“Tomorrow I will be complete” – Nayana Nair

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I saw my shadow
cowering in the corner of the derelict store room.
I could not bear to sit down beside it,
so I closed the door and waited outside.

Even as my eyes looked at the world,
I was aware of the one crying inside.
Even as I answered every question of the world
and laughed most appropriately at the words
that were said with with intent of making me smile,
all I could think of was “when would it be my turn?”.

I kept losing track of the doors I had closed.
I kept growing new shadows.
Against all my hopes,
all of them found their way to every grief possible
and eventually found a way to hide and cry somewhere new.

All I did meanwhile is to
wait for my turn to cry,
wait for someone to close the door and stand guard,
till I find and rearrange
the pieces of flesh remaining in my chest
to look something like a heart.

I kept repeating “Tomorrow, I will become a better person.
Tomorrow, I will be complete.
Tomorrow, I will realize I have always been complete.”
I kept repeating these words even when I knew that
anything and anyone that separates from me
is lost forever.
There doesn’t exist a way back to me in this world.

“The land of disasters” – Nayana Nair

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As my empty cup for tea
came crashing on the floor,
I heard another sigh escape me.
I turned back from the counter
and watched in resignation
as the winds mercilessly pushed through
the cushions, the magazines, the old discarded
phones that made no noise as they came
to find death second time.

The curtains and the window frames
came apart. The sad smiles, barely visible
through the annealed glass, cracked upon
and my ancestors fled away, rejoicing for first time
in the brokenness of this world.
I recalled all the videos I had seen
about the land of disasters and the restless hearts
that live there. I recalled the reasons
that cause such misfortunes, the incomplete
distracted television reports. But I didn’t have to think
of all that, to know what was happening to me.

The sky was clear
and I could hear people walking to festivals and carnivals
and towards to unbearable silence of funerals,
trying to laugh as much as they can before they get there.
I closed my eyes and waited with anxiousness,
waited without hopes
for love to appear again and make a mess of the life
I had spent years to put together.

“Without a reason, in this world” – Nayana Nair

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I sat in the shade of a tree that had no fruit,
no yellow buds, no promise of any spring.

Some broken ants with their broken sense of direction
crawled to me, and stared at me
as if their answers lay in my broken being.

My being, they say, are just colors-
the brightest colors of everlasting longings.
They say I am not even a half of a being,
so I cannot wish to complete or be completed
as long as I am me.

But now that I have stopped waiting,
stopped begging for a use in this world,
I feel that it is okay to exist like this.

I feel I can look back at the ants,
at the ones I can never complete
and tell them I don’t have their answers.
I feel I can tell them my truth
without wanting to “not exist”.

“now it is my turn” – Nayana Nair

.

her touch – always a procession
of feelings that won’t leave her heart,
of everything she doesn’t have or even want words for.

i hold back her hand and it all quiets down-
the waves, the death, the crashing planes,
and the flying roofs.
the cities in her mind grow silent.
they- the tiny inhabitants, the ugly parasites
in her heart,
they look at me as if i am an enemy,
and yet smile at me, as if i am one of them.

they wait for her to smile at this, which she does.
she tells me she is fine. in the same tone
in which i use to tell her the same lie.
she leans in and touches my cheeks.
now it is my turn to go silent.
now my cities and their helpless monsters wait
to see where she leads this madness to.

“as if nightmares are fiction” – Nayana Nair

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let’s break those darn mirrors.
lets not peek through the hands of fear.
let’s not see the monsters of sorrow.
remember not
where they walked and where they hide.
close your eyes and wait.

for what?

for the end.

there is an end?

there always is.

there are
ends that pierce through our our shoulder blades
and the blinds of our ribs.
it is actually beautiful to see how
heart melts away too easily, stops too easily
loses it way too easily.

also

there are
ends that make broken mirrors magnificent,
that smell like our mother,
that find our mouths at the dead of the night
and breathe in their last breath into our collapsing lungs.

it is sad to see how
our helplessness asks sacrifice from others
how we go back to sleep,
as if nightmares, once they end, are only fiction.
how we realize only after hours and years, wake up too late to notice
the blue hands, that once seeked us in storms,
decaying under the sunshine of the most beautiful day of our lives.

and what do you do then?

close your eyes and wait.

for what?

for the end

there is an end? even after this?

there always is
but maybe not the one we want.

“Breathing Cities and Statues” – Nayana Nair

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When I try to imagine,
to recall the face of another human being.

I always see them standing opposite me
with an expressionless face, holding out their hand.

When they are ghosts of pasts,
they are breathing cities of peculiarities and possibilities.
I feel they were waiting for my hand to touch theirs.
I feel as if they have saved up their last smile for that moment.
The steps I couldn’t take, can now never take,
they look so easy, so worth it, so worth keeping as regrets.

But I never learn
because
when they are reflections of present,
they are breathing statues
and frozen hearts that couldn’t possibly beat.
I know that this hand is not for me,
that I have extinguished the smile on that face
just by being myself, just by existing.

Only the warm breath of passing time
can make me miss the world that could have been.
Only on the streets I cannot walk
grow my trees of faith.

But even then, even for the past
I barely feel any love.
What I feel is something similar to
the relief in the things that won’t change.
The pull I feel is for the trust that can never be broken,
my heart that I never had to give out,
the hand of every stranger that remained innocent thereby.

“More Dearer” – Nayana Nair

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A face looks out of me-
that damned face of love that never gives up.
It writes down histories, and diaries,
and fears of people it wants to heal.
It never speaks aloud the hopes of gentle gaze
it secretly wants out of them.
It wants a lot many things out of them to name a few, I guess.
Just how it wants a bit too much out of me.

It wants me to learn new tricks to entertain, new specs to list out
just in case my heart isn’t enough.
It wants me to stay close, and speak sweeter
and hold people more dearer.
It wants me to walk back to offer smile
to the ones who didn’t want to be held dearer, at least not by me.

It wants them to know how they will always dazzle
even if they fall short of their own expectation,
even if they find a love whose meaning won’t have a place for me.

I hate being the one losing sleep and respect and my ability to
function like a person with one heart
or have even one complete part of me left for myself.

But I love that love hungry being in me.
I love the intense truth it knows about itself.
I love how, when I cannot fall asleep,
it crawls out of me and sits by my side
to tell me about the another stranger who once made me smile
just by existing, even if their existence was not for me,
even when I exist just fine without them.

“It took me years, it took me you, to find a truth that was not a selfish reflection of me” – Nayana Nair

.

Once she had a bite of my fate
she became a restless ghost.
She looked like all my ugly wishes staring back at me
but she had a beautiful smile so it was more bearable to my eyes
than to wear my own desperate words on my unsightly lips.
She looked out of place, but in a good way
as if she was the invitation to some place where my light won’t die.
Even in her voice it was my own words
that asked me to leave, that told me to love for the last time.
As my shrieks danced in the empty corridors
she planted a seed of eucalyptus in my palm,
she covered my hand with hers,
and covered our hands in dirt.
She told me how, for years, only the smell of eucalyptus
could calm her mind,
it made her believe that there was a gentle cure
to every disease that hurt her heart.
As she spoke such words that were not extraordinarily sad
I felt my spine become soft.
I dreamt of her leaning against my back
relieved of her every pain
and maybe it was the only beautiful wish
that has ever been born from my heart.
Once I touched the shadow of her heart
I grew and bloomed and learnt to be the one
who waits, heals,
loves, and breaks without bounds.

“Saving only December” – Nayana Nair

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All the spring’s color
have been molten and poured
into the broken casts of summer.
They seep into ground, into autumn leaves
that falls in every space between you and me.
They sing something for us again
as we shiver and stop ourselves from giving in,
as you hold back from saying every word
that can fix me (at least for now).
I google how to kill feelings
that don’t let me eat or speak or smile.
I bite my lips trying to bury the words
that would shine in your colors, if you were to look at me.
If you were to look at me, you would be only sad
to know how unchangeable my heart is.

You tear sheet after sheet, rip them out of calendar
and hand them to me.
We burn 11 months, saving only December, because you never know.
There is a knock on our door, someone who is lost
brings in the chilled wind, the fine dust of snow,
and voices celebrating something we will never understand.
I wait for you to come back and settle into you warm sleep.
I sit at the foot of the sofa, and think about
the one time I dreamt of death.
I was looking out of window waiting for you
and you came back with new pair of eyes that never settled on me,
and when I was almost about to cry
you moved towards me with a dying sparrow in your trembling hands.
It lay on its side with its soft violent gasp for breath
that were perfectly in sync with mine.

“and soon it will be time” – Nayana Nair

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in her two storey house
my doll sleeps on her silk sheets
with a knife resting beside her.
it shines
as if newly delivered and never used,
as if sharpened hundred times,
as if it has known the pain of blood every night,
every night cleaned
under the deafening noise of running tap water.
the metal mixes with her fears, with her trembling hands.
something again slips from her grasp.
and now it is time for tears,
and it will be soon time
for cycles of search and paranoia.
there is a time for every madness in her mind.
there is always a calm wait
before she reaches the next stage of hopelessness.
there is always a party hosted at the dead end of her lives
where she takes another drink,
and finds hands filled with warmth
and eyes that like the color of her healing skin,
the burned tips of her tongue, and her swallowed words equally.
but someone utters the wrong word,
looks at her the wrong way,
leaves the taps water, filled with smell of blood,
running in her mind again,
and again she lunges for the
the knife that fits in her hand better than any hope
and again she ends the song of her lover,
again she wakes up alone.