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“Now playing: the ominous names you are yet to know, yet to resent” – Nayana Nair

I board the train that I could
thinking,
only thinking about the one I couldn’t.
There are only tunnels, only darkness,
no network,
only cold metal that I rest my head
hoping for my fever to come down,
only windows that turn into mirror.

In those momentary mirrors
I always look like someone on life support.
In the crowd that no longer suffocates me
I cling to the wires that fill my ears
with the sound of past, with love that will never come back,
with the love that I will never be,
with everything I can’t bear to talk about nor forget.

Though it pains me to look at myself for more than 2 seconds,
I force myself to withstand my stare.
For if I take my eyes away from me
I end up looking into eyes of strangers
who twist and distort their faces
asking for a reason they can understand
or they end up looking away,
their heart as fragile as mine.

We all act as if we can know each other by a glance,
as if we would prefer to be the backdrop, the wallpaper
than to find eyes that can actually see us,
than to know one more human who is hell bent on proving
the brittleness of our species.
I understand their heart, their fear all too well.
My skin remembers what their heart has forgotten.
Though I don’t think anyone really forgets things like these.

“Potential” – Nayana Nair

Posted on

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My every action feels like a potential trigger
for my all-seeing god and his all-criticizing followers
to throw me into the hell that is still under construction.
They are always changing the furniture,
always tearing down new wallpapers,
to suit to life I fear most.
But I can never make up my mind.
Maybe knowing, that the only way to evade their sentence
is to live my own hell.

“Knock” – Nayana Nair

Posted on

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My life is divided into different rooms
as is my heart.
For as long as I remember,
from the time I used to care for decorations
to the time I am too lazy to clean up.
From the moments of sweet solitude by the window
to the clinking glasses and winking eyes.
The room belonged more to them
than to me.

blueflower
And I often found it unsettling,
as if on a night
when I would be hiding under covers
not knowing what to fear,
someone would knock at the door
and with that knock, would come a pair of shoes
and a set of clothes, holding a person
whose face, motive or aim
would soon be inconsequential.

blueflower
And slowly she would drag me
out of each room,
snatching away each memory that she touched,
knocking down my bookcases filled with my escape,
tearing away the wallpapers
behind which I hid my unvoiced cries.
The doors would be shut on my face,
leaving me out in a storm on a moonless night,
leaving me alone to face all that I didn’t know of
taking away all that I know.

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