy fruit stuck in their teeth.

the only way to live properly i am told
is to become the the tailcoat of someone better than me.
i must make someone’s life easy,
must become a photocopy machine for their blood,
must cry silently into the sink as i clean the dishes at night
to live a proper life.

but it is too late i guess,
i have lost the plan i was told to follow obediently,
the only color that remains on my skin are the ones i was born with,
the unflattering shape of my body
won’t be bought with the coins of love in any shop,
my finger, my unshapely hands have become un-holdable.

the adjectives, the rumors, the sad future of mine
they falls like pieces of metal on my ears everyday
and yet they are not the words i can say, or accept.
these word, this metal melts in my mouth
they say i will die a sad death,
that i will die as i have lived – by myself.