“The Remaining Beautiful Sculpture” – Nayana Nair

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The houses are all empty, the roads deserted,
the remaining beautiful sculptures,
in the overgrown lawns of this plastic world,
have no eyes and no intent to save anyone.

Someone tells me my new lines
and I nod and wait for my voice to arrive.
Someone else opens my cage and you are also
somewhat released from your prison.
We walk the small distance of this model road,
revising the conditions of our freedom in our head.

You hold my hand and it feels like nothing.
How perfect. How hollow.
But soon the sun will rise and fill us with light.
Soon it would all be beautiful.
I almost wanted tell you,
“this emptiness is such a beautiful catalyst
for reckless beginnings”. But I guess you already knew.

As we all wait for the sun,
you tell me you have a name and I nodded.
I realized I could not say the same about myself anymore.
I realized much later that you never told what it is, your name.
A name is such a hollow thing, to be filled up by the person only later.
I don’t know the order of importance of things in this world.
So I guess this must be normal.

As the sun came out of hiding, I was filled with words again
and the words that I wrote in that first light was,
we both could write poems that can break worlds.
we could be so much more than this. and maybe we are.
maybe we want to be something less. something simple.
something harmless. but is that even possible?

As I wondered what your real words looked like,
I uttered the words I was told to,

the houses are all empty, the roads deserted,
the remaining beautiful sculptures ,
in the overgrown lawns of this plastic world,
have no eyes and no intent to save anyone.
i won’t save you. i will be just like others.
i will look at you and wonder. i will smile and forget.
i will love and forget.
but i will remember you in your crudest form.
you will exist in my vocabulary like waves and perfumes
and home and roads. but you will remain.
i will make sure of it.

And with all the conviction and gratitude you replied,

that is enough. i can be saved just by that.

I believed you so much in that moment
that I wanted to mean every word I spoke
and maybe that was the moment my love was born
for you.

“Only sad poems spring from my mouth” – Nayana Nair

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When I think of you in an indefinite future
without me,

when I think of the past, this glowing mixture
of wax and webs, sticking to my eyes,
to my uncertain touch,
to my every new dream and hope for love;

when I cry, when I laugh, when I say even my own name
the mountains of stories, send me back your voice.
They say you will be cited as the reason
for my every my recklessness and my every holding back.

True to the prophesies of love
my skin wilts and dies and eats itself up.
My heart cries and cries and makes jokes about crying.
Nothing makes sense and yet everything is just as it should be.

And now I can call you my everything and
nothing in the same breath
and still know that even if I let your shadow swallows me whole
I can’t ever call all this love.
I won’t ever feel “love” for you again.

Yet only sad poems spring from my mouth,
when I think of you.

“Weight of Snow” – Nayana Nair

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The light – yellow, diffused, and scattered – falls here everyday
on the cold marble of my home.
It is winter already, which means there must be places on earth now
where turning on taps is a useless exercise,
where a whole street wakes up early
to remove the snow piling up in them, around them,
snow continues piling far away from their settlements
where there is no need to clear them,
where the weight of snow doesn’t suffocate anyone.
There must be places now where people are forgetting things one by one.
Remembering an unreal ocean of fierce light,
forgetting ever being there.
How many places have I forgotten already?
I move two chairs into the circle of warmth
and wait for the evening cold to reach my skin,
to end this dream.
I stare at the empty chair.
I draw myself sitting there, staring,
as if I cannot live without an empty space beside me.
What was that space once?
It was something warm with skin and heart and voice.
It was light in human form, it was the most beautiful life.
But that empty chair in the sun, has been empty for so long
it couldn’t possibly have been me
who existed when it was something more than that.

“Paintings of springs and fault lines. Sketches of lost mothers.” – Nayana Nair

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She sings.
An echo, a heartbreak maybe,
something piercing, something invisible,
something not ours-
this is all that we are allowed feel
(as long as we want to feel).

She is everywhere.
She sleeps, buried under the heavy weight
of water and floating globes of life and
drowning boats and oil.
She is everywhere.

Yet her voice outlines every step we take.
Every dying step is a step lost to her name.
Running away is beautiful in this city.
The traces of our writhing, crawling, changing bodies,
painted on every stone, every wall,
doesn’t let us forget the dust of the world
we crushed by our hands,
doesn’t let us forget the word “home”.

All our journeys branch from her heart.
We sit huddled with out feet in water,
with our hands over fires dying out
and talk of her. Always her.

“It took me years, it took me you, to find a truth that was not a selfish reflection of me” – Nayana Nair

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Once she had a bite of my fate
she became a restless ghost.
She looked like all my ugly wishes staring back at me
but she had a beautiful smile so it was more bearable to my eyes
than to wear my own desperate words on my unsightly lips.
She looked out of place, but in a good way
as if she was the invitation to some place where my light won’t die.
Even in her voice it was my own words
that asked me to leave, that told me to love for the last time.
As my shrieks danced in the empty corridors
she planted a seed of eucalyptus in my palm,
she covered my hand with hers,
and covered our hands in dirt.
She told me how, for years, only the smell of eucalyptus
could calm her mind,
it made her believe that there was a gentle cure
to every disease that hurt her heart.
As she spoke such words that were not extraordinarily sad
I felt my spine become soft.
I dreamt of her leaning against my back
relieved of her every pain
and maybe it was the only beautiful wish
that has ever been born from my heart.
Once I touched the shadow of her heart
I grew and bloomed and learnt to be the one
who waits, heals,
loves, and breaks without bounds.

“Knowing is also a sort of poison” – Nayana Nair

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There are too many thought on my mind today
there is too little love in my heart
but my eyes are focused only on you dear
my ears hear only your voice.
But it doesn’t matter,
I know that too.

Knowing is also a sort of poison.
It only makes me angry at
your smile and your assurances.
It doesn’t change the fact
that today you live in hurt
and tomorrow you may not be with me to get better.
It doesn’t change the fact
that you won’t let me come close,
that you say I have no right
to know that part of you.

All that I am allowed to do now
is to smile as if I do not see,
is to talk of a tomorrow that will never be,
think of names we would never get to use,
plan a journey we will never begin.
This is all we ever did, when we had so much time.
This is all we ever did. This is what we will never do.
That’s all there is left to it.

You will say that you are fine.
I will say “I know”, when I don’t.
And I will hate the sight of your pain
and I will hate myself for it, as will you.
Maybe I will burn this place down
if you don’t let me in.
Maybe there is no place left to burn,
Maybe that’s what you’re hiding.
Maybe that’s what you mean.

“May be the only right in the world” – Nayana Nair

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I didn’t think that
I ever wanted to do such a thing.
But then it has a sense of it’s own,
a logic that keeps changing its shape-

it is wings of warmth, the fire in heart.
It is the fire that you want to get away from,
the endless trail of ashes that follows you.
It is your thought and voice and life spent away
only for the sake of a fire to burn even more of you.
On some days the fire is too magnificent, too beautiful.
On those days I feel it was right,
may be the only right in the world,
that everything of mine should belong to this light.

Is this how gods are made?
Is this how loves are lost?
Is this how I create a life
that I can’t bear to look at?
But can I abandon it all?

“Not only ours” – Nayana Nair

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All the wildflowers of our soul,
all the drops of yellow suns
dissolve in the air of shrieks.
One by one we loose ourselves.
The moments of despair and pain
are not only ours now.

When I speak,
thousands sing.
When I am silenced,
when I accept suffering,
when I am trodden upon
thousands wake up
with bruises they do not deserve.

How should I live?
How should I forgive?
Knowing my pain is someone else’s as well.

“Give you away” – Nayana Nair

I wonder
if the roles I play
are really what I want to be.
Or is it too late?

Are my roles,
my not-so-temporary voices
already doing
the dreaming and the wanting
in my place
for me?

I see you and utter “love me”
without thinking twice.
Even if you find
some love left in you to give up,
I wonder
is there any “me” left in me
to love you back.

Would I end up setting you up
with a heartless cruel face of mine?
Would I hold your hand, only to give you away
to the parts of me, that cannot ever understand
how precious you are?

“The Year of Frost Starts” – Nayana Nair

You walk in with a cake of rust,
two hours late.
You kiss me ,
wait for me to smile,
to say thanks,
to make another offering of myself
at your shrine.

You tell me of love,
the only love that you cannot
get out of your heart.
This love that suffocates you these days
more than before.
How my face asks for too much,
even when my voice doesn’t.

I cross out and mess up the frosting
trying to hide the wrong name.
These days I don’t correct you,
or remind you of who I am,
and so you forget me just as I thought you would,
just as you promised you wouldn’t.

My half hidden sighs
tell me that I am just an appointment,
things that have to be done,
feel good pill of a the mean god
that you are.
The clearer I see this
the more I want to speak against you,
to hold you closer with my rage.

I want to speak of
all the facts I have on you-
the bitter candies from the assembly line
that my minds works overtime overnight,
to show you the moments
you hated yourself most
again and again and again.
I am weak like that.
I am mean like that.
And now I don’t want to be better.
I wasn’t like this always
but now this all I can be.

I don’t remember or expect a beautiful love,
now neither should you.