“Unchanging facts” – Nayana Nair

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All the stories and songs and
in this part of land, at this end of life – they are all about
the boat and its wood, about the shine of its old surface,
the sound of water it carries even as it sits on the dry
dying land, burning for hours and hours.
Hours not measured in the cups of water nor in the shadows
that refuse to fall in spite of all the light,
but hours measured by the cries of gull, the number of sails torn,
the diminishing weight of the men,
and the the silent wrath of all the glorious water.
We ‘the ones rooted to the shores’,
we sing from the shade of generous trees
to ‘the ones who only knew the abundance
of salt and wounds and undying dreams’,
trying to understand their alien love.
We sing of them and their hateful dreams,
of the tears they forced us to swallow because
they couldn’t love us if we wanted to be their shackles,
we narrate these unchanging facts every morning,
we dig a new grave for the same person again and again,
with each hole in earth as empty as the other.

“When we all meet” – Nayana Nair

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The silence was deafening
because there were people in it.
There was a tiny space made of granite,
a smallness born out of the spacious halls
now crowded with people.
the air stale with staring. The long moments
of confused and alienating gazes.
The wait. And for what?
Everyone knew they must speak,
only then a god will be formed,
only then we’ll have a reason to meet again.
But they were afraid of everything.
which was not really a problem.
They also felt among many other things
that only they felt and knew fear,
that fear kept only them as a pet to be played with.
They felt good and miserable when they though that.
They also felt special.
And because we were all special and doomed
and carried poetry in us to be looked at, to be listened to
we all stood there staring.
We stood shoulder to shoulder, sorrow to sorrow
trying prove to others that we knew life,
and that once, once we really did live.
But all we were seeing and feeling
under our feet, in the hollow of our hands
was that place, the house on the slippery slope,
the home we could never leave.
We were all there alone. Trying to avoid the weight
of another person who might just end it all for us
by saying something stupid as
“you are a bit too much for me”
and “this generation is not capable of love”
and “poverty is a state of mind”
Or something as true as
“this was a bad idea”,
“you do know that we will never meet again, don’t you?
at least we are all praying for that.”

“Shouldn’t that put me at ease?” – Nayana Nair

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The skin of the prophets and lovers
hangs with the fresh laundry.
The dices and glasses lie forgotten
in the broken and mutated stomachs of our pet fishes.
A pot of porridge sits on the blue counter.
The potatoes, the rice, the marbled peas grow soil,
grow eyes, grow tongue, grow memories that never were.
The imitations of porcelain crack under the weight of life.
It never used to be like that.

Life used to be small and delicate and beautifully framed
within the carefully drawn floral boundaries of plates,
within the pools of small spoons.
Life is no longer like that.
Now the book of tales burn
along with the missing ladles
and fake money of games no one knows how to play.
Every piece of wood, every piece of our soul,
anything that burns, only burns only what we love.
Only what we love gets to die here.

Shouldn’t that put me at ease?
That something gets to escape this world.
But all that dying,
the small pieces scraped off again and again.
Isn’t that how we got to this-
this place where even pain is dull,
where even the hopelessness doesn’t come with a heartbreak.

“prompts” – Nayana Nair

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i think of parasols.
i think of wearing my miniature body made of colorful frills,
holding my own soft innocence,
not like something that can be and will be lost
but like something that will never be destroyed,
like something one never gives a second thought about.
i think of never knowing fatigue, never resting.
my skin only knowing the sun.
i think of classrooms fitted with water coolers
i think of home and its beautiful cold floor
i think of places i knew i could always return to
once i was done with my playing, once i felt my hunger.
i think of the time that i lived not knowing not understanding
the appeal or the need of shadows.

i think of stones.
their small happy weight in my hands.
the deftness of my fingers and my wrist as i played.
my palm holding them together,
scattering them, collecting them.
my palm feeling the coldness of the evening,
knowing time through them.
i think of the stones that grew on the sides of broken roads
beside my source of earliest magic
-the touch-me-nots, the insects made of velvet,
and the lost fireflies.
i grew up in a broken forest
wearing stones as brittle as me.

i think of fruits.
their colors that i loved
even when i didn’t like what they were.
they tasted too mellow, too tame,
too transient to me.
their juices just carved a bit more hunger
in my stomach. my stomach that was already learning
to ask for more and more.
i carved their colors in my notebook.
i dreamt of drawing them up on my skin.
this was before i knew what a tattoo was,
before i learnt the dangers of carving things in you
that you can’t possibly love.

“This is my thrashing around. This is my thank you.” – Nayana Nair

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Ice floats and ships sink
but the absolutes end here.
For this red sun, that seems
to sink together with us all,
is just playing a kind game.
It is will be fine. Just fine.
It will pretend to die
just for our sake.
Just like how it pretends to be born
so that we don’t feel alone.

It doesn’t know yet, that we feel lonely
in spite of that. That there are things in life
that can make us forget, that can cancel
the sunshine and the storms. There are soft things
that gets trodden upon,
there is a kindness that we can’t value as humans
because it doesn’t come from the one we want.
There are things with weight and never leave our heart-
Like love, like death, like subjective harshness of this world.
Like the unnamed thing eating our dreams,
Like the unmanned vehicle of luck running over us-
leaving us alive everytime.
The friend who forgets us so often
that we believe that we are ghosts, the rain of care
that we try to predict in the eyes of cold lover,
the floating bodies that we can’t recognize.
But we cry and in our tears we feel the remains
of the memory that we can’t access.
we only feel we must cry or we will regret.

So dear sun
forgive us if we don’t return your smile
as we thrash around breathless in water,
as we demand answers in a voice weathered by tears.
Forgive us if we forget
that unlike us you will probably die alone.
Things get forgotten
important things like you and the other members
of your life-filled-lifeless club.
That’s just how we are
but we realize it sooner or later what they were.

I can recall the days when i knew you tried to save me.
You almost succeeded. You were beautiful
even when my life was not. But even that helps.
Thank you.
We may not say it that much, but we have written a lot about you
in the papers you’ll never read.
I hope when you die the papers that are filled with your beauty
can burn to give you a few more breaths.
I hope it helps even though it won’t.

“Paintings of springs and fault lines. Sketches of lost mothers.” – Nayana Nair

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She sings.
An echo, a heartbreak maybe,
something piercing, something invisible,
something not ours-
this is all that we are allowed feel
(as long as we want to feel).

She is everywhere.
She sleeps, buried under the heavy weight
of water and floating globes of life and
drowning boats and oil.
She is everywhere.

Yet her voice outlines every step we take.
Every dying step is a step lost to her name.
Running away is beautiful in this city.
The traces of our writhing, crawling, changing bodies,
painted on every stone, every wall,
doesn’t let us forget the dust of the world
we crushed by our hands,
doesn’t let us forget the word “home”.

All our journeys branch from her heart.
We sit huddled with our feet in water,
with our hands over fires dying out
and talk of her. Always her.

“Personal Sun. Personal Shadow.” – Nayana Nair

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the green pastures
the white fences
the perfect fake loving gaze
the debts of kindness
the half that never completes itself for once
the ornamental lackings of my being
the personal sun, the privilege to look away
and never know the heart of one who can’t
the greed such that I can’t stop receiving
the ideals that I can live without,
ideals that are already falling short
to accommodate
my monstrous growth, my falls from grace,

All these,
everything that I say I don’t need
is also
all that I cannot give back.

It is easier for me
to live,
to be kind,
to understand,
to love
with a life of hypocrisy,
with a guilt weighing down my heart,
with the smile that I can get only because
the world is unfair.

It is easier for me to smile
at the knife stuck in my back.
It is easier to forgive
when I cannot forget my own blood stained hands,
my own reckless selfish heart.

“Photographs of Unmade Bed” – Nayana Nair

#1
Today I am fixated on the the houses far ahead, the colors on those countless walls that are yet to be carried away by the winds. Today I am fixated on the wrong choice of shoes, the red sore blooming on the fingers of my feet. Today I am filling my eyes with all that I refuse to see otherwise. I like days like these. They give me the proof of life outside of me, proof that I am part of this world. Days like these let me know that even if there is nowhere I particularly have to go, my feet are sore from walking and the roads are bit weathered. So it must mean something. Slowly I am changing the world, just as the world is changing me. So it must mean something. These are the days I realize that I do not just look at the world, but kiss the world while hating it in my heart. That world doesn’t just disown me, but it keeps looking at my childhood photographs when no one is looking. It all must mean something.

#2
My bed sinks a bit more everyday. It feels as if every day I am carrying, dragging another new person into my uncomfortable sleep, to my messy life. There is no blood, or signs of resistance, so it must a deal of mutual benefit. I hope so. I wake with only my skin, with only my dry eyes. So again it must have been someone I mistook as you. Someone who knows how to keep their end of promise, someone who doesn’t look back at the weight they are leaving behind in my new scented sheets. With you there was warmth and suffocation and never-ending want to be something more. With you there were eyes that stared at me as if I am a road you are forced to walk on. With you there were things I couldn’t be and shouldn’t be. Without you, there is me and my imagination that draws you body full of life on the photographs taken of unmade med and undecided mind. What do I want really?

#3
The one love? The truest kind? The rarest kind? The kind that is made of eternities? The kind that is hellbent on making that big change? I sort of had that. “I had that love” would be my answer, only when I am asked to keep my answer short, which I am often asked.
In the answers of 500-1000 word limit, in the answer where 10 marks are at stake, in the answers only you would have asked – I wanted my only love to be true somehow, no matter what it took. Do you know what that means? It means there are hazy days, holding lies close to heart, illusion that I fed with my own blood that make appearance in this answer. The answer involves knowing everything that is wrong, knowing everything that shouldn’t be, knowing the end that I won’t have. The answer involves cutting short my words, even when there is no need to, even when you are here and you are listening. The answer is pretend that was true, the tears that I didn’t hate as much as I should, the person I liked a bit more than I should have. Always wondering if love would feel like love if it was not me and you standing on both of its end.

#4
There is soaring in the skies. There is running away to the ends of earth. There are, of course, moons, and sun, and stars for taking. There is a wish list for every age we failed to love properly. There are your past loves, there are my past pains to talk about till late night. There are things to eat and relish and complain and things we will never make the way we should, things we will throw away even though they turned out well. There are stories we will make up because we can, because they are fun. There are stories that will tell thousand times even though we won’t be believed. There are night we see only each other, there are nights we realize the pain of not being loved. There are permutations and combinations that I was always poor calculating, that you were never interested in. There is a day like this where we have nothing in our pockets to count on, no possibility, no scenario that could bring us and place us together in this life. This is the only day that I didn’t want to arrive at.

#5
You are only as dangerous as much as I let you be. If I let you be a mistake, you are just a humiliating past to be erased. If I let you be the friend that should have remained a friend, you are just a human among thousand others, a human I dealt with with immature idea of carpe diem, with a stupidity I once called honesty. If I let you be the reason of my happiness, you become the reason I should never smile again. If I let you be the incarnation of all that destroys, you become the plague in my heart that will not end till I die, till I give myself up. The more I let you be within the scope of my life, the more I regret letting you in. I never try to think of you as someone I associated the word love with. That word lets you become my breaking heart, my lungs devoid anything capable of giving life, my mind slowing down and stuck at the worst part of my life.
So when I think of you, I think of you as the result of taking the idea of selflessness, of selfishness, of wanting to be part of this world, of taking “it all must mean something” a bit too far.
Because irrespective of what you might have been for me. Now you are only as dangerous, as important as I let you be.

“the shadow at the foot of my bed” – Nayana Nair

today is the birthday of one another oddity of mine.
on a day like this,
few calendars ago
i learnt how to turn my helplessness into my charm.
i learnt to fill the glasses, the throats of everyone i know
with something sweet, with a taste they can’t name.
i learnt to become something that can’t be known or hurt.
in my bedroom i sit at the foot of my bed
trying to block out the presence, the weight
of the other half of my body
clinging, clawing, crying, dissociating.
i again forget where i am.
i again forget how to stop shaking.
if i walk a bit more into the darkness
i feel i won’t have to pretend to be the one
who has a say in what happens to her.
a hand slips into mine.
sometimes it rests on my waist,
and i force myself not to feel nauseated.
love him. love her. i tell myself repeatedly.
love. love. love. love till i can make up for all my lacks.
my love is my penance, my apology
to anyone who chooses me as their destiny.

“could-have-beens” – Nayana Nair

when saw my skin, i saw only cracks
cracks that would have looked worse
if i could see better.
i wanted to look away
but all i could do was think-
age is creeping up on me
slowly and cruelly
and you are not here.

i think of all the things
i can never have now.
things i meant to do everyday
things i put off, delayed
because you needed time.
all the things i denied myself
because i wanted to wait for you.

but the weight of things i have given up
seems to have increased exponentially
since you learnt to change your mind.

so me and my could-have-beens
we sit at different tables in the same world,
looking at each other with disappointment.
how ridiculous is this
that i am waiting,
even when there is no one to wait for,
even when i know that running away
was the only thing you could be relied upon for.