“All this destruction does something to me” – Nayana Nair

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The fork in my hand scratches furiously
at the new sheen of the borrowed plate.
The dense death
and the calcium of my hand tries to make a dent
in my green vessels, my skin too persistent
to break away, to let anyone else win.
My teeth runs away from cheap meat-
the soft fish, the bird drained of blood
lie wasted in the mouth of people as they
kiss and cave into equally hungry lying mouths.
My teeth digs in, tears into that one loveless heart,
trying to find some hunger for myself,
a hollow to store my excess, my too much,
the insufferable and the glittering overflow,
the by-product of life that doesn’t want to be lived.
All this destruction,
does something to me
I feel there is revelation, some hidden logic
these marks and sounds are leading me to,
so I flow along.
waiting for the moment when the desperate whimpers
give away to something else, something beautiful,
something that will make me finally cry
that will hurt me in the most irreversible way
something that will make me a human
capable of losing and loving anyway.
Maybe ‘the end’ is just a scary sign,
beyond which the life I wanted to live begins,
a place without illusions and truths.
A point of just easy breathing.”

“Walking off the cold” – Nayana Nair

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The stones are stacked,
a song is sung.
The invisible hands
and wailing throats
are at work again.

The yard grows sand,
grows salt and sun
and water is what it waits for.
Colorless blue is all
that eludes the grand plan.
And the wait for it is a snake –

a snake crawling through
the alleys of heart,
upturning graves and homes,
looking into the eyeless sockets
on walls, waiting for some light
to illuminate something true here.

Wait is the girl who pukes
at the mention of hope,
and walks off the cold
by lighting her own legs.
Her feet that always survive miraculously,
dance on the grassless yards
yearning for blue.

The yard grows feet
grows heart and fun.
The yard is lit with
the light of fried birds –
this is the liveliest moment
that all hands here know.
What else can one do with life?
What else can one do with death?

“today’s weather is fashioning a hollow revenge out of my sorrow” – Nayana Nair

.

“all those creatures of rotten wings
that circles above us,
not even waiting for our death,
not even the basic respect for a life
hanging by its broken teeth
on the clothes line of memory
in the unwelcome worrying winds
of this world,
what if we get to them first,
what if we didn’t use our last breath
to remember our love, to seek the god we never bothered
to think about in life, to raise our hands to give forgiveness,
to the ones who are already fighting over our funeral cost, to sit
by the trashcan fishing out and reviewing
our stories, our lives, only to let out a sigh,
always a sigh.
what if we take out the meanest arrow
in our anger filled, no-longer-shaking arms
and shoot them down, not even bothering
with threats and pleadings. what if we end things
with the sky lit in red. what if we end
it all ourselves. without wait. it sounds clean, mean,
and better. better than all the things
we are allowed to do with our last drop of strength.”

“what’s the meanest arrow you’ve got?”

“When we all meet” – Nayana Nair

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The silence was deafening
because there were people in it.
There was a tiny space made of granite,
a smallness born out of the spacious halls
now crowded with people.
the air stale with staring. The long moments
of confused and alienating gazes.
The wait. And for what?
Everyone knew they must speak,
only then a god will be formed,
only then we’ll have a reason to meet again.
But they were afraid of everything.
which was not really a problem.
They also felt among many other things
that only they felt and knew fear,
that fear kept only them as a pet to be played with.
They felt good and miserable when they though that.
They also felt special.
And because we were all special and doomed
and carried poetry in us to be looked at, to be listened to
we all stood there staring.
We stood shoulder to shoulder, sorrow to sorrow
trying prove to others that we knew life,
and that once, once we really did live.
But all we were seeing and feeling
under our feet, in the hollow of our hands
was that place, the house on the slippery slope,
the home we could never leave.
We were all there alone. Trying to avoid the weight
of another person who might just end it all for us
by saying something stupid as
“you are a bit too much for me”
and “this generation is not capable of love”
and “poverty is a state of mind”
Or something as true as
“this was a bad idea”,
“you do know that we will never meet again, don’t you?
at least we are all praying for that.”

“Feeding life” – Nayana Nair

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The crumbles of the day are out of my hand.
They fly towards the birds
who now only know how to sit and wait.

It is morning
and the birds have been dragged
to these grounds of freedom
again.
Again they have been given this abundance of sky,
again they will realize only the abundance of their own fear.

I color their feathers with the dyes of attention.
A friend of mine force feeds them something
that tastes very similar to the sweetness of a tender care.
But they cry and choke and try to wriggle out of his torn hands.
They are much more gentle on me.
My tears never dry,
so they are afraid of me in more softer ways.

I stupidly burn words and meanings into everything we do.
I move my hands on their feathers,
over this soft life that sees me as another bother.
I feel him smile as a kiss of blood blooms on his cheeks
as a beak stills, as they stare back at him.
They wait for him to stop smiling.
They wait for his love
to be withered by their tests of violence.
They wait for a long time.

It is evening.
It is again a moment of miracles
that never quite happen till they actually do.
We wait something to take flight.
We wait for life to find its legs.
We wait for a long time.

“I hope you are as stupid as me” – Nayana Nair

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It takes an eternity.
It takes the courage of fighting
thousand bloodless wars.
It takes the the cruelty
of scratching through my own wounded skin,
breaking my own ribs that were made to protect
the soft things that keeps me alive.
It takes stupidity and few seconds
for my fingers to reach your lips.

You look up. Your gaze says something
that I do not understand.
Such beautiful hopes and possible disasters
come alive in your face.
My fear comes to the surface of my eyes
swimming in the black oil
glistening and waiting to burn.

“till you return” – Nayana Nair

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the door shifts
and the lights evaporate
and the steps
the steps that echo
the steps that almost dance
they stop near me
the familiar cold kind hand falls on me cheeks
and now i let myself sink in my sleep
only now can i rest in peace

“it is about getting a bit too much in life” – Nayana Nair

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so why the long face?
what’s ailing you today?

i am confused.

about love? again?

no, about me.

about your skin?
about the directions your eyes take?
or about the growing all wrong feeling?

about “me in love”.
about “me” and “love”.

so is your skin cracking like mine?
has loneliness finally figured out how to hurt you best?
is it about why there is so much of love in this world
and why only you aren’t getting any?

no, it is about getting a bit too much.
about finding love again and again,
and being loved back again and again,
and before you get irritated,
it is also about love ending again and again.

so do you hate them for the end?
or are you still loving them when you shouldn’t?

i haven’t figured out that yet.
sort of don’t want to .
i am already depressed about not having that “one love”.
now the sunset reminds me of one person
and the rains remind of another.
i remember them all, not with hate, not with love,
but with fondness.

is that a good thing? or something bad?

i don’t know.
they are taking too much space in me
i was true to everyone so it feels rude and thankless
to get rid of things that were once my only joy.
but i feel it is all making my heart bigger.

don’t people normally want?
a bigger heart?

but it making my head a mess.
my immature and desperate want
of having that one person, only one person in my eyes
is lost cause.
i can give my whole life to one
but they will know, always know
that i am missing so many parts.

so
since the desperate and immature past you has given up
don’t wait around for another immature person
to count and complain about your parts.

but i am still the immature one even now.
i have always been that.
i wouldn’t be worrying over
my own split attention, if not split heart,
if i wanted to be the bigger better person
that life i forcing me to be and to have.

don’t worry
life is long. you will grow.
you will grow to fit your heart.

what if i don’t?

then we wait, till it does.

“with the right words, i can hide my unreasonable yearning for you” – Nayana Nair

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frozen time, open window

a cry of deer stuck in my throat
along with your name

the white spotless landscape of my heart
breaks again,

the summer keeps evaporating

my real smile surfaces and floats
like a dying fish, waiting for

needy hands, hungry lips,
hot oil, cold plate, and a decent death

the radio that plays on repeat
every song i hate,

the fork that traces the outline of my eyes

this empty life, my clean small bones
lying in the sunlit backyard of your world.

“The roads that I promised never to walk on” – Nayana Nair

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There are so many things that I wait to see again
and none of them will do my heart any good.
There are mountains and flags and footsteps
all settled into the sleep, lost in this busy blue.
Some call it drowning. Some call it the end of things.
Some wait for it to rise and become the lonely peak once again.
Some like me float my boat on this ocean
all dressed in sad flashy optimism
with my poor eyesight and a grainy foresight
ready to cry.
Some like me wait for the things they fear,
wait for the things that break, that tear.

All beautiful things of past are now buried
under a common grave with no stone, no epitaph.
I can’t tell apart my love from theirs.
My growing years, my diminishing heart,
the roads that I promised never to walk on,
the hands I promised never to leave-
they call it theirs.
They hold it in their arms
whenever after years of aimless floating
their boat gets caught by a shadow
that wants them.

Meanwhile I am afraid of holding back anything
that tries to stop me. Every pull frightens me
that I might love something that is not mine
that I will never know if this happiness is just
my sickness of water, sickness of search and waiting.
I can never look anyone in the eye
in the fear of seeing someone else’s tears,
in the fear of seeing my own corruptibility reflected.

And yet I can’t seem to end this search
for there are so many things I fear I will never feel again
if I end it all here.
Though they happen to be the same things
that I am incapable of believing in ever again.